IMDb-BEWERTUNG
7,6/10
16.462
IHRE BEWERTUNG
Ein homerisches Märchen, das von der abenteuerlichen Reise zweier Jungen, Seydou und Moussa, erzählt, die Dakar verlassen, um nach Europa zu gelangen.Ein homerisches Märchen, das von der abenteuerlichen Reise zweier Jungen, Seydou und Moussa, erzählt, die Dakar verlassen, um nach Europa zu gelangen.Ein homerisches Märchen, das von der abenteuerlichen Reise zweier Jungen, Seydou und Moussa, erzählt, die Dakar verlassen, um nach Europa zu gelangen.
- Für 1 Oscar nominiert
- 38 Gewinne & 35 Nominierungen insgesamt
Ndeye Khady Sy
- Madre di Seydou
- (as Khady Sy)
Oumar Diaw
- Sisko
- (as Cheick Oumar Diaw)
Affif Ben Badra
- Autista pickup
- (as Afif Ben Badra)
Jackie Zappa
- Middle man
- (as Jacky Zappa)
Empfohlene Bewertungen
People are always drawn to the idea of a better life, and all too many of them are fooled (or fool themselves) into believing that all they have to do is to find their way to America or Australia or (as here) Europe, and they will have found paradise. Many thousands of people set out on these journeys of hope every year. What proportion of them make it? No-one knows, but it's unlikely to be that high. What proportion of those that make it think it was worthwhile? No-one knows that either.
Seydou and Moussa are teenaged cousins from Senegal who have come to believe in the dream. They've saved what they think is enough money, and set out without telling their families.
Then they face reality. Their journey leads from Senegal to Mali; to Niger; to Libya; and then across the Mediterranean to Italy. Or so they hope. What they soon realise is that the the people-traffickers through whose hands they pass are simply after their money. If some poor souls die along they way, who cares? The least brutal encounter is with a border guard who says "I recognise a fake passport when I see one. Fifty dollars to ignore it." The most brutal is very brutal indeed.
At one point the cousins are separated, and the film follows Seydou. He makes it to the shores of Libya via a stroke of luck that strikes the viewer as a bit too convenient. He is then reunited with his cousin via another all-too-convenient stroke of luck.
The last act of the film is the crossing of the Mediterranean, with Seydou tricked into skippering a boat that looks as though it's already been scrapped twice (hence the title, Io Capitano which means I am the Captain. Most of the cast speak a dialect which it took me a while even to recognise as a sort of Pidgin French).
The film is beautifully shot and the cast (largely non-professional as far as I could make out) are superb throughout. I do, however, have a problem with the ending. It's too optimistic, too upbeat. The mass migration of so many desperate people (and their ruthless exploitation) is the great crisis of our age. I'm not going to pretend I have an answer, other than the fact that the necessary first step is for as many people as possible to know what's going on. To this end, I would've thought a more brutal - even depressing - ending would've driven the necessary message home more effectively.
Still, this is a first-class film, which will live long in the memory.
Seydou and Moussa are teenaged cousins from Senegal who have come to believe in the dream. They've saved what they think is enough money, and set out without telling their families.
Then they face reality. Their journey leads from Senegal to Mali; to Niger; to Libya; and then across the Mediterranean to Italy. Or so they hope. What they soon realise is that the the people-traffickers through whose hands they pass are simply after their money. If some poor souls die along they way, who cares? The least brutal encounter is with a border guard who says "I recognise a fake passport when I see one. Fifty dollars to ignore it." The most brutal is very brutal indeed.
At one point the cousins are separated, and the film follows Seydou. He makes it to the shores of Libya via a stroke of luck that strikes the viewer as a bit too convenient. He is then reunited with his cousin via another all-too-convenient stroke of luck.
The last act of the film is the crossing of the Mediterranean, with Seydou tricked into skippering a boat that looks as though it's already been scrapped twice (hence the title, Io Capitano which means I am the Captain. Most of the cast speak a dialect which it took me a while even to recognise as a sort of Pidgin French).
The film is beautifully shot and the cast (largely non-professional as far as I could make out) are superb throughout. I do, however, have a problem with the ending. It's too optimistic, too upbeat. The mass migration of so many desperate people (and their ruthless exploitation) is the great crisis of our age. I'm not going to pretend I have an answer, other than the fact that the necessary first step is for as many people as possible to know what's going on. To this end, I would've thought a more brutal - even depressing - ending would've driven the necessary message home more effectively.
Still, this is a first-class film, which will live long in the memory.
An emotional rollercoaster of a film charting the journey of two young Senegalese cousins as they cross the Sahara and the Mediterranean to find their fortune in Europe. It gives the lie to those who demonise, to advance their political ambitions, such migrants. Technically, the film is astonishing, especially notable for Paolo Carnera's superb cinematography and. Marco Spoletini's sensitive editing. Everyone in the large, mainly non-professional, cast is superb, with a massive shout-out to Seydou Sarr, who finds himself as the eponymous captain. Director and co-writer Matteo Garrone, a great filmmaker, has delivered another masterwork.
It's really hard to watch, as a privileged European. Being that comfortable, in a movie theatre, knowing that everything you see is true and is happening right now to people that was just born on the other side of our common sea, makes your stomach sick.
I loved it, and yet I don't know if I could see it again. Makes you feel helpless.
On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.
I loved it, and yet I don't know if I could see it again. Makes you feel helpless.
On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.
I always had a negative mindset about illegal immigrants, but here, in this outstanding movie, I found it so much easier to understand how difficult it is to leave everything you have to live a normal life. It shows how unquestionably unfair life can be for some people, dealing with hundreds of difficulties just to be able to pursue a dream which can not be true in their own country. I believe, all of us, as humans have this amazing ability to find a better way to help preventing this mount of pain for people like these teenagers. And this movie changed my perspective about this crisis. I am expectantly waiting to see a better life for every human, regardless of where on this planet they are living.
This is one of the most outstanding movies that I've seen in recent years, and one that should be compulsory viewing for all.
Illuminating, heart-breaking but ultimately uplifting, LO CAPITANO casts an unflinching eye upon the gruelling journey that so many illegal immigrants undertake in the hope of a better life.
The two innocents at the heart of the story are captivating in their naivety which is quickly crushed by the brutality of the heartless opportunists who exploit them at every step.
Yet, it also conveys a message of hope and triumph of the spirit. A superb film that's not to be missed. If I could rate it 11 out of 10, I would.
Illuminating, heart-breaking but ultimately uplifting, LO CAPITANO casts an unflinching eye upon the gruelling journey that so many illegal immigrants undertake in the hope of a better life.
The two innocents at the heart of the story are captivating in their naivety which is quickly crushed by the brutality of the heartless opportunists who exploit them at every step.
Yet, it also conveys a message of hope and triumph of the spirit. A superb film that's not to be missed. If I could rate it 11 out of 10, I would.
Wusstest du schon
- WissenswertesFilm debut of Moustapha Fall.
- VerbindungenFeatured in The Oscars (2024)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Io Capitano
- Drehorte
- Casablanca, Marokko(as Tripoli)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.113.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 150.048 $
- Weltweiter Bruttoertrag
- 7.636.951 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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