Die unglaubliche Geschichte über die fantastische Entwicklung von Bella Baxter, einer jungen Frau, die von dem brillanten und unorthodoxen Wissenschaftler Dr. Godwin Baxter ins Leben zurückg... Alles lesenDie unglaubliche Geschichte über die fantastische Entwicklung von Bella Baxter, einer jungen Frau, die von dem brillanten und unorthodoxen Wissenschaftler Dr. Godwin Baxter ins Leben zurückgeholt wurde.Die unglaubliche Geschichte über die fantastische Entwicklung von Bella Baxter, einer jungen Frau, die von dem brillanten und unorthodoxen Wissenschaftler Dr. Godwin Baxter ins Leben zurückgeholt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- 4 Oscars gewonnen
- 120 Gewinne & 419 Nominierungen insgesamt
Anders Olof Grundberg
- Kid in London Street
- (as Anders Grundberg)
Zusammenfassung
Reviewers say 'Poor Things' is visually striking with standout performances by Emma Stone and Willem Dafoe. It delves into feminism, liberation, and societal norms through a surreal lens. Critics laud its unique cinematography and bold storytelling but note uneven pacing and character depth. The film's sexual content and portrayal of Bella have sparked controversy, making it a thought-provoking yet divisive experience.
Empfohlene Bewertungen
Well it was just weird. But I really loved Mark Ruffalo in the movie. He was so funny. And he really made the role very believable. The other actors and actresses were great but their roles didn't have the same kind of acting needed. Ruffalo was able to put more emotion into his role. Emma Stone did her role very well as the lovely Bella. Who was learning more and becoming a more rounded role for her. So her "frankinsteinish" role was well played. Dafoe as the mad scientist who let his creation loose into the world was well played as well! Personally I would have just watched it for Mark Ruffalo though.
"Poor Things" directed by Yorgos Lanthimos is definitely a bold and interesting original film. Probably the most unique film to be released this year and provided a surprising watch, I often found myself laughing out loud more than I had thought I would've. The film showcases personal transformation and finding one's self through rapid growth and character development with Bella (Emma Stone). As we see her transition from being told where to go and what to do, to ultimately deciding her own path. Emma Stone displayed one of her greatest performances to date and heavily carried this film on her shoulders. The supporting ensemble was outstanding as well with Mark Ruffalo, Willem Dafoe, and Christopher Abbott all giving exceptional performances. Beautiful cinematography, set design, costume design and makeup were very unique and help elevate this bizarre and over the top piece of cinema to be one of the best films of the year.
I very much enjoyed Poor Things and the performances done by Emma Stone, Mark Ruffalo and Willem Dafoe. I was absolutely taken by the surrealistic set design and even psychological interaction depiction between the doctor and his patient Bella. A complicated and fanciful character is Bella inhabiting the resurrected body of her mother via a brain transplant. Oh my such medical technology. It's a good thing that's not possible yet today. Bella was gifted a free experience as she became conscious of the world and herself by her brilliant surgeon father a vocation as it turns out would become her lifetime vocation. The story continued on briefly after her father's death and an extensive excursion through life, relationships, and time. Generally speaking storyline, cinematography, set design, location, interactive character development we're all done to perfection. I've only touched on it a microscopic portion of the scope of this film. So much to enjoy here this little paragraph doesn't even begin to do it justice.
This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.
I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.
I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.
While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.
So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.
I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.
I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.
I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.
While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.
So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.
I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.
Poor Thins was the last Best Picture nominee on my list.
As someone who likes the work of Lanthimos but does not *love it* I didn't know what to expect all I can say is I love it!
For me, this film represents female liberation like no other. Bella represents the new beginning and self-discovery. Emma should win an Oscar for this is not even questionable.
The scenes are magnificent and the whole world Lanthimos created is stunning to look at.
The cast (for the most part) delivers outstanding performances even though their accents sometimes miss the mark.
The only cast member that I found lacking was Margaret Qualley.
It's an outstanding film that deserves the recognition it got and it's the perfect feminist text. I loved it.
As someone who likes the work of Lanthimos but does not *love it* I didn't know what to expect all I can say is I love it!
For me, this film represents female liberation like no other. Bella represents the new beginning and self-discovery. Emma should win an Oscar for this is not even questionable.
The scenes are magnificent and the whole world Lanthimos created is stunning to look at.
The cast (for the most part) delivers outstanding performances even though their accents sometimes miss the mark.
The only cast member that I found lacking was Margaret Qualley.
It's an outstanding film that deserves the recognition it got and it's the perfect feminist text. I loved it.
Wusstest du schon
- WissenswertesWillem Dafoe described the makeup process, "Four hours in, two hours out every day - I'm showing up at three o'clock in the morning, sitting in the chair, meditating and trying to deal with standing still. You can't sleep because it's intricate enough that you've got to work with the people applying it. It's a grind, but I liked working with a mask in there - quite literally, a mask."
- PatzerMark Ruffalo's attempt at a British accent is extremely unconvincing.
However, an unconvincing accent is simply a limitation of the actor's ability and not a mistake on the part of the filmmakers. Also, what is considered unconvincing is a subjective matter of opinion.
- Zitate
Bella Baxter: [on the wailing infant] I must go punch that baby.
- Crazy CreditsThe opening and closing credits are shown as a frame around the image.
- Alternative VersionenThe UK's BBFC viewed the film during editing to provide advice on classification, and informed the distributor it required changes to one short sequence to secure an "18" rating. The scene depicted sexual activity in the presence of children. Under UK law, this could be illegal and therefore required removal before being distributed within the country. The changes were made before formal classification, and this same version of the film was ultimately released everywhere.
- VerbindungenFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Pobres criaturas
- Drehorte
- Origo Film Studio, Budapest, Ungarn(soundstages)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 34.553.225 $
- Eröffnungswochenende in den USA und in Kanada
- 661.230 $
- 10. Dez. 2023
- Weltweiter Bruttoertrag
- 117.625.455 $
- Laufzeit
- 2 Std. 21 Min.(141 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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