Tomorrow Before After

From start to finish this movie keeps you captivated by the story of a woman who finds herself alone after a great destruction on the planet. The film allows the audience to feel what would happen in the event that a person was left alone as the only survivor. The actress, through her performance, manages to convey the emotions of a human being when she finds herself alone in the world, with no one around her to talk to, interact with or ask for help, she only finds a dog who becomes her best company and friend. It is a film that has great production values, from the script, direction, acting, sound, music, effects and photography. Definitely a great piece of the film industry produced and filmed in Colombia.

"Tomorrow Before after" is an astonishing post-apocalyptic film that delivers a gripping and emotionally charged experience. The film centers on the harrowing journey of a lone woman and her loyal dog, who are on the brink of sanity in a desolate world. The story takes a powerful turn when the protagonist discovers she is pregnant, forcing her to confront the enormity of her new reality and the hope she carries for repopulating the earth.

The lead actress delivers a stellar performance, portraying her character's vulnerability, resilience, and inner strength with remarkable depth. Her chemistry with the dog is heartwarming and genuine, providing a touching counterpoint to the harshness of their surroundings. The film's cinematography skillfully captures the bleakness of the environment while highlighting moments of profound beauty and hope.

"Tomorrow Before After" excels in its exploration of human endurance and the instinct to protect and nurture life even in the darkest times. The narrative is both haunting and uplifting, weaving a tale of survival, redemption, and the enduring power of hope. It's a cinematic experience that will leave audiences reflecting on the strength of the human spirit long after the credits roll.

I think this movie explores very well a character that discovered that she is alone in this world after an apocalypse. The decadence and the madness of the character show us that the human mind can be very fragile but at the same time can be very strong.

Natalia Reyes and the director Alfonso made a great job convincing us that world destruction can be possible and that after all is the only thing we need to care about.

The cinematography sometimes give us the sensation that we are in horror movie and I think it would have been better to have more static shots of Natalia and maybe more intimate shots so we can be with her more time and understand her more.

The direction and the acting is grate and I can tell that there was a hard job behind all this master piece.

I gave the lengthy (what I thought was going to be a prelude to a plot and/or action) beginning of the film the benefit of the doubt. That was because I am a fan of the genre, and because the actress performed well with what she was given.

Unfortunately, her performance was the only plus. Well, I added a third star because I love dogs, and her co-star helped rescue the movie from utter oblivion.

Few actors can carry a film that's essentially a monologue, especially one with a politically correct theme. She did decently with that enormous challenge, but the plot never proved convincing, and the ending simply didn't deliver.

Sad... I really did want to like it.

Particularly if the viewer is a fan of dystopian future/post-apocalyptic movies, Tomorrow Before After is a movie worth our time. The narrative is not spectacular, and although there is a message worth listening to, it is not groundbreaking insightful. What we are presented with, instead, is a heroine, alone, despondent, with fractured questions, perhaps, survivor's guilt and a character seemingly living in a day-to-day modus operandi that might just barely guarantee her and her unborn's survival. We sit and watch not only the decaying world our heroine lives in, displayed in Alfonso Quijada's wonderful cinematography, but where this world is visited by the wonderful acting of Natalia Reyes Gaitan's complex approach to her, frustrating at times, but ultimately likable character. The movie, although introducing, maybe unnecessarily, unanswered misteries here and there, is very likely a study of what life could be like, for some, if we as social creatures were to be deprived of that umbrella of protection we call "having someone to share our lives with, having company," and that alone is worth our time.