Tomorrow Before After

"Tomorrow Before after" is an astonishing post-apocalyptic film that delivers a gripping and emotionally charged experience. The film centers on the harrowing journey of a lone woman and her loyal dog, who are on the brink of sanity in a desolate world. The story takes a powerful turn when the protagonist discovers she is pregnant, forcing her to confront the enormity of her new reality and the hope she carries for repopulating the earth.

The lead actress delivers a stellar performance, portraying her character's vulnerability, resilience, and inner strength with remarkable depth. Her chemistry with the dog is heartwarming and genuine, providing a touching counterpoint to the harshness of their surroundings. The film's cinematography skillfully captures the bleakness of the environment while highlighting moments of profound beauty and hope.

"Tomorrow Before After" excels in its exploration of human endurance and the instinct to protect and nurture life even in the darkest times. The narrative is both haunting and uplifting, weaving a tale of survival, redemption, and the enduring power of hope. It's a cinematic experience that will leave audiences reflecting on the strength of the human spirit long after the credits roll.

...what... I watched Alfonso Quijada's first movie The Whisper of Silence a couple of days ago and I had to watch his next movie! And... what? Is this guy for real? Where does he gets his ideas? Both films are rare... unique but as I get to know Quijada I see that he is either smoking some serious stuff or he is from another planet. I love this film. Natalia Reyes sure steps up as a solo actress, a long way from the generic Tim Miller Terminators ... no, this is another leve of performace. The art direction is impressive and I need to see more from the art director, Colombian Hernan Garcia! A film that requieres indulging its thought provoking agenda. Yes, agenda... for there way more behind that one can persive.

If you are looking for excitement, don't look here. This well made apocalyptic film is very slow moving as life probably would be if you were the last person alive on Earth and that is what this film is about. I truly expected this to be a piece of junk, but it is more than that, though there are quite a few issues. Through near constant narration we learn we are told that first there was a pandemic that killed billions followed by a war that killed the rest. Later we hear about what sounds like an alien invasion. Perhaps that is who the war was with?! It is never made clear. The narration itself could also be a bit better, but cinematography is quite good and the acting by the lead, Natalia Reyes, is very strong much of the time. It's a hard role to pull off being the only person on screen, though later joined by a German Shepard. It's about a solitary life among the ruins leaving us with just her and the dog. There is an enormous question hanging over this that is never answered. Why only her? What makes her so special? I did really like the last scene which implies that this is the beginning of a new world.

From start to finish this movie keeps you captivated by the story of a woman who finds herself alone after a great destruction on the planet. The film allows the audience to feel what would happen in the event that a person was left alone as the only survivor. The actress, through her performance, manages to convey the emotions of a human being when she finds herself alone in the world, with no one around her to talk to, interact with or ask for help, she only finds a dog who becomes her best company and friend. It is a film that has great production values, from the script, direction, acting, sound, music, effects and photography. Definitely a great piece of the film industry produced and filmed in Colombia.

Particularly if the viewer is a fan of dystopian future/post-apocalyptic movies, Tomorrow Before After is a movie worth our time. The narrative is not spectacular, and although there is a message worth listening to, it is not groundbreaking insightful. What we are presented with, instead, is a heroine, alone, despondent, with fractured questions, perhaps, survivor's guilt and a character seemingly living in a day-to-day modus operandi that might just barely guarantee her and her unborn's survival. We sit and watch not only the decaying world our heroine lives in, displayed in Alfonso Quijada's wonderful cinematography, but where this world is visited by the wonderful acting of Natalia Reyes Gaitan's complex approach to her, frustrating at times, but ultimately likable character. The movie, although introducing, maybe unnecessarily, unanswered misteries here and there, is very likely a study of what life could be like, for some, if we as social creatures were to be deprived of that umbrella of protection we call "having someone to share our lives with, having company," and that alone is worth our time.