IMDb-BEWERTUNG
6,1/10
3581
IHRE BEWERTUNG
Ein Reboot von Kamen Rider (1971) zur Feier seines 50-jährigen Bestehens.Ein Reboot von Kamen Rider (1971) zur Feier seines 50-jährigen Bestehens.Ein Reboot von Kamen Rider (1971) zur Feier seines 50-jährigen Bestehens.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Tôri Matsuzaka
- K
- (Synchronisation)
Nao Ômori
- Kumo Augment-01
- (Synchronisation)
Empfohlene Bewertungen
As the third of "Shin-" series, it is safe to say this title is much better than "Shin Ultraman" but way less developed than "Shin Godzilla" in terms of story, character and most importantly, relevance to the originals. My expectation had been low mainly because of the heart-broken experience in the disastrous parody of Ultraman by the multi-titles-holder Anno, thus the first sequence in this film surprised and even betrayed me a lot in a good way. Visual character designs are retrospective but fresh (almost as always), and battle scenes are exciting and speedy even though some parts are unrecognizable to see what is going on. If you can swallow some obnoxious fetishized scenes (a strong and straightforward woman& quiet but justice boy, rustic and long wordy scene, smell of woman for example) as his authenticity, it is recommendable.
Shin Kamen Rider (2023) is a movie that I recently watched on Prime. The storyline follows a motorcycle racer who is kidnapped by a man who wants to take over the world. The motorcycle racer escapes but not before getting infected and turned into a super hero mutant driver. With his new powers he will try to stop his kidnapper from taking over the world.
This movie is directed by Hideaki Anno (Shin Godzilla) and stars Sôsuke Ikematsu (The Last Samurai), Minami Hamabe (Let Me Eat Your Pancreas), Tasuku Emoto (And Your Bird Can Sing) and Shin'ya Tsukamoto (Tokyo Fist).
The characters and universe for this picture are perfectly set up. The action scenes initially are great with fantastic kill scenes, gore, flying body parts, everything you'd want from a Kamen Rider picture. The villain had potential too. Unfortunately the content gets a bit too over the top, a bit too over done, and ran out of gas for me. I did enjoy watching it unfold, but it didn't have the same magic as Shin Godzilla.
Overall, this movie had enough worthwhile elements to make it worth a watch but isn't as good as Shin Godzilla. I would score this a 6/10 and recommend watching it once.
This movie is directed by Hideaki Anno (Shin Godzilla) and stars Sôsuke Ikematsu (The Last Samurai), Minami Hamabe (Let Me Eat Your Pancreas), Tasuku Emoto (And Your Bird Can Sing) and Shin'ya Tsukamoto (Tokyo Fist).
The characters and universe for this picture are perfectly set up. The action scenes initially are great with fantastic kill scenes, gore, flying body parts, everything you'd want from a Kamen Rider picture. The villain had potential too. Unfortunately the content gets a bit too over the top, a bit too over done, and ran out of gas for me. I did enjoy watching it unfold, but it didn't have the same magic as Shin Godzilla.
Overall, this movie had enough worthwhile elements to make it worth a watch but isn't as good as Shin Godzilla. I would score this a 6/10 and recommend watching it once.
Shin Kamen Rider is a fun kitschy throwback to the1970s style tokusatsu genre, a meta re-telling of the Kamen Rider origin story, as part of his Shin Japan Heroes Universe tribute series.
Shin Kamen Rider is a silly piece of nostalgic cheese that might not be for everyone. Hideaki Anno's straight-faced direction will come off as a quirky spin exclusively for fans who grew up on the old Kamen Rider shows. However, first-timers may feel completely alienated trying to get in on the joke.
At its two-hour runtime, the script is episodic, equivalent to roughly four 30-minute episodes on TV, each complete with its villain.
The deadpan acting style that Hideaki Anno has maintained through these 3 Shin films remains an odd choice; the actors seem to be performing experimental theater or in a Yorgo Lanthimos film.
Every feeling the characters have is blatantly stated out loud, and as a result, the film feels more told than shown, focused on the plot, not the characters. I don't recall the acting in old Tokusatsu shows being this way, so it's not a matter of tribute. It's as if Anno is stripping these established cultural icons to their bare skeleton and just presenting them through chilled museum glass.
This cold bland performance style does work better here for Kamen Rider than in Godzilla or Ultraman. Anno builds in quiet meditative moments of the Kamen Rider contemplating his power and responsibilities that worked well. If deconstruction was indeed Hideaki Anno's goal, this is the closest he's achieved it.
The magic kicks in during the action sequences. The old-school special effects, monster makeup, and the theme song all work together and in these short moments, I was whisked away back to my childhood. It was a simpler time when watching actors don silly masks and fight stuntmen dressed in rubber monster costumes on TV was sufficient entertainment.
Once it gets going, it doesn't matter that it's cheesy, the effects are shoddy, or that Kamen Rider uses the same technique to finish off the monsters every time. Those moments are quite fun.
Everything else in between, however, is quite the endurance test.
Shin Kamen Rider is a silly piece of nostalgic cheese that might not be for everyone. Hideaki Anno's straight-faced direction will come off as a quirky spin exclusively for fans who grew up on the old Kamen Rider shows. However, first-timers may feel completely alienated trying to get in on the joke.
At its two-hour runtime, the script is episodic, equivalent to roughly four 30-minute episodes on TV, each complete with its villain.
The deadpan acting style that Hideaki Anno has maintained through these 3 Shin films remains an odd choice; the actors seem to be performing experimental theater or in a Yorgo Lanthimos film.
Every feeling the characters have is blatantly stated out loud, and as a result, the film feels more told than shown, focused on the plot, not the characters. I don't recall the acting in old Tokusatsu shows being this way, so it's not a matter of tribute. It's as if Anno is stripping these established cultural icons to their bare skeleton and just presenting them through chilled museum glass.
This cold bland performance style does work better here for Kamen Rider than in Godzilla or Ultraman. Anno builds in quiet meditative moments of the Kamen Rider contemplating his power and responsibilities that worked well. If deconstruction was indeed Hideaki Anno's goal, this is the closest he's achieved it.
The magic kicks in during the action sequences. The old-school special effects, monster makeup, and the theme song all work together and in these short moments, I was whisked away back to my childhood. It was a simpler time when watching actors don silly masks and fight stuntmen dressed in rubber monster costumes on TV was sufficient entertainment.
Once it gets going, it doesn't matter that it's cheesy, the effects are shoddy, or that Kamen Rider uses the same technique to finish off the monsters every time. Those moments are quite fun.
Everything else in between, however, is quite the endurance test.
As a long time Kamen Rider fan(real riders not the late heisei/reiwa stuff) this bring so muc joy for me.
There's some flaws for sure.. like the pacing, some actions feels a little off, and how a certain character(no spoilers) pretty much carried the later parts of the movie. But it really captures how a Kamen Rider should be, Ilove the visuals, and I don't mind the violence because if you read the manga that's how it is, how strong the rider. And it's obvious this movie isn't for kids unlike the tv shows. All in all it feels like a love letter to us old fans.
Those who watched the original series and read the manga will definitely love this, to me it's everything it needs to be. Ishinomori sensei would be proud.
Here's hoping for a sequel, perhaps with V3 being introduced.
There's some flaws for sure.. like the pacing, some actions feels a little off, and how a certain character(no spoilers) pretty much carried the later parts of the movie. But it really captures how a Kamen Rider should be, Ilove the visuals, and I don't mind the violence because if you read the manga that's how it is, how strong the rider. And it's obvious this movie isn't for kids unlike the tv shows. All in all it feels like a love letter to us old fans.
Those who watched the original series and read the manga will definitely love this, to me it's everything it needs to be. Ishinomori sensei would be proud.
Here's hoping for a sequel, perhaps with V3 being introduced.
This is coming from a non-fan, better known as normie: I think it's pretty enjoyable to watch from start to finish because the movie almost didn't give me room to breath like, dude it's full of action from the Toho logo to credits! Since I'm a non-fan, the things that bother the original fans so much pass me by like wind through canyons, so hey feel free to roast me if you want. CGI didn't bother me that much like in Anno's previous two shins, I mean I could still catch what's going on. Practical effect done rightfully even brutal in some parts, like blood splattering all over the place. I wonder if Anno already had plan to make another shin series of another Japanese IP after this. Shin-Super Sentai anyone?
7.5/10.
7.5/10.
Wusstest du schon
- WissenswertesThe film's first trailers are based on the title sequence of Kamen Rider (1971).
- Zitate
Kumo Augment-01: Truly, you are Midorikawa's masterpiece. It's incredible that you escaped unscathed, Batta Aug.
Takeshi Hongo: No. My name is... Rider. Call me Kamen Rider!
- VerbindungenRemake of Kamen Rider (1971)
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Details
Box Office
- Budget
- 15.800.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 15.835.414 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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