IMDb-BEWERTUNG
7,8/10
3310
IHRE BEWERTUNG
Jazz und Entkolonialisierung sind in dieser historischen Achterbahnfahrt miteinander verwoben, die den Kalten Krieg neu schreibt, der die Musiker Abbey Lincoln und Max Roach dazu brachte, de... Alles lesenJazz und Entkolonialisierung sind in dieser historischen Achterbahnfahrt miteinander verwoben, die den Kalten Krieg neu schreibt, der die Musiker Abbey Lincoln und Max Roach dazu brachte, den UN-Sicherheitsrat zu sprengen.Jazz und Entkolonialisierung sind in dieser historischen Achterbahnfahrt miteinander verwoben, die den Kalten Krieg neu schreibt, der die Musiker Abbey Lincoln und Max Roach dazu brachte, den UN-Sicherheitsrat zu sprengen.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 16 Gewinne & 35 Nominierungen insgesamt
Patrice Lumumba
- Self
- (Archivfilmmaterial)
Dag Hammarskjöld
- Self
- (Archivfilmmaterial)
Louis Armstrong
- Self
- (Archivfilmmaterial)
Nikita Khrushchev
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Dizzy Gillespie
- Self
- (Archivfilmmaterial)
Andrée Blouin
- Self
- (Archivfilmmaterial)
Abbey Lincoln
- Self
- (Archivfilmmaterial)
Art Blakey
- Self
- (Archivfilmmaterial)
Leonid Brezhnev
- Self
- (Archivfilmmaterial)
Pau Casals
- Self
- (Archivfilmmaterial)
Fidel Castro
- Self
- (Archivfilmmaterial)
Ornette Coleman
- Self
- (Archivfilmmaterial)
John Coltrane
- Self
- (Archivfilmmaterial)
Willis Conover
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
Two and a half hours an not a moment of boredom. The story (or stories) it tells are amazing, the punches to the gut are well-spaced out, like a boxer wearing down his/her opponent until the final KO. Maybe the best music documentary ever? Certainly one of the most substantial. May only regret is not having time to note down all the books whose titles flashed up on screen in accompaniment of the many quotations, like on-screen footnotes. All in all, a wonderful film which unfortunatley I will never forget.
That was the review, but more words are required. This was at the San Sebastian International Festival. Big screen is beswt, I reckon, because it will force you to concentrate.
Thanks to all concerned in the making of this film.
That was the review, but more words are required. This was at the San Sebastian International Festival. Big screen is beswt, I reckon, because it will force you to concentrate.
Thanks to all concerned in the making of this film.
During my life on the European continent, in a wealthy country that has benefitted enormously through the ages by suppressing other cultures, the stories of peoples enduring this suppression have been supressed enough that a story of this magnitude can suddenly struck you into silence.
A breathtaking musical journey depicting the rise and fall of the first Premier of Congo, Mr. Patrice Lumumba, showing the atrocities that the powers that be had to commit to steer history into a different direction.
I would like to implore anyone who hasn't seen this, to view this at your own peril, because this powerful documentary can blow your mind.
A breathtaking musical journey depicting the rise and fall of the first Premier of Congo, Mr. Patrice Lumumba, showing the atrocities that the powers that be had to commit to steer history into a different direction.
I would like to implore anyone who hasn't seen this, to view this at your own peril, because this powerful documentary can blow your mind.
The documentary is a mishmash of beautiful composed edits using American jazz music to carry the content through its highs and lows.
There's 2 hours plus of significant content. That can be daunting to those unfamiliar with US foreign policy in Congo or in the western reactions to post colonialism. Still it's beautifully done. And it will hopefully raise more awareness in America's use of soft power especially in foreign country regime change.
Congo is the main focus of the documentary but it's a symbol of many other countries including those in Africa, Latin America and Asia. If anything this should start conversations in how entertainers are used by governments to fulfill foreign affairs.
There's 2 hours plus of significant content. That can be daunting to those unfamiliar with US foreign policy in Congo or in the western reactions to post colonialism. Still it's beautifully done. And it will hopefully raise more awareness in America's use of soft power especially in foreign country regime change.
Congo is the main focus of the documentary but it's a symbol of many other countries including those in Africa, Latin America and Asia. If anything this should start conversations in how entertainers are used by governments to fulfill foreign affairs.
It's a documentary on the birth of the Republic of Congo and the assassination of its first prime minister, Patrice Lumumba. The approach incorporates much film footage from about 1950 to the early 1960s, juxtaposing the music and comments of leading jazz musicians of the era with contemporary news footage. Particular emphasis is placed on the various political machinations at the United Nations by Nikita Khrushchev, Dwight Eisenhower, Adlai Stevenson, and other world leaders, including Fidel Castro and Malcolm X.
At some levels, "Soundtrack to a Coup d'Etat" is an intelligent and brilliant work with an incredible musical score. However, it takes too long to make the fundamental connection between the American jazz musicians and Patrice Lumumba. When it finally does, it's highly effective, but a half hour could easily have been edited from the final production.
At some levels, "Soundtrack to a Coup d'Etat" is an intelligent and brilliant work with an incredible musical score. However, it takes too long to make the fundamental connection between the American jazz musicians and Patrice Lumumba. When it finally does, it's highly effective, but a half hour could easily have been edited from the final production.
Whereas a documentary of this caliber on the direct-to-streaming aisle would incorporate your basic interviews and archival footage with little to no forethought, Soundtrack to a Coup d'État is a rallying cry within a musical odyssey. Hyperfast editing and a symphonic pace make this visual essay so special, resembling jazz's rigid but unforgettable structure. Vastly covering the Congo's struggle for independence (with jazz giants being the preface)- the inherent timeliness to today's genocidal crimes reflects a period not too astray from ours.
At times it may seem like the gargantuan presence of information overwhelms the viewer into submission, but rest assured the film continues its tapestry of bedazzlement all the way through. This is how historical documentaries should be made. Lessons will be learned, techniques will be seen. Enthralling from beginning to end, Soundtrack to a Coup d'État must not be missed. A charming, distinctive gateway for those yearning to learn more about deep-seated neocolonialism.
At times it may seem like the gargantuan presence of information overwhelms the viewer into submission, but rest assured the film continues its tapestry of bedazzlement all the way through. This is how historical documentaries should be made. Lessons will be learned, techniques will be seen. Enthralling from beginning to end, Soundtrack to a Coup d'État must not be missed. A charming, distinctive gateway for those yearning to learn more about deep-seated neocolonialism.
Wusstest du schon
- VerbindungenFeatures Disneyland '59 (1959)
- SoundtracksEl Cant dels Ocells
Written and Performed by Pau Casals
Top-Auswahl
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Details
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Box Office
- Bruttoertrag in den USA und Kanada
- 365.318 $
- Eröffnungswochenende in den USA und in Kanada
- 9.931 $
- 3. Nov. 2024
- Weltweiter Bruttoertrag
- 434.267 $
- Laufzeit
- 2 Std. 30 Min.(150 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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