IMDb-BEWERTUNG
5,0/10
6145
IHRE BEWERTUNG
Carl Nargle, Vermont's Nr. 1 unter den öffentlichen Fernsehmalern, ist überzeugt, dass er alles hat: eine Dauerwelle, einen maßgeschneiderten Van und Fans, die an jedem seiner Striche hängen... Alles lesenCarl Nargle, Vermont's Nr. 1 unter den öffentlichen Fernsehmalern, ist überzeugt, dass er alles hat: eine Dauerwelle, einen maßgeschneiderten Van und Fans, die an jedem seiner Striche hängen.Carl Nargle, Vermont's Nr. 1 unter den öffentlichen Fernsehmalern, ist überzeugt, dass er alles hat: eine Dauerwelle, einen maßgeschneiderten Van und Fans, die an jedem seiner Striche hängen.
- Auszeichnungen
- 1 Nominierung insgesamt
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Almost walked out and I should have. Since they tease a Bob Ross movie and never delivering is akin trying to get drunk on near beer. Somehow this movie is set in the 1980s and today. The plot is as predictable as a paint by numbers project.
The only part of the movie worth noting is that Owen Wilson does look like Bob Ross and his hair is something to behold. Sadly, in this movie his knock off impersonation is flat and every supporting character are paper thin and forgetable.
I give credit to the promo trailer team, from that it looks like an interesting movie. How this movie ever received a green light is shocking and the fact people got paid for making it is criminal.
Do yourself a favor and pass on this movie.
The only part of the movie worth noting is that Owen Wilson does look like Bob Ross and his hair is something to behold. Sadly, in this movie his knock off impersonation is flat and every supporting character are paper thin and forgetable.
I give credit to the promo trailer team, from that it looks like an interesting movie. How this movie ever received a green light is shocking and the fact people got paid for making it is criminal.
Do yourself a favor and pass on this movie.
When I first saw the trailer for this movie I thought it would be a Bob Ross semi-biographical movie. However, that is not the case. The only thing bob-ross related is the base charecter of Carl Nargle, and that he has a TV paint show. I accepted this and tried to enjoy the film, but in the end it it knows what it wants to be...but dosen't know how to get there.
First, the positives. It looks pretty good, with nice colors and wood tones but it is ruined sometimes with choppy editing. I did laugh a good amount of times, with all the actors commiting to the heartfelt funny tone. However, lots of the jokes didn't land as well due to poor comedic timing or just played out jokes. The base story is okay, but I have a lot of issues with it.
Like I said, it wants to be a heartfelt comedy about a painter who's golden days are dwindling due to issues in the past and present. They try to throw quirky side charecters in there, but they are really not fleshed out at all so they feel more like NPC's than charecters. The movie also dosen't really give enough time to the storylines that are the most important and dilly dally on other scenes that just feel odd. Why is everyone trying to have sex with Carl Nargle? And then, when the new painter comes in they all suddenly switch and despise him. They have some reason too, but that reason is really only explained once and never seen again. They just tried to mix every color to make a heartfelt painting, but ultimately it just feels confused. Also, the sound mixing is a little off.
In the end, I would not reccomend Paint. It's a movie, and you probably wouldn't be mad watching it, but you would definetly want your money back. It's neither here nor there, and that is what's so dissapointing. Have a great day.
First, the positives. It looks pretty good, with nice colors and wood tones but it is ruined sometimes with choppy editing. I did laugh a good amount of times, with all the actors commiting to the heartfelt funny tone. However, lots of the jokes didn't land as well due to poor comedic timing or just played out jokes. The base story is okay, but I have a lot of issues with it.
Like I said, it wants to be a heartfelt comedy about a painter who's golden days are dwindling due to issues in the past and present. They try to throw quirky side charecters in there, but they are really not fleshed out at all so they feel more like NPC's than charecters. The movie also dosen't really give enough time to the storylines that are the most important and dilly dally on other scenes that just feel odd. Why is everyone trying to have sex with Carl Nargle? And then, when the new painter comes in they all suddenly switch and despise him. They have some reason too, but that reason is really only explained once and never seen again. They just tried to mix every color to make a heartfelt painting, but ultimately it just feels confused. Also, the sound mixing is a little off.
In the end, I would not reccomend Paint. It's a movie, and you probably wouldn't be mad watching it, but you would definetly want your money back. It's neither here nor there, and that is what's so dissapointing. Have a great day.
The movie "Paint" has missed the mark with its outdated portrayal of the main character, Carl, played by Owen Wilson. He is so out of touch with modern technology that he doesn't even know what an Uber is or how to use his cellphone. The woman he loved and left, Katherine, played by Michaela Watkins, has been waiting for him for two decades. This only adds to the overall sense of melancholy that encompasses the film. The attitudes and feelings of the film are as antiquated as Carl's wardrobe, leaving me feeling disconnected and disinterested. Only the very talented Stephen Root (plays Tony, Carl's station chief) and the lively Ciara Renée (who plays Ambrosia, Carl's younger and more skilled competitor), manage to bring any energy to the film. Just want to stress the fact that Stephen Root keeps on performing outstanding and is still very much undervalued. The unconvincing flashbacks to his younger self, leave him looking unchanged and uninspired adds insult to injury. Just as the movie, uninspiring! Overall, "Paint" fails to deliver a fascinating story and appealing characters. Its flat approach and outdated attitudes made it difficult for me to connect with the movie. And leaving me feeling unsatisfied and disappointed. The trailer is misleading and disconnected from the movie. This is not the funny Owen I am used to seeing. A 5/10 would suffice here.
It's a well-intentioned movie that does have some interesting ways that it goes about delivering its messages about valuing what's important in life (especially towards the film's ending). And there were a handful of jokes that did get a good laugh out of me.
Unfortunately, that's about it as far as positives go. Bland by-the-numbers direction, shallowly-written characters, emotionally disconnected performances, and very little actual conflict make Paint an exceptionally boring film for the most part.
It takes far too long for the story to get to its most interesting parts, and for the better part of the first hour I was left wondering when the story was going to start.
I never understood what Owen Wilson's totally-not-Bob-Ross character really wanted or needed until the film's end, and even then it doesn't feel earned.
Every character and plot point is only shown at its very surface level, never giving you much reason to get invested in anything being presented. If I don't know anything about these people or events, why should I care? So I didn't care, and now I will never think about this movie again.
Unfortunately, that's about it as far as positives go. Bland by-the-numbers direction, shallowly-written characters, emotionally disconnected performances, and very little actual conflict make Paint an exceptionally boring film for the most part.
It takes far too long for the story to get to its most interesting parts, and for the better part of the first hour I was left wondering when the story was going to start.
I never understood what Owen Wilson's totally-not-Bob-Ross character really wanted or needed until the film's end, and even then it doesn't feel earned.
Every character and plot point is only shown at its very surface level, never giving you much reason to get invested in anything being presented. If I don't know anything about these people or events, why should I care? So I didn't care, and now I will never think about this movie again.
Britt McAdams' directorial debut "Paint," a joyless 96 (thank you) minutes, is an ill-conceived sendup of Public Broadcasting's artist-in-residence, Bob Ross. It's worth saying, the main character in this paint-by-numbers comedy, Carl Nargle (funny), isn't actually Ross. He is Owen Wilson, by way of Art Garfunkel. Yet like Ross, he paints how-to landscapes on public access television, in Vermont where the locals are holdover oddballs from "Newhart." And like Ross, he has a folksy, on-air style, wears denim a lot, sports a Toni Home Perm, and speaks softly (more seductive than instructive). To everyone's surprise, except his, of course, he is a popular success, especially with women, who seem drawn to him (no pun). In one over-played gag, his artwork makes women orgasm; needless to say, he's discovered the joy of painting. Such is, more or less, the premise here: not much else to hang a smock on, just one joke, and McAdams' screenplay beats the devil out of it.
True to form, Wilson returns to his comic roots to bring off his trademarked persona, the same he's honed over the years on television and in movies, and in movies based on television. A natural clown, he selects from a grab bag of expressions, ticks, and quirks. His schtick, one might say, is a limited palette, like a typical Ross landscape: familiar, yet naive. He's also somewhat attractive--from a distance--and can be humorous if given the opportunity, which this movie fails to do, resorting only to the tried and true, as when Carl scrambles to steal newspapers with bad reviews, a bit that's been done before (I think Berle did it).
Carl is typical of Wilson's cast of characters: a self-deluded, man child, fumbling his way through life, could be certifiable, yet laughable, affable--a joke, really. Bob Ross was something of a joke, too, perhaps, but, while the joke was about him, unlike Carl, it was never on him.
True to form, Wilson returns to his comic roots to bring off his trademarked persona, the same he's honed over the years on television and in movies, and in movies based on television. A natural clown, he selects from a grab bag of expressions, ticks, and quirks. His schtick, one might say, is a limited palette, like a typical Ross landscape: familiar, yet naive. He's also somewhat attractive--from a distance--and can be humorous if given the opportunity, which this movie fails to do, resorting only to the tried and true, as when Carl scrambles to steal newspapers with bad reviews, a bit that's been done before (I think Berle did it).
Carl is typical of Wilson's cast of characters: a self-deluded, man child, fumbling his way through life, could be certifiable, yet laughable, affable--a joke, really. Bob Ross was something of a joke, too, perhaps, but, while the joke was about him, unlike Carl, it was never on him.
Wusstest du schon
- WissenswertesThe screenplay was featured on 2010's Black List of most-liked unproduced screenplays.
- VerbindungenReferenced in OWV Updates: The Seventh OWV Awards - Last Update of 2022 (2022)
- SoundtracksNew Vistas
Performed by Billy Williams and Jack Miller
Written by Billy Wayne Williams and Jack Miller
Courtesy of Fervor Records
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 811.739 $
- Eröffnungswochenende in den USA und in Kanada
- 570.512 $
- 9. Apr. 2023
- Weltweiter Bruttoertrag
- 811.739 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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