November

November is a gripping thriller that provides a poignant look into how French law enforcement responded to the unprecedented 2015 Paris terrorist attacks. The depiction is candid, showing both the brutality and horror resulting from these events and instances of bravery displayed by those involved in responding to them. The movie's foundation consisting of real facts and testimonies results in actors delivering powerful performances throughout its runtime.

Director Cedric Jimenez maintains an engaging atmosphere throughout his work. He kept me invested until the credits rolled while raising important issues surrounding terrorism, security measures, and civil liberties with conviction and balance - an approach we need given the complex world we live in today - without oversimplifying them for audiences seeking concrete answers/solutions during these difficult times.

Be warned: graphic scenes may upset some people; therefore, viewer discretion is advised. One also needs to pay attention due to its fast-paced intricate plot, which demands focus throughout. November isn't exactly what one might call a 'light' film. Clocking in at two hours, November is an intense and often dense experience that may prove too much for some viewers.

November is not a film that caters to those seeking quick fixes or easy answers. Little context or backstory is given, which may leave some confused or unsatisfied. All that said, though, November is a powerful and compelling work that honours both the victims AND heroes of the Paris attacks in 2015 while reflecting on the wider societal implications of such atrocities. The movie offers a realistic portrayal of events without unnecessary dramatisation, making it all the more vibrant. Although some parts may be difficult to watch (i.e., graphic scenes), I recommend checking out November if you're interested in this subject matter.

Greetings from Lithuania.

"Novembre" (2022) is a solid movie that depicts a work that was done in first days in capturing terrorist and preventing more deaths after horrible acts of terrorism committed in Paris in 2015. We do not get to see the horrible killings because in this movie they are not the point, the goal here is to show what happened after. It's a solid film in tradition of "Zero Dark Thirty". It does not reach the high bar of "Zero", but I was involved into it's running time. At 1 h 40 min this film does not dragg.

Overall, "Novembre" isn't particularly great, but it's solid enough to recommend it.

Gripping documentary/thriller of the investigation following the attacks. Fast paced, relentless and brutally realistic! It keeps the spectator holding his breath and sitting on the edge of his seat all along,.at the end you come out of it feeling a mixture of relief after the police intervention, but also anger at the lack of consideration for the casualties that are left behind once the whole counter terrorist intervention is over. Well worth a watch as the acting is particularly convincing snd deserves the numerous nominations at the Cesar ceremony. Definitely dark and depressing but so we're the dreadful events the film is steeped in.

Despite a decent cast and a few captivating moments in the last part, a return to the 2015 horror that too often lacks embodiment and stays on the surface, with the script lacking any ideas, thematics. Shame. The director was maybe afraid of hurting, of being indecent, of creating controversy with regard to the government perhaps, but the problem is that his film does not bring anything new compared to what we know. Through the medias of the time. What is the real point of describing this hunt for terrorists when we already know the events? Unfortunately, the script sounds pretty hollow. The big film on the subject with its possible implications (economic, political, etc.) remains to be made. Imagine what the Yves Boisset of the 1970s and early 80's could have done with this hot topic...

As Kathryn Bigelow did with ZERO DARK THIRTY, in 2013, about Ossama Ben Laden trackdown and execution after 9/11 events, French movie industry now does the same about 11/13 mass killings in Paris. The same but not entirely though, only the few days following Friday the 13th, "BLACK FRIDAY", whilst the US movie showed the entire Ben Laden affair. It is taut, tense, gripping, shocking during some scenes, and accurate at the most possible. But unlike the American movie, the characters are not depicted more than necessary. We know nothing about them, except maybe the Anaïs Demoustiers one, this young female cop facing pure horror. But for the rest, including Jean Dujardin, we know nothing. It's not important to appreciate this awesome film, but it is good to tell it. The particularity of this feature is also to remain factual, always factual. Neutral. At no moment, the film maker Cedric Jimenez takes part. It is also very important to warn the audiences. Very unusual and maybe many people won't understand this. It is also question to show some of the terrorists but not enough the victims. Is it a good point? I honestly don't know, each of us will appreciate or not.... A damn good film, however. You can not miss it. We can now consider Cedric Gimenez as the French Paul Greengrass.