IMDb-BEWERTUNG
5,5/10
4096
IHRE BEWERTUNG
In einem luxuriösen Schweizer Hotel verflechten sich in der Silvesternacht 1999 die Leben der Hotelangestellten und verschiedener Gäste miteinander.In einem luxuriösen Schweizer Hotel verflechten sich in der Silvesternacht 1999 die Leben der Hotelangestellten und verschiedener Gäste miteinander.In einem luxuriösen Schweizer Hotel verflechten sich in der Silvesternacht 1999 die Leben der Hotelangestellten und verschiedener Gäste miteinander.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Ema Mur
- Russian Girl
- (as Ema Kovac)
Empfohlene Bewertungen
I went into The Palace somewhat spooked by the negative reviews, and I am happy to report that this is definitely a peak Polanski. It is a wonderful comedy that holds well on repeated viewings. The ending could be stronger, true, but that's the only flaw I can see.
The Palace is Polanski's foray into decidedly Monty Python-esque territory. John Cleese's presence enhances this impression. The performances of all principals are very enjoyable, with Oliver Masucci, Joaquim de Almeida, and Mickey Rourke being particular standouts.
It is currently available on an excellent English-friendly (as far as the main feature is concerned) Italian Blu-ray.
Highly recommended.
The Palace is Polanski's foray into decidedly Monty Python-esque territory. John Cleese's presence enhances this impression. The performances of all principals are very enjoyable, with Oliver Masucci, Joaquim de Almeida, and Mickey Rourke being particular standouts.
It is currently available on an excellent English-friendly (as far as the main feature is concerned) Italian Blu-ray.
Highly recommended.
It is New Year's Eve 1999, at a luxury hotel in Switzerland. A grotesque gallery of the filthy rich gather to see in the new year, with many afraid the Y2K bug is imminently about to destroy western civilization...
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Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
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Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
The media are underplaying the major event of the new Roman Polanski with the categorisation: a bad Polanski, probably his worst. And the scribblers forget one fact: a bad Polanski is largely subject to impossibility. Perhaps the popularly celebrated condemnation is still due to the witch hunt as part of the unspeakable MeToo smear campaign. In "J'Accuse" there was no artistic attack surface whatsoever, but here there is a little more. A light and entertaining film, undoubtedly in the realm of comedy, so intentional, so brought to the screen. The Palace is obviously modelled on the screwball comedies of the pre-50s.
We find ourselves in the millennium night of 1999, a luxury hotel in the Swiss mountains, a meeting place for the formerly beautiful and supposedly rich. A rendezvous of bizarre characters, chaotic events and crazy entanglements unfolds, all madly directed by hotel manager Oliver Mansucci, currently Germany's best acting export. Lots of familiar faces and not a minute of boredom, mission accomplished.
We find ourselves in the millennium night of 1999, a luxury hotel in the Swiss mountains, a meeting place for the formerly beautiful and supposedly rich. A rendezvous of bizarre characters, chaotic events and crazy entanglements unfolds, all madly directed by hotel manager Oliver Mansucci, currently Germany's best acting export. Lots of familiar faces and not a minute of boredom, mission accomplished.
Realizing that he himself would soon go into oblivion, he probably said his last word to this rotten and two-faced world, in which not a hint of decency and principles remained.
Almost all the characters and their actions are clear who they represent in the real world, although in some places there is a little fog. Quite a funny, superficial grotesque look at what has happened to the world in the last 30 years.
But Polanski's characteristic subtle style is weakly visible here; rather, this is the work of two other Polish screenwriters, as the main "traction" horses; he was on this list rather as a consultant and architect of the general line; he most likely has not had the strength to create everything himself for a long time . Everything is too rough, especially the ending. It does not shock at all, but rather saddens, recalling Polanski's old works.
The subtle, complex acting and skirmishes that you expect from Polanski's films are practically absent here.
Is it worth watching? Against the backdrop of that endless wave of sludge and bad taste, Hollywood certainly, perhaps his last venture in his life, deserves it. The trouble is that he does not present deep thoughts, everything is too superficial. For the sophisticated public, everything quickly becomes boring, but for the inexperienced it is rather pointless.
The sophisticated public on the planet understands perfectly well what the remnants of the former civilization are moving towards quite quickly, but the unsophisticated public is more and more busy with animal survival and has no time for self-reflection and assessment of the situation in the world.
It is clear that this creation will certainly be hated in the USA (and this is mutual from Polanski personally) and quite strongly in Europe. That is why the rating is intentionally low and there are no large number of ratings. The majority of the population has neither critical thinking nor the self-sufficiency of outlook to independently shape their destiny and evaluate what is really happening around them - they are shaped by it, skillfully forcing them to follow the indicated track leading straight to the abyss, like horses rushing in blinkers...
Almost all the characters and their actions are clear who they represent in the real world, although in some places there is a little fog. Quite a funny, superficial grotesque look at what has happened to the world in the last 30 years.
But Polanski's characteristic subtle style is weakly visible here; rather, this is the work of two other Polish screenwriters, as the main "traction" horses; he was on this list rather as a consultant and architect of the general line; he most likely has not had the strength to create everything himself for a long time . Everything is too rough, especially the ending. It does not shock at all, but rather saddens, recalling Polanski's old works.
The subtle, complex acting and skirmishes that you expect from Polanski's films are practically absent here.
Is it worth watching? Against the backdrop of that endless wave of sludge and bad taste, Hollywood certainly, perhaps his last venture in his life, deserves it. The trouble is that he does not present deep thoughts, everything is too superficial. For the sophisticated public, everything quickly becomes boring, but for the inexperienced it is rather pointless.
The sophisticated public on the planet understands perfectly well what the remnants of the former civilization are moving towards quite quickly, but the unsophisticated public is more and more busy with animal survival and has no time for self-reflection and assessment of the situation in the world.
It is clear that this creation will certainly be hated in the USA (and this is mutual from Polanski personally) and quite strongly in Europe. That is why the rating is intentionally low and there are no large number of ratings. The majority of the population has neither critical thinking nor the self-sufficiency of outlook to independently shape their destiny and evaluate what is really happening around them - they are shaped by it, skillfully forcing them to follow the indicated track leading straight to the abyss, like horses rushing in blinkers...
I've been looking forward to this film for a long time and I haven't been disappointed. I was a bit irritated by the bad citics, but after watching the film, I realized that it was a Hollwood smear campaign against Polanski and his film. Non political correctness, non compromises. Typical Polanski style. This is not Hollywood trash, its serious Cineme. If you don´t like it, go watch "Barbie", "Everything Everywhere All at Once" or another Hollywood trash.
I read a few of the bad Reviews. I don't understand why it's hard to rate this movie, or why the movie is politically hard to defend? Is it because of Putins New Year's address? LOL
This is a damn fine comedy/Satire and it deserves at least one Oscar Nominee. Unfortunately, Hollywood these days is all about politics.
Normally, I would give the movie 8 stars, but because of the hate, i give it 9 Stars. Hopefully it wasn't Polanski's last film. He should get an Oscar for his life's work, but it's not going to happen. Hollywood, take your political correctness and go to Hell.
I recommend the film to all those who are still interested in real Cinema.
I read a few of the bad Reviews. I don't understand why it's hard to rate this movie, or why the movie is politically hard to defend? Is it because of Putins New Year's address? LOL
This is a damn fine comedy/Satire and it deserves at least one Oscar Nominee. Unfortunately, Hollywood these days is all about politics.
Normally, I would give the movie 8 stars, but because of the hate, i give it 9 Stars. Hopefully it wasn't Polanski's last film. He should get an Oscar for his life's work, but it's not going to happen. Hollywood, take your political correctness and go to Hell.
I recommend the film to all those who are still interested in real Cinema.
Wusstest du schon
- WissenswertesWhen suggesting to use a bandaid for Bongo's nose, Hansueli suggests he would look like "that actor" in "that movie". He's speaking of Jack Nicholson in Roman Polanski's Chinatown (1974).
- PatzerChampagne, especially a $12,450 bottle of Bollinger 1938 vintage champagne, would never under any circumstances be served at room temperature.
- Zitate
Arthur William Dallas III: Can I have that blowjob now?
- VerbindungenFeatures Lou Bega: Mambo No. 5 (A Little Bit of...) (1999)
- SoundtracksMambo No.5 (A Little Bit Of...)
Written by Dámaso Pérez Prado, Lou Bega and Zippy Davids
Performed by Lou Bega
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Палац
- Drehorte
- Palace Hotel, Gstaad, Schweiz(main location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 21.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 972.161 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
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