Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.
- Auszeichnungen
- 15 Gewinne & 22 Nominierungen
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe real Perron family visited the set of the film.
- Patzer(at around 1h 15 mins) When Cindy is retrieved from her hiding spot after sleepwalking, there is a cell phone in Carolyn's back pocket.
- Zitate
Lorraine Warren: Do you remember the thing you said on our wedding night?
Ed Warren: Can we do it again?
Lorraine Warren: No! The other thing, that God brought us together for a reason.
- Crazy CreditsWhen the names "Shannon Kook", "John Brotherton", "Sterling Jerins" appear in the end credits, a white cross on the grave turns upside down.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksTime of the Season
Written by Rod Argent
Performed by The Zombies
Courtesy of Marquis Enterprises, Ltd.
By arrangement with Ace Music Services, LLC
Ausgewählte Rezension
"Don't summon the devil, don't call the priest ..."
I was one of a lucky few to have seen The Conjuring at a preview screening for FrightFest 2013.
I went in totally cold, not having seen a trailer, nor knowing anything about the story or plot and it turned out to be one of the best scary horror movies I have ever seen.
The Conjuring is a nail-biting, hiding-behind-hands movie. If you've been disappointed with the likes of Paranormal Acivity and Insidious, this one is likely to deliver in areas where they failed.
It tells the supposedly true story of two paranormal investigators, who aim to rid families and properties of their suspected supernatural visitations, either by disproving them (if they turn out to be just creaky floorboards or slamming doors) or tackling them head-on if not. A leap of faith is required to buy into this theme but if you're okay with it, then the movies plays out pretty well within its genre confines.
The particular incident they are brought in to deal with is described as surrounding a spirit 'so malevolent' it was hidden from the public until only now. In fairly Amityville-like circumstances, a family move into a new house and discover the basement is sealed; boarded-up behind a doorway.
It's not at all surprising what follows, once they decide to take a look in the basement but it is surprising how James Wan has managed to take such a tired theme of haunting and possession and revive it so convincingly.
I am no stranger to these kind of movies but this one truly tops them all for tension and terror. I really enjoyed Sinister recently, which I found to be equally as scary but it lost its way a bit towards the end, whereas The Conjuring keeps tempo and has a fairly satisfying conclusion.
I particularly liked the way the film took a turn for the comical somewhere in the middle, only for perhaps five minutes, then came back firing on all cylinders as it headed to the finale. If this was intentional, to lure us into a false sense of security, it worked beautifully.
If you're the type to poo-poo this genre in general, I can't see you suddenly being converted to a believer but, if you enjoy classic horror like The Exorcist, The Amityville Horror and Poltergeist, I can almost guarantee The Conjuring won't disappoint.
I was one of a lucky few to have seen The Conjuring at a preview screening for FrightFest 2013.
I went in totally cold, not having seen a trailer, nor knowing anything about the story or plot and it turned out to be one of the best scary horror movies I have ever seen.
The Conjuring is a nail-biting, hiding-behind-hands movie. If you've been disappointed with the likes of Paranormal Acivity and Insidious, this one is likely to deliver in areas where they failed.
It tells the supposedly true story of two paranormal investigators, who aim to rid families and properties of their suspected supernatural visitations, either by disproving them (if they turn out to be just creaky floorboards or slamming doors) or tackling them head-on if not. A leap of faith is required to buy into this theme but if you're okay with it, then the movies plays out pretty well within its genre confines.
The particular incident they are brought in to deal with is described as surrounding a spirit 'so malevolent' it was hidden from the public until only now. In fairly Amityville-like circumstances, a family move into a new house and discover the basement is sealed; boarded-up behind a doorway.
It's not at all surprising what follows, once they decide to take a look in the basement but it is surprising how James Wan has managed to take such a tired theme of haunting and possession and revive it so convincingly.
I am no stranger to these kind of movies but this one truly tops them all for tension and terror. I really enjoyed Sinister recently, which I found to be equally as scary but it lost its way a bit towards the end, whereas The Conjuring keeps tempo and has a fairly satisfying conclusion.
I particularly liked the way the film took a turn for the comical somewhere in the middle, only for perhaps five minutes, then came back firing on all cylinders as it headed to the finale. If this was intentional, to lure us into a false sense of security, it worked beautifully.
If you're the type to poo-poo this genre in general, I can't see you suddenly being converted to a believer but, if you enjoy classic horror like The Exorcist, The Amityville Horror and Poltergeist, I can almost guarantee The Conjuring won't disappoint.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El conjuro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 137.446.368 $
- Eröffnungswochenende in den USA und in Kanada
- 41.855.326 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 320.415.166 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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