IMDb-BEWERTUNG
5,5/10
1716
IHRE BEWERTUNG
Folgen Sie einer Gruppe von Kindern, die während des Zweiten Weltkriegs in ein Dorf in Yorkshire evakuiert werden, wo sie auf einen jungen Soldaten treffen, der wie sie weit weg von zu Hause... Alles lesenFolgen Sie einer Gruppe von Kindern, die während des Zweiten Weltkriegs in ein Dorf in Yorkshire evakuiert werden, wo sie auf einen jungen Soldaten treffen, der wie sie weit weg von zu Hause ist.Folgen Sie einer Gruppe von Kindern, die während des Zweiten Weltkriegs in ein Dorf in Yorkshire evakuiert werden, wo sie auf einen jungen Soldaten treffen, der wie sie weit weg von zu Hause ist.
- Auszeichnungen
- 1 Nominierung insgesamt
Liam Dillon
- Amercian Officer
- (as Liam Dhillon)
Micky Williams
- Children's Dad
- (as Mickey Williams)
Empfohlene Bewertungen
As you might expect from an attempt to re run a beloved classic there is a certain air of somewhat cynical box checking about The Railway Children Return but some charm does manage to sneak through.
This time round children are sent to the country to escape the blitz rather than just having to slum it with the yokels because daddy has legal problems. This set up allows Jenny Agutter to return as the grown up matriarch of a family taking in the new generation of railway kids. She seems to be enjoying herself but doesn't really have much to do. This is the same for most of the adult characters in the film, thinly drawn but likeable (apart from one insufferable old uncle who turns up purely to spout ra ra nonsense).
This makes sense as it is the railway "children" after all. Some of the child acting is, to be kind, a mixed bag but it never derails proceedings and there is only so much a young actor can do with insightful lines like, "I hate war, I hate it!"
The plot, such as it is, involves a runaway soldier and institutional racism. Fortunately, only the American military are racist (although they still promote black soldiers far up the ranks so i guess we are meant to think they aren't all bad) as the citizens of a quant English village would never indulge in such behaviour. To call the events of the movie a plot is actually a bit of stretch, things happen for a while and then just sort of resovle themselves without much explanation of how everynody came together.
The Railway Children Return isnt a complete waste of time but is likely to be quickly forgotten. Probably as soon as the credits roll.
This time round children are sent to the country to escape the blitz rather than just having to slum it with the yokels because daddy has legal problems. This set up allows Jenny Agutter to return as the grown up matriarch of a family taking in the new generation of railway kids. She seems to be enjoying herself but doesn't really have much to do. This is the same for most of the adult characters in the film, thinly drawn but likeable (apart from one insufferable old uncle who turns up purely to spout ra ra nonsense).
This makes sense as it is the railway "children" after all. Some of the child acting is, to be kind, a mixed bag but it never derails proceedings and there is only so much a young actor can do with insightful lines like, "I hate war, I hate it!"
The plot, such as it is, involves a runaway soldier and institutional racism. Fortunately, only the American military are racist (although they still promote black soldiers far up the ranks so i guess we are meant to think they aren't all bad) as the citizens of a quant English village would never indulge in such behaviour. To call the events of the movie a plot is actually a bit of stretch, things happen for a while and then just sort of resovle themselves without much explanation of how everynody came together.
The Railway Children Return isnt a complete waste of time but is likely to be quickly forgotten. Probably as soon as the credits roll.
It was a good idea to update the railway children story of the Second World War but an absolutely dumb idea to put modern ideas of racism - presumably to please the woke crowd - into it. Come on this is a children's film. We know that racism existed in the American army but the enemy was not the Americans but the Nazis. Even the murderous Joe Stalin was on our side! The idiots who rewrite history like this give our children the wrong idea, that somehow the brave lads who went to war against one of the most murderous regimes ever were the bad guys. These things are just totally annoying and totally out of place in children's films. Another example of woke virtue signalling. The movie could've been made a lot more entertaining with a lot better and more imaginative screenplay. Hopeless!
Where to start :
Good points : none
Pointless sequel, yet another example of the talentless chimps beating on keyboards to produce an awful script for a shameless money making grab on the back of a classic
I hope they paid Jenny Agutter a lot of money for her short appearances.
Absolute rubbish, full of 'woke' B. S.
If you have fond memories of the classic original don't waste your money.
Good points : none
Pointless sequel, yet another example of the talentless chimps beating on keyboards to produce an awful script for a shameless money making grab on the back of a classic
I hope they paid Jenny Agutter a lot of money for her short appearances.
Absolute rubbish, full of 'woke' B. S.
If you have fond memories of the classic original don't waste your money.
This whole film is a quite weak. The story is really unbelievable, the acting isn't great and it all gets ludicrous.
It's hard to know who this film is aimed at, who will see it and even why it was made.
It's hard to know who this film is aimed at, who will see it and even why it was made.
Every time I come across films of children being packed off to the countryside during WWII, 2 films invariably come to mind - Narnia, and Hope and Glory. Unfortunately, this neither has the fantastical element of Narnia, nor the magical perspective and childlike thrill of H&G.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
Wusstest du schon
- WissenswertesUtilises the same Yorkshire locations as the 1970 film this story follows.
- PatzerThe blackout did not appear to be in force in Oakworth. In many scenes, from Lily climbing out of the window and running down the field with a torch, to front doors being opened in a blaze of light, there was no indication that a blackout was in force at all.
Blackout regulations started on 1st September 1939 and ended in May 1945. Rules were relaxed slightly in September 1944, but only to allow very low levels of lighting, no brighter than moonlight.
Lily's torch would have been pasted over with dark paper to dim the beam, or black paper with a slit in it.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Railway Children
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 466.391 $
- Eröffnungswochenende in den USA und in Kanada
- 245.904 $
- 25. Sept. 2022
- Weltweiter Bruttoertrag
- 4.298.731 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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