IMDb-BEWERTUNG
7,7/10
11.055
IHRE BEWERTUNG
Eine Dokumentation über Anthony Bourdain und seine Karriere als Koch, Autor und Moderator, der für seine authentische Herangehensweise an Essen, Kultur und Reisen verehrt und bekannt ist.Eine Dokumentation über Anthony Bourdain und seine Karriere als Koch, Autor und Moderator, der für seine authentische Herangehensweise an Essen, Kultur und Reisen verehrt und bekannt ist.Eine Dokumentation über Anthony Bourdain und seine Karriere als Koch, Autor und Moderator, der für seine authentische Herangehensweise an Essen, Kultur und Reisen verehrt und bekannt ist.
- Auszeichnungen
- 3 Gewinne & 5 Nominierungen insgesamt
Asia Argento
- Self
- (Archivfilmmaterial)
Anthony Bourdain
- Self
- (Archivfilmmaterial)
Ariane Bourdain
- Self
- (Archivfilmmaterial)
Anderson Cooper
- Self
- (Archivfilmmaterial)
Christopher Doyle
- Self
- (Archivfilmmaterial)
Emeril Lagasse
- Self
- (Archivfilmmaterial)
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"ROADRUNNER: A Film About Anthony Bourdain," directed by Oscar-winner Morgan Neville ("20 Feet from Stardom"), shines a light on the fast life and tragic death by suicide in 2018 of celebrity chef Anthony Bourdain. The documentary accomplishes this using archival footage from Bourdain's hit television shows, "No Reservations," "Parts Unknown," "The Layover," "A Cook's Tour," along with interviews with him beginning in 1999 as he began writing his best selling book, "Kitchen Confidential: Adventures in the Culinary Underbelly." The film also includes interviews with various Bourdain family, friends and work colleagues. The grief of his loss is still very raw, evidence of this shown through the interviews in the documentary, leaving the audience with many theories and unanswered questions as to why Anthony Bourdain chose to commit suicide. Much like Bourdain was in life, the film never stops moving, taking you along for the accelerated journey of a man who was inventive, tempestuous, extraordinary, and deeply flawed.
It's impossible for me to review this documentary without bias. Anthony Bourdain has inspired me more than anyone on this planet (filmmaker Kevin Smith is up there as well, but this isn't about him). When I was a child, I religiously (more cultishly if I am being honest) watched his shows, vicariously living through this skinny punk rock, foul mouthed, cigarette devouring force.
I saw the way he talked to people, all people and studied how he listened, how he asked questions, how he made sure people knew they were actually heard. Watched how language barriers were leapt over, cultural differences were celebrated and how food and drink were a catalyst for love, honesty and for a sense of community.
I grew up in poverty yet following Anthony, to all corners of the world and seeing real places with real history, meeting folks with real stories, who came from and lived in conditions that made my shabby duplex look like the Ritz Carlton. It was transformative. It was escapism yet absolutely grounded in the real world.
I'd read his books and be drawn to a truly unique voice. I'd fall under a spell driven by a deeply compulsive, page turning, "I can't put this down" frenzy. I'd never read stories more relatable yet fantastical, hilarious, sad, and positively sobering. Critically important, emotional lessons for the writer, filmmaker, chef, and person I knew I was destined to become.
I read Kitchen Confidential and got a job as a dishwasher that same summer, then once I had a bit of money I'd watch No Reservations or Parts Unknown and before I knew it I was on a plane to China, then Europe, then China again. I even tried to film my own, one man crew, travel show in Jiujiang. The results? Disastrous, but I am still proud of the attempt.
Roadrunner is exactly the film I hoped it would be. The film I needed it to be. It didn't show us some hidden side of Anthony. It didn't make him out to be anything he isn't. That is impossible. Bourdain showed us the realness from day one. No film, book, documentary, podcast, review- anything-can ever change that.
Director Morgan Neville caught my attention with his 2018 documentary about Fred Rogers (Won't You Be My Neighbor?). He just shows the footage, his questions aren't set up with some hidden agenda, he lets the subjects and cast speak for themselves. That's the exact brilliant documentary filmmaking Roadrunner is fueled by.
The best part of Anthony's inner circle? They all have so much to say. The powerful, beautiful, wondrous impact this man's life had on them yet the devastating, painful, frustrating crater-sized hole his death left in them.
Roadrunner covers that. It has to. But it largely celebrates Tony's life. I didn't cry during the film, I got a lump in my throat but was able to stay composed. The interviews and footage are dazzling and engaging. I was too fascinated to cry. Too eager to see more, I came prepared (with six neatly folded kleenex in my pocket) but refused to let my emotions distract me from my viewing experience-then the credits rolled. Left alone in my own head to process what I just saw. Emotion came over me like a crushing wave. I felt lucky to make it to the car, to sit there and let myself feel it.
And that, is good filmmaking.
Bourdain showed me the world, showed us the world with his incredible story telling, sharp wit, sarcasm and humor. He found a way to shrink the globe, while making every place he went to seem as vast and important as any other. It was delicious food, a sense of community and humor that linked the planet, nothing else matters. He showed it was possible and attainable to get there, just buy a ticket. Stop lying to yourself, stop talking about it, stop dreaming about it and just make it happen.
Go see Roadrunner. You deserve it.
Suicide is preventable, there are resources, there are outlets, there are ways to get better. Check in on your friends and family, make the effort. You never really know who will need it, you just might save a life.
I saw the way he talked to people, all people and studied how he listened, how he asked questions, how he made sure people knew they were actually heard. Watched how language barriers were leapt over, cultural differences were celebrated and how food and drink were a catalyst for love, honesty and for a sense of community.
I grew up in poverty yet following Anthony, to all corners of the world and seeing real places with real history, meeting folks with real stories, who came from and lived in conditions that made my shabby duplex look like the Ritz Carlton. It was transformative. It was escapism yet absolutely grounded in the real world.
I'd read his books and be drawn to a truly unique voice. I'd fall under a spell driven by a deeply compulsive, page turning, "I can't put this down" frenzy. I'd never read stories more relatable yet fantastical, hilarious, sad, and positively sobering. Critically important, emotional lessons for the writer, filmmaker, chef, and person I knew I was destined to become.
I read Kitchen Confidential and got a job as a dishwasher that same summer, then once I had a bit of money I'd watch No Reservations or Parts Unknown and before I knew it I was on a plane to China, then Europe, then China again. I even tried to film my own, one man crew, travel show in Jiujiang. The results? Disastrous, but I am still proud of the attempt.
Roadrunner is exactly the film I hoped it would be. The film I needed it to be. It didn't show us some hidden side of Anthony. It didn't make him out to be anything he isn't. That is impossible. Bourdain showed us the realness from day one. No film, book, documentary, podcast, review- anything-can ever change that.
Director Morgan Neville caught my attention with his 2018 documentary about Fred Rogers (Won't You Be My Neighbor?). He just shows the footage, his questions aren't set up with some hidden agenda, he lets the subjects and cast speak for themselves. That's the exact brilliant documentary filmmaking Roadrunner is fueled by.
The best part of Anthony's inner circle? They all have so much to say. The powerful, beautiful, wondrous impact this man's life had on them yet the devastating, painful, frustrating crater-sized hole his death left in them.
Roadrunner covers that. It has to. But it largely celebrates Tony's life. I didn't cry during the film, I got a lump in my throat but was able to stay composed. The interviews and footage are dazzling and engaging. I was too fascinated to cry. Too eager to see more, I came prepared (with six neatly folded kleenex in my pocket) but refused to let my emotions distract me from my viewing experience-then the credits rolled. Left alone in my own head to process what I just saw. Emotion came over me like a crushing wave. I felt lucky to make it to the car, to sit there and let myself feel it.
And that, is good filmmaking.
Bourdain showed me the world, showed us the world with his incredible story telling, sharp wit, sarcasm and humor. He found a way to shrink the globe, while making every place he went to seem as vast and important as any other. It was delicious food, a sense of community and humor that linked the planet, nothing else matters. He showed it was possible and attainable to get there, just buy a ticket. Stop lying to yourself, stop talking about it, stop dreaming about it and just make it happen.
Go see Roadrunner. You deserve it.
Suicide is preventable, there are resources, there are outlets, there are ways to get better. Check in on your friends and family, make the effort. You never really know who will need it, you just might save a life.
Sensitive subject! Anthony Bourdain travelled to many many exotic and toxic places, He had to be prescribed an anti malaria drug. It is a fact that one of them is a killer - Mefloquine . If you have any trauma PTSD, addictions, altered brain chemistry etc...it can and will mess with your head.
My wife and I loved the movie and Anthony, we just wonder did they miss something .....
My wife and I loved the movie and Anthony, we just wonder did they miss something .....
This is a brilliant documentary on the adult life and success of Anthony Bourdain, warts and all. I found myself mesmerized by his charismatic charm and his authentic, complicated nature as a "mediocre cook" to a global book and television sensation. The film has great historical footage which showcase this wild ride. The film also is filled with interviews of people that knew and worked with Tony. These folks clearly loved and admired him, but were very forthcoming about the challenges of working with Tony. The film is good film making. Not too long. It is well structured and well made-unlike many modern, so called, documentaries. The look at Bourdain in the light of Conrad and Colonel Kurtz is brilliant. The film starts out, in Tony's own words, telling you the story will not have a happy ending. The story night not have a happy ending, but the ride is joyous.
Greetings again from the darkness. As the film begins, we understand there will be no happy ending. Anthony Bourdain committed suicide by hanging in 2018 at the age of 61. As it was reported, everyone was shocked. Oscar winning documentarian Morgan Neville (TWENTY FEET FROM STARDOM, 2013) interviews those who knew him best, and by the end of the film, we are left wondering why these folks were shocked at how his demise.
Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.
Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.
Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.
The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.
In theaters on July 16, 2021.
Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.
Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.
Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.
The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.
In theaters on July 16, 2021.
Wusstest du schon
- WissenswertesControversially, Morgan Neville includes simulations of Anthony Bourdain's voice created using "deepfake" technology. In a 2021 New Yorker article by Helen Rosner, she asked Neville "how on earth he'd found an audio recording of Bourdain reading his own e-mail." The article goes on to explain, "Throughout the film, Neville and his team used stitched-together clips of Bourdain's narration pulled from TV, radio, podcasts, and audiobooks. 'But there were three quotes there I wanted his voice for that there were no recordings of,' Neville explained. So he got in touch with a software company, gave it about a dozen hours of recordings, and, he said, I created an A.I. model of his voice. In a world of computer simulations and deepfakes, a dead man's voice speaking his own words of despair is hardly the most dystopian application of the technology. But the seamlessness of the effect is eerie. 'If you watch the film, other than that line you mentioned, you probably don't know what the other lines are that were spoken by the A.I., and you're not going to know,' Neville said. 'We can have a documentary-ethics panel about it later.'" This revelation generated backlash against the movie. WBUR critic Sean Burns wrote, "When I wrote my review I was not aware that the filmmakers had used an A.I. to deepfake Bourdain's voice for portions of the narration. I feel like this tells you all you need to know about the ethics of the people behind this project." Bourdain's widow, Ottavia Busia, announced that she never gave Neville her blessing to use the deepfake simulation of her estranged, now-deceased husband, even though Neville told GQ magazine that she did.
- Zitate
John Lurie: He committed suicide, the fucking asshole.
- VerbindungenFeatured in Subject (2022)
- SoundtracksRoadrunner
Written by Jonathan Richman
Performed by The Modern Lovers (as Jonathan Richman & the Modern Lovers)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 5.354.970 $
- Eröffnungswochenende in den USA und in Kanada
- 1.988.795 $
- 18. Juli 2021
- Weltweiter Bruttoertrag
- 5.492.017 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
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