IMDb-BEWERTUNG
5,1/10
5281
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuLondon based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.
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- 3 wins total
Empfohlene Bewertungen
It's interesting how influential Danny Boyle's 28 DAYS LATER was . It wasn't apparent at the time but from that point onwards each and every zombie film must feature zombies , sorry "infected" who can outrun Usain Bolt while having the endurance of a marathon runner . It's also noticeable how many zombie films there are with a massive number of short films and films on The Horror Channel featuring zombie apocalypse . Perhaps most notciable of all is how poor most of them are . and with hindsight Boyle's film was much better than I thought it was on first viewing . This inspiration called DEVIL'S PLAYGROUND is better than most of its peers but that's probably down to a simple reason it's a conscious rip off from Boyle's original
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
Not a fan of Danny Dyer, his attempts at being an 'ard man are cringeworthy, but he is tolerable in this fun virus infected maniacs film.
I think they did a great job for the low budget. Some good bloody deaths and some attempts at character development too. Human nature and survival, betrayal.
Far worse films out there and for a cheap UK film it's good.
Shot in 25 days!! Well done to cast and crew for getting that much done in such a short time and budget.
Another plague has broken out in London, causing normal humans to become growling, flesh-chompiing zombies with cat-like quickness.
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
Stop me if you've heard this before.
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
I sat through this bum-fluff at the recent GoreZone Festival in London's West End and almost lost the will to live before the opening credits had rolled. The prologue featuring bargain-basement 'action-man' Craig Fairbrass woodenly spouting even more wooden dialogue at the camera as a prep for the sub '28 Days Later' 'Rollercoaster' to come, made my heart sink faster than 'The Detonator' ride at Thorpe Park, and quickly proved its pedigree as a very bad omen for things to come.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
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- WissenswertesSean Pertwee makes his cameo as a favor to producer Jonathan Sothcott after having to drop out of Dead Cert at the last minute.
- PatzerNatalie Quye is credited as "Infected Doctor-eating Man", but since she is a woman, that credit should be "Infected Doctor-eating Woman".
- VerbindungenReferenced in Cinemassacre's Monster Madness: Dawn of the Dead (1978) (2013)
- SoundtracksBringing London To A Standstill
By James Edward Barker
Performed by James Edward Barker
Copyright 2010
Published by Veneration Music 2010
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Sân Chơi Của Quỷ
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Box Office
- Budget
- 2.400.000 $ (geschätzt)
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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