IMDb-BEWERTUNG
4,9/10
2768
IHRE BEWERTUNG
Sechs Menschen, die einander nicht kennen, erwachen in Zellen in einer unterirdischen Anlage. Ihr Entführer entscheidet mit dem Würfel über ihr Schicksal.Sechs Menschen, die einander nicht kennen, erwachen in Zellen in einer unterirdischen Anlage. Ihr Entführer entscheidet mit dem Würfel über ihr Schicksal.Sechs Menschen, die einander nicht kennen, erwachen in Zellen in einer unterirdischen Anlage. Ihr Entführer entscheidet mit dem Würfel über ihr Schicksal.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Alex Bisping
- Forensic Pathologist
- (as Alexander Bisping)
Empfohlene Bewertungen
After reading the synopsis, I'm sure your mind will immediately think "OK this is obviously a Saw rip off" - and you'd be absolutely correct. There are a large number of elements that appear to be direct rip offs from the Saw series (namely the first). I am totally OK with rip-offs of good movies, if the rip off is well done...this one isn't. I really love Saw, so I might come off as slightly biased, but what made that movie great (other than the novelty) was the suspense, the constant twists that kept you guessing, the fantastically dark, gritty atmospheres, and the brilliant way the characters and story events were interwoven + how it was all brought together in the end; "Die" is completely ineffective in all of these. Watching "Die" will make you appreciate the way the story is told in Saw. In this movie the story telling is completely disjointed - I loved how in Saw the two characters woke up in a room with no knowledge of what was going on and the story built from there, slowly recounting the character's pasts, etc. In Die you have the same concept, except that the story jumps around randomly between back story, the characters being trapped, and the cops (whose storyline seems like a weak afterthought). None of the characters seem to be truly fleshed out, and many of them die before you learn anything of interest about them. You keep waiting for the twists and the interconnected story lines, yet none come. Furthermore, the method of the bad guy is completely stupid and makes no sense. They try to give him a jigsaw-like quality of this near omnipotent figure who is always 2 steps ahead combined with higher morality (half of his lines sound like direct quotes from Jigsaw - appreciate your life blah blah) being the reason for putting this together, however you quickly see that his methodology centers around randomness -- "fate" as he puts it (dice rolling) -- and every "trap" functions in exactly the same, simplistic manner. You fail suicide (isn't that already fate?), so he is going to put you in a situation where you have absolutely no control over whether you live/die to prove that you should appreciate your life? Uh, WHAT? One other thing that was really ridiculous to me is that all this guy had was a handgun (sometimes he didn't even draw it) with little to no further measures to protect himself, yet the characters put up no fight whatsoever, even though they could have likely taken this guy out pretty easily(sometimes they even have things they could use as weapons). I typically make a point to finish all movies just to see if there is some redeeming bit at the end, but I had somewhere to go with about 20 minutes remaining on this and I didn't have the desire to bother finishing it. Maybe some kind of amazing twist lies at the end, but from the complete lack of build and tension, I highly doubt it. The production values are fine, the acting is OK, but the story is just poor and the entire thing simply feels so pointless.
Those of you giving this a 1 rating need to explain why it's worse than "Manos, the hands of Fate." Those giving it a 10 star need to explain why it's better than "Shawshank Redemption." The cast is good. The plot sufficiently convoluted. I recently watched "Rampart" and I considered that a grand waste of time. At least "Die" was compelling.
I have said that movie reviews often say more about the reviewer than the movie. Gunot213 says "I've never given a film 1/10 before..." but his only other review is of "Halloween" to which he gives a 1 star. Get a clue before you give a review.
This is no "Saw" clone any more than "Saw" drew from other sources. If any comparisons are made to "Saw" it should be that the "teacher" wants his "students" to succeed in "Die." It makes "Saw" hypocritical by comparison.
"Die" is watchable, not totally predictable, imperfect in some ways, but has proper production values, cinematography, acting and plot. Anyone giving this film 1-2 stars should be subjected to perpetually watching the Justin Bieber movie until a proper review is given.
I have said that movie reviews often say more about the reviewer than the movie. Gunot213 says "I've never given a film 1/10 before..." but his only other review is of "Halloween" to which he gives a 1 star. Get a clue before you give a review.
This is no "Saw" clone any more than "Saw" drew from other sources. If any comparisons are made to "Saw" it should be that the "teacher" wants his "students" to succeed in "Die." It makes "Saw" hypocritical by comparison.
"Die" is watchable, not totally predictable, imperfect in some ways, but has proper production values, cinematography, acting and plot. Anyone giving this film 1-2 stars should be subjected to perpetually watching the Justin Bieber movie until a proper review is given.
I'm sensing a theme among negative reviews: that this is a SAW rip-off without the gore. As much of a sweeping statement that is, and how little credit it gives to this movie, I can see where they're coming from. I was always fascinated by the small amount of psychological horror in the SAW franchise, but felt like it was too much of a gorefest to truly be able to appreciate it.
On the other hand, "Die" takes all of the elements I had wished to see in SAW and uses them full-force: there's the murky morality, the inescapable desperation, choices that don't feel like choices. "Die" is violent, but it is subtly so, and focuses a lot more on the characters and what they're going through. I found it incredibly intriguing and entertaining. The acting was good, the cinematography well-done--overall, I was impressed.
On the other hand, "Die" takes all of the elements I had wished to see in SAW and uses them full-force: there's the murky morality, the inescapable desperation, choices that don't feel like choices. "Die" is violent, but it is subtly so, and focuses a lot more on the characters and what they're going through. I found it incredibly intriguing and entertaining. The acting was good, the cinematography well-done--overall, I was impressed.
Billionaire Robert moretti: Does fund raisers for the needy. Drugs and prostitutes as well.
Mark Murdoch: Self-loathing, tired, alcoholic cop, under investigation for a killing.
Lisa Meridan: After the birth of her son, disappears from home periodically, chronic gambler.
Dr. Diane Robinson: A woman of faith who has never gotten over the sickness and death of her child.
Dr. Zach Emmet: Battling depression for accidentally over prescribing medication and under investigation.
Melody chambers: Drug-addicted prostitute, issues of rejection; being unloved.
The 6 people above have tried to commit suicide and are held captive and forced to play a game of chance or fate using a die as it's instrument. The game is called "The Trials" wherein the captives are forced to use the method by which they tried to kill themselves against their fellow captives along with a roll of a die to decide the severity of the method and the probability of survival. For example, if you tried to kill yourself with a gun then you are forced by your captor to roll the die to decide how many bullets should be loaded; after which time you would point it at your fellow captive and fire.
There is a diversity of captives since the people are randomly selected based on opportunity. In other words, whoever tries to off themselves unsuccessfully and are in the awareness of this madman are selected; imprisoned below in glass cages to experience The Trials wherein they are offered --according to the madman-- "a chance to be reborn". I have to concede, reluctantly, that there was a certain logic to his madness. These people, after all, wanted to --and attempted to-- kill themselves. So with his help they either had the opportunity to get it right this time, or live and "want to live" after being brought very close to death.
One by one the principals are introduced at the top of the movie. They go missing. Detective Valenti (very attractive woman and accent) is suspicious of the circumstances when these people start turning up with "dots" on their wrists; some lucky to be alive, some not. Along with the missing is her friend and mentor Mark Murdoch. The police chief keeps trying to dissuade her, telling her to go home. In essence, that there's nothing to these incidents and she's wasting her time and the department's. She has strong instincts and doggedly pursues.
This movie is not about elaborate ways to kill and torture anyone. The villain may be a nut of some variety but he's not a sadist. Indeed he even comes across as sympathetic and understanding sometimes. So the methods used here are the everyday conventional methods that are used by people everyday against themselves and others. Pointedly: the very methods these unfortunate 6 used against themselves. Rather, this movie is about irony, choices, life and death. You must now use the method by which you tried to kill yourself against someone else. You now have a second chance to die or live --what do you want? Will you cooperate with your captor, or not? What choice do you have? Can you live with the responsibility of being the instrument of another's death? These are some examples of these people's dilemma. The drama of the movie, tension of it, is all about this. The performances are so good by everyone in this movie that you are definitely drawn in and absorbed. Well worth your time, I believe. Love Boloxxxi.
Mark Murdoch: Self-loathing, tired, alcoholic cop, under investigation for a killing.
Lisa Meridan: After the birth of her son, disappears from home periodically, chronic gambler.
Dr. Diane Robinson: A woman of faith who has never gotten over the sickness and death of her child.
Dr. Zach Emmet: Battling depression for accidentally over prescribing medication and under investigation.
Melody chambers: Drug-addicted prostitute, issues of rejection; being unloved.
The 6 people above have tried to commit suicide and are held captive and forced to play a game of chance or fate using a die as it's instrument. The game is called "The Trials" wherein the captives are forced to use the method by which they tried to kill themselves against their fellow captives along with a roll of a die to decide the severity of the method and the probability of survival. For example, if you tried to kill yourself with a gun then you are forced by your captor to roll the die to decide how many bullets should be loaded; after which time you would point it at your fellow captive and fire.
There is a diversity of captives since the people are randomly selected based on opportunity. In other words, whoever tries to off themselves unsuccessfully and are in the awareness of this madman are selected; imprisoned below in glass cages to experience The Trials wherein they are offered --according to the madman-- "a chance to be reborn". I have to concede, reluctantly, that there was a certain logic to his madness. These people, after all, wanted to --and attempted to-- kill themselves. So with his help they either had the opportunity to get it right this time, or live and "want to live" after being brought very close to death.
One by one the principals are introduced at the top of the movie. They go missing. Detective Valenti (very attractive woman and accent) is suspicious of the circumstances when these people start turning up with "dots" on their wrists; some lucky to be alive, some not. Along with the missing is her friend and mentor Mark Murdoch. The police chief keeps trying to dissuade her, telling her to go home. In essence, that there's nothing to these incidents and she's wasting her time and the department's. She has strong instincts and doggedly pursues.
This movie is not about elaborate ways to kill and torture anyone. The villain may be a nut of some variety but he's not a sadist. Indeed he even comes across as sympathetic and understanding sometimes. So the methods used here are the everyday conventional methods that are used by people everyday against themselves and others. Pointedly: the very methods these unfortunate 6 used against themselves. Rather, this movie is about irony, choices, life and death. You must now use the method by which you tried to kill yourself against someone else. You now have a second chance to die or live --what do you want? Will you cooperate with your captor, or not? What choice do you have? Can you live with the responsibility of being the instrument of another's death? These are some examples of these people's dilemma. The drama of the movie, tension of it, is all about this. The performances are so good by everyone in this movie that you are definitely drawn in and absorbed. Well worth your time, I believe. Love Boloxxxi.
First off, before I even get into the movie, I just want to say that everyone writing such scathing reviews against this movie need to stop. They're rating this movie based on what they wanted to see in it, and not what the director intended, which is as foolish as one can be. If your only gripe is that "it's like Saw without the gore", then you need to open your eyes.
Anyway, onto the movie. In a word: great. The reason stated above for why people think it's so bad is actually what makes the movie so good. It provides suspense, drama, and tough moral decisions without the senseless and excessive blood and guts. It's a little confusing at first, and if you don't pay attention you may find yourself lost later in the movie, so for that I take one star off of the rating. It also has one or two minor plot flaws, so for that I take off one more star; but on that detail, I dare you to show me just ONE movie that does not have even a single hole in the plot. You can't do it.
All in all, this was an outstanding movie, given that it doesn't have any big names in the acting, producing, or directing and it definitely deserves a lot of attention. The plot is absorbing, the characters are interesting, and the moral of the story really makes you think. I give it 8 out of 10, and would daresay that this is a "must-watch" movie, especially if you're bored on a weekend night and feel like watching something you haven't seen before.
Anyway, onto the movie. In a word: great. The reason stated above for why people think it's so bad is actually what makes the movie so good. It provides suspense, drama, and tough moral decisions without the senseless and excessive blood and guts. It's a little confusing at first, and if you don't pay attention you may find yourself lost later in the movie, so for that I take one star off of the rating. It also has one or two minor plot flaws, so for that I take off one more star; but on that detail, I dare you to show me just ONE movie that does not have even a single hole in the plot. You can't do it.
All in all, this was an outstanding movie, given that it doesn't have any big names in the acting, producing, or directing and it definitely deserves a lot of attention. The plot is absorbing, the characters are interesting, and the moral of the story really makes you think. I give it 8 out of 10, and would daresay that this is a "must-watch" movie, especially if you're bored on a weekend night and feel like watching something you haven't seen before.
WUSSTEST DU SCHON:
- PatzerJacob overstates the amount of blood in the human body, especially for a relatively slender woman like Diane. A man of 'average' size will have about five litres of blood in his body, Diane certainly has less.
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- Laufzeit1 Stunde 31 Minuten
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Oberste Lücke
By what name was Die! - Ein Spiel auf Leben und Tod (2010) officially released in India in English?
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