Hilma

Lasse Hallström has created yet another fantastic movie.

I watched this movie and was in awe, of the magical Hilma, of the way the movie is filmed and the magnificent cast.

As a spiritual person, an artist myself and someone that attended a Rudolf Steiner school it made a huge impression on me!

Hilma was indeed a gifted person, and I am happy to see this movie show her ability and art in such an artistic way.

It is sad how the biggest minds and artists in this world of ours have so often been misunderstood and not appreciated until after their death.

I for one am happy I have become aware of Hilma.

I really recommend anyone with an open mind and eager to learn to watch this movie.

It is mesmerizing,

Is the life of Hilma af Klint this uninteresting or does Lasse Hallström fail to make this movie interesting?

The movie is slow and have few dramaturgy turns. A big disappointment.

It was very interesting to see mother and daughter act in the same movie thou. And some of the other actors did a solid work. But why not in swedish? It feels a bit weird to see swedes speak english. The only reason why must be to try to make the movie international but af Klint is probably to unknown to get a big spread.

Another part that brings down the ratings is the bad views of old Stockholm. It feels cheap and low budget.

You can do better, Lasse.

Unafraid, very much ahead of her time, frail yet enthusiastic, mystical and devoted: this is how Hilma af Klint is portrayed in this Lasse Hallström film. I would know nothing about her if a poster in the Stockholm Museum of Modern Art had not caught my eye and if I had not come across, by sheer accident, the screening of this colourful film. Now the poster is proudly dominating my living room and I know more of this talented woman who got recognition much after her death in the middle of the 20th century.

Most of Hallström's pictures are very warm, this one especially, bearing in mind his wife and daughter are both starring, both Hilma, which makes it a very dear, very special tribute to this gem of his beautiful Sweden.

In the film Hilma is told her art was not understood thus unwanted. However, my living room, and needless to say, many people's desire for innovation and imagination, would never be satisfied, if her brilliant work had remained locked in the box, which it was until it was opened and the magic came to light.

...I just finished looking. It's a beautiful beautiful movie. It helps if you're spiritual and "get it" so to speak. What an extraordinary and interesting woman Hilda was. Wish I had known her. I'm happy I watched this movie cause it made me so happy seeing all the paintings I didn't know of. To know how she painted and to see her visions on the canvas gives me soul comfort. It's like "thank you for being on that path and put it out there for us with a brush and amazing colours!" I wish I could draw and paint and be in a creative group like Hilma and her amazingly talented friends. Thank you for this beautiful movie!

Hilma af Klint (Tora Hallström, Lena Olin) was born in 1862 Sweden. She becomes an artist in a male-dominated world. She and her fellow female artists are dismissed. They form a collective which seeks communion with the spirits. Her art would mostly be ignored during her lifetime until it is rediscovered in modern era.

This is a functional standard biopic. I wish the artistic process could be presented better. The lesbian romances are kept mostly under the covers. Hilma herself is rather frustrating. Maybe she had a mental illness but the movie is not that illuminating. I really like those initial giant canvases, but I don't care that much about the black and white swans. Some of the later stuff looks like 70's mod style and that's interesting for when she is rediscovered. The most compelling scene is actually the end. Finally, I may prefer to have an aged Tora instead of substitute Lena Olin. Lena is a great actress, but it could be interesting to keep the same actress. Like Hilma herself, this movie needs some aggressive self drive.