Zwei Agenten, ehemals ein Liebespaar, müssen zusammenarbeiten, um internationale Cyberangriffe zu bekämpfen, die gegen das Vereinigte Königreich gerichtet sind. Gleichzeitig sind sie gezwung... Alles lesenZwei Agenten, ehemals ein Liebespaar, müssen zusammenarbeiten, um internationale Cyberangriffe zu bekämpfen, die gegen das Vereinigte Königreich gerichtet sind. Gleichzeitig sind sie gezwungen, sich mit den verborgenen Geheimnissen ihrer zerstörerischen Beziehung auseinandersetze... Alles lesenZwei Agenten, ehemals ein Liebespaar, müssen zusammenarbeiten, um internationale Cyberangriffe zu bekämpfen, die gegen das Vereinigte Königreich gerichtet sind. Gleichzeitig sind sie gezwungen, sich mit den verborgenen Geheimnissen ihrer zerstörerischen Beziehung auseinandersetzen.
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As an example, throughout the show we see some pretty sophisticated IT infrastructure and deployments, and yet on the Brit side, the guy basically in charge of the governments IT platform demonstrates less understanding than you would expect from an undergrad - and who says things that are just plain wrong on so many levels. Not good.
Then there's the hospital scene where the PA announces "Can any doctors go to room # (can't remember the room #) - I mean - it's a hospital, hospitals are full of doctors... do they need a brain surgeon or an oncologist?
Despite the frequent gaffes like these the actual story is a good one - and with some very sharp script writing it could have been an excellent one. Shame.
On the other hand, Liaison is almost saved by having a great cast, great locations, and some snappy cinematography, all of which convey a slick production - so it's actually a real shame that the script is so bad at times, because that just wrenches you out of absorption. And it's not just a dialogue problem, there's also an awkwardness to some of the plot exposition that has left me more than little confused at times.
So the real quandary here is how could something with so many promising and professional elements have been so badly mismanaged in the script development department?
Tensions between the nations are shown as contemporary and story line is engaging.
The director (Stephen Hopkins) is able to maintain the momentum to keep the suspense alive.
Eva Green is beautiful as ever. She emotes well, where melodrama is required.
Vincent Cassel is getting old and it is very evident. Most of the other characters are well etched and their performance is up to the mark.
Story, even though not very unique, helps to maintain the tempo. Saw 4 episodes and good going guys. Attractive locales in rural areas of France and London add charm to the story.
To be frank, this production is just awful. The series has a feel of a committee project where every possible trope and cliché is pumped into the script.
Like most of us I am forgiving and willing to suspend disbelief in an action series, event for a cringingly bad dialogue and plot. But the action here consists of innumerable foot chases and absurd shootouts that demonstrate no one here is credibly an "operative."
There is neither anything stimulating, nor is also not a single smart movement in the entire script. Not one.
Worse yet, Eva Green and. Vincent Cassel are deeply ill-used, frankly abused in this mess.
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- WissenswertesIt will be the first Apple TV + series in French and it was announced on June 24, 2021 by the French newspaper "Le Figaro" what is surprising is that the series is announced less than a year after the creation of the service while "Netflix" has taken more than 4 years to develop an original content in French which is "Marseille"
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