Mammuth

Mammuth comedy movie has a very good idea, but unfortunately it cannot expand this idea well. A trip to the past is a return to oneself, and the result of this trip is to find a renewed passion for life. Gerard Depardieu is a powerful actor. The movie is trying to be realistic and the excessive use of camera on hand is for this reason, but the camera movements in camera on hand shots are sometimes not well designed. Although the film tries to have a realistic structure, the shots in which Mammuth remembers his girlfriend overshadows this realism. The film received attention at the Berlin Film Festival.

Strange and beautiful road movie, and for me that was best role of GD ever. It reminds me about Amelie with it's French beautiful romantic and absurd humor, while grainy filming, "real life" attitude, and Depardieu with long hair remind me of The Wrestler with Mickey Rourke.

If you can imagine how two of them would feel combined, I think you would get this movie as a result.

There was absolutely no weak acting here.

Recommended for people who liked movies like "Pierrot le fou", "Bernie", or anyone who wants to discover french humor - a bit dark, sad, cynical, but still romantic at the same time.

If another user is right and the bike Depardieu is riding in this movie (a Mammuth) is worth a lot of money, you should start wondering what he is on about. But then again, I don't think it matters that much, because it is about a system and its flaws. And while it mixes funny situations with very serious matters, it does not get the combination of them both does not always work in favor of the movie.

Still Depardieu tries hard and there are quite a few good scenes, with very good points. Like when Depardieus character tries to "communicate" with a service over a phone. The pacing seemed to be a problem too (all over the place). But then again, there are a lot of people who liked it as it is. It kind of reminded me of the movie "Broken Flowers". Though I think this one is (a little bit) better

MAMMUTH (dir. Gustave de Kervern and Benoit Delepine) Gerard Depardieu stars in this art house film about a man who has recently retired from a job at a slaughterhouse, but needs verification of his previous work history to receive a full pension. He takes his 1973 Munch Mammut 1200 motorcycle on a journey across France to visit his old job sites in hopes of obtaining the necessary paperwork, and along the way meets an interesting assortment of oddball characters. When he meets his niece he is introduced to the world of 'naive art', and her tiny cottage is an homage to this curious and strikingly odd brand of folk art. This is a strangely fascinating and unconventional film that was clearly made for aesthetic reasons rather than box office appeal. Nominated for the Golden Bear at the 2010 Berlin International Film Festival.

France has a rich history of well written and well crafted films, and this is but another example of such.

Showcasing an acclaimed director and a good cast of actors, it has much going for it; and it delivers with splendid writing, good acting and an impressive script.

It's truly one of the greats and should be watched by any fan of french film, or film in general!