IMDb-BEWERTUNG
5,6/10
10.320
IHRE BEWERTUNG
Eine Stop-Motion-Animatorin kämpft mit ihren Dämonen, nachdem sie ihre übermächtige Mutter verloren hat.Eine Stop-Motion-Animatorin kämpft mit ihren Dämonen, nachdem sie ihre übermächtige Mutter verloren hat.Eine Stop-Motion-Animatorin kämpft mit ihren Dämonen, nachdem sie ihre übermächtige Mutter verloren hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
The film has that aura of uneasiness from the beginning. The stop-motion sequences are incredible. The puppets are disturbing, and that's an achievement in its own right. Everything is there save the writing, since it suffers from unambitious character development. Besides a strained relationship with her mother, there are only glimpses of who the protagonist is. This results in a main character not so interesting when she's not working and doing stop motion. The scenes where she's partying, dining with her boyfriend, etc. Are ultimately boring and add nothing of importance to the story. This is a tragedy considering the time spent in those scenes could've been used to explore ideas that were, sadly, barely examined but memorable.
The concept is interesting, the performances are good, the craft is great, and the gore is effective, but it ultimately fails due to its bad foundation.
The concept is interesting, the performances are good, the craft is great, and the gore is effective, but it ultimately fails due to its bad foundation.
Lately I've heard about this movie multiple times and I was pretty excited to see the result. The premise seemed interesting and I heard that the effects are good, which both turned out to be true. You have a unique premise for the movie that makes it stand out from all the other horror movies that are dumped out nowadays. The effects and especially the gore were also pretty great and had a gritty feeling to it which complemented the movie.
However I feel like this could have been so much more and I was a little let down after I finished watching. The movie has pacing issues and it tries to be way too artsy and pretentious instead of just focusing on its strengths. It's a decent flick but I was hoping for something special and great. [5,7/10]
However I feel like this could have been so much more and I was a little let down after I finished watching. The movie has pacing issues and it tries to be way too artsy and pretentious instead of just focusing on its strengths. It's a decent flick but I was hoping for something special and great. [5,7/10]
The film did its job of grossing me out with the body horror bits, and to an extent, successfully bothered me with its psychological horror layers. But as a whole, it still felt undercooked and wildly predictable in the final act. Undoubtedly, the best parts of the film are the stopmotion animations featuring these creepy meat-puppets. There's something eerily unique about stopmotion animation, isn't it? Maybe, since it's got to do with bringing inanimate (read: dead) things to life. The film conveys the uncanny aura of the entire process quite effectively, in a minimalist setting.
I thought the plot already had an interestingly uneasy angle to explore between the mother and daughter; however, the makers went in a totally different direction as it progressed, with subplots involving the boyfriend's sister and so on, which didn't hit the mark completely for me. I still applaud writer-director Robert King's approach to creating something wacky and authentic, unlike most horror films these days. Aisling Franciosi also does a solid job playing the lead who's facing a creative block. It's certainly NOT one of those films you'd rewatch a lot, and I guess, for good reason.
I thought the plot already had an interestingly uneasy angle to explore between the mother and daughter; however, the makers went in a totally different direction as it progressed, with subplots involving the boyfriend's sister and so on, which didn't hit the mark completely for me. I still applaud writer-director Robert King's approach to creating something wacky and authentic, unlike most horror films these days. Aisling Franciosi also does a solid job playing the lead who's facing a creative block. It's certainly NOT one of those films you'd rewatch a lot, and I guess, for good reason.
Creepy? Check. Tense? Check. Realistic and bloody gore? Check. Character development/story building? ((Crickets))
The stop-motion sequences are amazing but still not as great as the sound. The squishes, tears, cuts and breathing kick you into this movie more than anything. The lead dives headfirst into her descent to madness well, but something is still missing.
The cast does well, but the chemistry between them all lacks greatly and their relationships aren't fully fleshed out. It seems as though they could have cut most of the relationship scenes (particularly her partner and his sister) out OR added 20 minutes of additional backstory into them. What I was left with was confusion.
The movie ended and I was a bit confused about how I felt about it, hence a 6/10. It's a tense and unsettling movie.
The stop-motion sequences are amazing but still not as great as the sound. The squishes, tears, cuts and breathing kick you into this movie more than anything. The lead dives headfirst into her descent to madness well, but something is still missing.
The cast does well, but the chemistry between them all lacks greatly and their relationships aren't fully fleshed out. It seems as though they could have cut most of the relationship scenes (particularly her partner and his sister) out OR added 20 minutes of additional backstory into them. What I was left with was confusion.
The movie ended and I was a bit confused about how I felt about it, hence a 6/10. It's a tense and unsettling movie.
I'm pretty open to checking out nearly every theatrically-released horror movie. Stopmotion had a limited release, but it looked really creepy so I gave it a chance.
There is definitely a lot of good here. I enjoyed the performance by the lead actress. It's filled with really cool, creepy imagery. And the stop motion stuff was done really well.
Unfortunately, a few things really tanked this movie for me. It did a bad job of keeping me invested and engaged. I was fairly bored for such a short movie. And it leans way too far on the metaphorical side for my liking. I get what they were going for. I just need more than that.
When it ended, I felt fully unsatisfied and a bit annoyed.
(1 viewing, 3/19/2024)
There is definitely a lot of good here. I enjoyed the performance by the lead actress. It's filled with really cool, creepy imagery. And the stop motion stuff was done really well.
Unfortunately, a few things really tanked this movie for me. It did a bad job of keeping me invested and engaged. I was fairly bored for such a short movie. And it leans way too far on the metaphorical side for my liking. I get what they were going for. I just need more than that.
When it ended, I felt fully unsatisfied and a bit annoyed.
(1 viewing, 3/19/2024)
Wusstest du schon
- WissenswertesWhile it might sound extreme, using real meat for stop motion is an actual technique used by stop motion legend Jan Svankmajer.
- VerbindungenFeatured in Half in the Bag: Top 10 Horror Movies (2024) Part 1 (2024)
- SoundtracksRespond in Silence
written by Demian Castellanos, M. Scott
performed by the Oscillation
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 789.226 $
- Eröffnungswochenende in den USA und in Kanada
- 340.079 $
- 25. Feb. 2024
- Weltweiter Bruttoertrag
- 879.460 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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