Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.Wiedervereinigung des Publikums mit den Fernsehfiguren, mit denen sie aufgewachsen sind, während Komödien vorgestellt werden, die mit Sicherheit Binge-Watched sind.
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A pathetic, scary footnote for 2021 - So many of these comedians, notably Jerry Seinfeld et al, refuse to perform at any of today's college campuses because the students have lost their sense of humor. With so many social agendas, there are too many people that are sitting on the edge of the seat ready to be offended and attack.
Scary.
Scary.
How do you do a show on the history of sitcoms and omit the longest running sitcom in TV history!?! It is part of pop culture and a family sitcom yet it was completely omitted from the first episode. I'm just boggled and I really don't think that I missed it because I even rounded when it came time for the 19 8990s era especially when they talk about fox launching their network and they missed so many great fox shows and they only showed married with children. This series just lost so much credibility with me because I just don't know how one makes this mistake. Especially when Homer is like the anti-Dad, but they're such a family unit wild.
This is an excellent and thorough examination of many of the most popular sit-coms and how the medium - unique in its widespread influence - interacts with society. The episodes are watchable and light, due to the presentation consisting of quickly interspersed clips of the sitcoms themselves, news clips showing life outside the TV, and interviews with people who have devoted their entire lives to the industry (sometimes from childhood).
I appreciate how it looks at the whole history within each episode, focusing on a particular facet of society (family, work, sex, race, etc.). The viewer is able to join actors, writers, producers, and critics of the shows we've all grown up with and hear stories explaining how the paths of shows were forged and how current entertainment is related to the very different earliest shows of 70 years ago.
People who don't like the diversity being explored in society today - and therefore within up-to-date popular culture - might not appreciate the value of this. This documentary series is acknowledging the ways our world has changed, not politicizing (unlike many of the reviews listed here). It's a valuable contribution to the history of popular culture.
I appreciate how it looks at the whole history within each episode, focusing on a particular facet of society (family, work, sex, race, etc.). The viewer is able to join actors, writers, producers, and critics of the shows we've all grown up with and hear stories explaining how the paths of shows were forged and how current entertainment is related to the very different earliest shows of 70 years ago.
People who don't like the diversity being explored in society today - and therefore within up-to-date popular culture - might not appreciate the value of this. This documentary series is acknowledging the ways our world has changed, not politicizing (unlike many of the reviews listed here). It's a valuable contribution to the history of popular culture.
This series follows the formula that most History Channel docs follow: Snippet, actor/critic comment, repeat, commercial. It's nice to see some of the old shows represented, as well as the grown up actors comment. We watched these shows because they were funny, that's it. Never gave two sh#ts if the actors were white or black. Those were the good times!!!!
The content of this show is interesting, which is why I rated it as highly as I did. Unfortunately, from the first 5 minutes of episode 1, the series is decidedly hard left, which is so unnecessary. Who wants to hear smug talking heads pontificate on how bad sitcoms were in the 50's, 60's, and 70's, because all the shows were about White people?
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
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