Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.Ein Veteran, der beauftragt ist, die verbleibenden Ressourcen der Erde zu gewinnen, beginnt, sich zu fragen, was er über seine Mission und sich selbst weiß.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 17 Nominierungen insgesamt
David Benyena
- Grow Hall Survivor
- (as David Madison)
John L. Armijo
- NASA Ground Control
- (Nicht genannt)
Fileena Bahris
- Survivor
- (Nicht genannt)
Joanne Bahris
- Tourist
- (Nicht genannt)
Andrew Breland
- Survivor
- (Nicht genannt)
Suri Cruise
- Jack's Daughter
- (Nicht genannt)
Z. Dieterich
- Survivor
- (Nicht genannt)
Paul Gunawan
- Survivor
- (Nicht genannt)
Julie Hardin
- Librarian
- (Nicht genannt)
Empfohlene Bewertungen
The trivia tells us that this is based on a comic book that director joseph kosinski wrote in 2005 but was never published. The story takes place in 2077, just after the "memory wipe" that jack (cruise) describes for us. And the invasion by space travelers, which destroyed most of the cities and made living on the surface mostly impossible. Some great special effets. The control panels, the copter, even the wrecked surface of the planet. Jack is tasked with protecting the structures that support the floating living quarters for the remaining population. I LOVE the mini moto that jack rides around on... kind of like a george jetson briefcase that folds and unfolds. Google it. Some beautiful scenery of iceland, and various film locs in the united states. When another human from the past crash lands, we're not sure what her mission is, or who's side she is on. Some really good suspense, while we wait for answers. Especially when morgan freeman is involved. Really good sci-fi stuff!
I never gave this a chance when it was released. It received mediocre reviews and it just kinda fell off my radar.
I have to agree with others and say it's definitely underrated. Great plot (minus a few plot holes), amazing acting, cgi looks awesome (it's just as good as modern movies or better even though this is a decade old).
I've noticed a lot lately that if I go back to the mid 2010's or earlier I find a lot of good movies. It just shows you how far Hollywood has fallen off. Weirdly CGI seems to peak around that time and then studios just got lazy or something and cheaper out with bad graphics and bad writing.
I have to agree with others and say it's definitely underrated. Great plot (minus a few plot holes), amazing acting, cgi looks awesome (it's just as good as modern movies or better even though this is a decade old).
I've noticed a lot lately that if I go back to the mid 2010's or earlier I find a lot of good movies. It just shows you how far Hollywood has fallen off. Weirdly CGI seems to peak around that time and then studios just got lazy or something and cheaper out with bad graphics and bad writing.
This movie is - without a doubt - one of the most visually spectacular that I have ever seen, standing shoulder-to-shoulder in that department with the likes of Watchmen, Prometheus, Sunshine and Kosinski's preceding effort - TRON: Legacy. Also (like TRON) the soundtrack is excellent and very well used throughout, enhancing the action and adding depth to some - at times - distinctly average acting performances.
Tom Cruise plays Tom Cruise but that's not a bad thing in this case, in fact his natural charisma carries the movie through some of its slower sections. Morgan Freeman plays Morgan Freeman though he's really not on screen for long enough to influence the movie one way or another. Olga Kurylenko's statuesque profile is unfortunately not matched by her acting ability and I often found it difficult to believe in her character's actions and emotions. Andrea Riseborough turns in maybe the best performance, convincing as the sad and confused Victoria, unwilling - or perhaps unable - to confront the disturbing truth.
At over 2 hours I think that it's too long by about 20 minutes. A shorter cut would tighten up the story and eliminate some of the slower sections which I think hurt the movie's overall rhythm and flow.
Overall, I would definitely recommend going to see this movie in the cinema, on the biggest screen that you can find. It just won't be the same on TV. The visual appeal alone is reason enough, but combined with a clever (if not entirely original) script, a thumping soundtrack and some exciting action, you should be entertained.
Tom Cruise plays Tom Cruise but that's not a bad thing in this case, in fact his natural charisma carries the movie through some of its slower sections. Morgan Freeman plays Morgan Freeman though he's really not on screen for long enough to influence the movie one way or another. Olga Kurylenko's statuesque profile is unfortunately not matched by her acting ability and I often found it difficult to believe in her character's actions and emotions. Andrea Riseborough turns in maybe the best performance, convincing as the sad and confused Victoria, unwilling - or perhaps unable - to confront the disturbing truth.
At over 2 hours I think that it's too long by about 20 minutes. A shorter cut would tighten up the story and eliminate some of the slower sections which I think hurt the movie's overall rhythm and flow.
Overall, I would definitely recommend going to see this movie in the cinema, on the biggest screen that you can find. It just won't be the same on TV. The visual appeal alone is reason enough, but combined with a clever (if not entirely original) script, a thumping soundtrack and some exciting action, you should be entertained.
An engrossing film, with a well-developed post-apocalyptic premise, along with an unpredictable plot, visually stunning cinematography, paired with thrilling action sequences and great performances, although the plot got a bit convoluted at times and there were some plot holes.
Oblivion is nine years old as I write this, and in perusing the reviews written when it opened, they have aged far less well than the movie.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
Wusstest du schon
- WissenswertesThere were ten days of location shooting in Iceland, where daylight lasted virtually 24 hours. Joseph Kosinski wanted to make a film that was very much based in daylight, considering that a lot of classic sci-fi movies like Alien: Das unheimliche Wesen aus einer fremden Welt (1979) and Der Blade Runner (1982) were shot in near darkness.
- PatzerShortly before the end of the film, Jack listens to the contents of the black box which he found in the crashed crew module with the hibernating "Odyssey" crew members. The recorded cockpit conversation between Victoria and Jack goes on after sealing off the module with other crew members and even continues after jettison of the module. At first glance it seems the cockpit conversation could no longer be on the black box, but the system could have been transmitting the recorded conversation to the crew module with the black box.
- Zitate
Jack Harper: If we have souls, they are made of the love we share... undimmed by time and bound by death.
- Crazy CreditsThe Universal logo features the Earth in its ruined state in 2077 in the film, with the logo's letters rusted.
The Tet space station is seen orbiting the world.
- Alternative VersionenThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- VerbindungenFeatured in Projector: Oblivion (2013)
- SoundtracksRamble On
Written by Robert Plant, Jimmy Page
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Oblivion: El tiempo del olvido
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 120.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 89.107.235 $
- Eröffnungswochenende in den USA und in Kanada
- 37.054.485 $
- 21. Apr. 2013
- Weltweiter Bruttoertrag
- 286.168.572 $
- Laufzeit
- 2 Std. 4 Min.(124 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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