Dig

Just watched, fun thriller while at home but I read the reviews and it sounds like the script was different and then the director did his thing. It's better than Slayers, I'll give him that but it feels like his films have the same look. Liked the concept, the antagonist, Liberato, did great. Wouldn't be surprised this film got her the killer role in the new scream. I always like going to imsdb to read how the script differed from the movie but script is not there. If anyone has it, lmk. My teacher says, "when making movies, need the stars to align, mainly director, film is their medium." A 6.

This movie is a bit of a damp squid, or lame duck, (depending on your geographical location). This is primarily because of the acting. At first I though the script was at fault, and although some exchanges are lengthy, and let me be candid, this movie relies heavily on dialogue, but no, it's really the acting which lets it down... and the screenplay to some extent. It's not to say the script is bad. Its good overall, but needs tightening up in a few place, its just not tight enough for a project so heavily reliant on it

The acting on the other hand is an entirely different matter. Emil Hirsch in particular is miscast. He doesn't carry off the hillbilly redneck well enough, its forced and unnatural. Liana Liberator who plays his girlfriend sidekick is worse. They are a bargain bucket version of Oliver Stones 'Natural Born Killers' pairing played by Wood Harrelson and Juliet Lewis and there is no glossing over the shortcomings they have. Even Thomas Jane's character seems contrived and overplayed, which leads me to believe that K Asher Levin who directs this one may be at fault.

The story starts of well enough but sadly goes steadily down hill after the opening act and it becomes a bit of a slug fest after that.

I'm not going to go into great detail because it's not really worth it.

I'll give it 4 because its not terrible, but i did have a hard time making it to the end, which is always a big sign of a movies shortcomings.

Can't recommend it in all honesty.

No pun intended - a movie that you might like, but that will depend on how forgiving you can be. Suspension of disbelief is not enough to say the least. Cliches and predictable plot add more weights to the whole thing (not in a good way as you can imagine).

I like Thomas Jane, though I feel like he may be a bit ... disappointed the way his career went. I believe he thinks he was made for better and higher things. I don't totally disagree ... but life ain't fair, so there is that ... Emile Hirsch could write a song about that ... or two. And those two kind of make the movie - if you like them. I do ... and they do try their best ... is that enough? Can you dig it, as I already asked?

I usually don't leave reviews but was excited to see this one because I started doing coverages for a production company before the pandemic, this was one of the scripts I remember reading. Really enjoyed it. Glad to see it made. Though the original version had three antagonists instead of two ala Straw Dogs. So I was surprised to see some beats changed from script to film. Overall the heart of the story between father and daughter is all there.

It's crazy how the final product ends up. Looks like the director gave it more of a Natural Born Killers vibe (which I can do without) rather than what I remember reading, which had more of a Desperate Hours feel (the one with Bogart not Rourke ha).

Anyway, for being a lower budget film it's not bad, we've all seen a lot worse. People are knocking Emil but I like the job he does along with Thomas Jane. Hirsch really puts it all into the role. The film has a few by the book beats but to be fair every film has "tropes". The one location thriller has become a popular genre, one pops up every few months. Still strong concept and loved the father and daughter relationship which was played by Jane's real daughter. She does a good job, guess it runs in the family.

The directing was generic for these types of thrillers but at same time not reinventing the wheel here either. Cinematography was good for the budget. Overall it's not bad, decent if you want to check it out. I dug it at the end of the day.

The good: this story is quite simple, but the excecution is really terrific, with lots of good dialogues, a vicious bad guy, great plot turns and a wicked final.

I dont understand the low rating, probably caused by the fact that this movie falls in between genres, which most people probably cant appreciate much. I can though!.

"DIG" is probably better suited for an arthouse movie audience, but I guess that the trailer attracted a popcorn loving action audience instead...which explains the many disappointing reviews.

This is more of a DRAMA than an action movie, although there are a few hardhitting violent scenes to be seen, but most of this story is about sadistic psychological MINDGAMES and what fighting for survival does to a RELATIONSHIP between a father and a handicapped daughter.

I constantly sat on the edge of my chair towards the end of this bleak and suspenseful drama.

Solid story. Solid acting. Solid suspense. Simply a really solid, hardhitting, bleak dramatic movie. Bravo!

The story: Emile Hirsch and his girlfriend (2 vicious criminals) kidnap a father and his daughter, who just happened to be in the wrong place at the wrong time. Emile Hirsch forces them to start digging for him. But what is the secret that is burried deep beneath the ground?