IMDb-BEWERTUNG
4,6/10
1657
IHRE BEWERTUNG
Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.Im Jahr 1987 entfesselt eine Gruppe von Betreuern am letzten Abend des Sommercamps versehentlich ein Jahrzehnte altes Übel.
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Plot
In 1987, a group of counselors accidentally unleash a decades-old evil on the last night of summer camp.
Cast
One of my top 5 actors, William Sadler stars beside the consistently terrible Erik Bloomquist and a bunch of interchangeable 20 somethings who you'll recognize from something but they were so forgettable you won't remember what. Sadly Bloomquist not only stars but also writes and directs.
Verdict
When I read the premise I expected something comparable with Knights of Badassdom (2013) which though didn't meet my expectations was a perfectly watchable comedy horror. This isn't a comedy despite being advertised as such, there is no attempt at humour here it's a horror simple as and a very mediocre one at that.
Bloomquist who is more known for the more recent effort Founders Day (2023) presents this and hits us with every tired trope and cliche imaginable. It's uninspired, it's a tad boring, it's full of obnoxious characters, the antagonist is really shockingly poorly handled and even Sadler can't turn it around.
It's not that She Came from the Woods is bad, it's just lazy. Copy and paste from half a dozen other films and call it something original!
Rants
Did anyone actually see Knights of Badassdom? It's one of those films that though not great was still a memorable watch with a solid cast and yet nobody I talk to has ever heard of it! Ryan "True Blood" Kwanten, Peter "Game of Thrones" Dinklage, Summer "Firefly" Glau and the always excellent Steve Zahn! Seriously, it won't change your world but it's worth your time!
The Good
William Sadler 80's theme Always time for a camp theme!
The Bad
Forgettable cast Erik Bloomquist Shamelessly generic.
In 1987, a group of counselors accidentally unleash a decades-old evil on the last night of summer camp.
Cast
One of my top 5 actors, William Sadler stars beside the consistently terrible Erik Bloomquist and a bunch of interchangeable 20 somethings who you'll recognize from something but they were so forgettable you won't remember what. Sadly Bloomquist not only stars but also writes and directs.
Verdict
When I read the premise I expected something comparable with Knights of Badassdom (2013) which though didn't meet my expectations was a perfectly watchable comedy horror. This isn't a comedy despite being advertised as such, there is no attempt at humour here it's a horror simple as and a very mediocre one at that.
Bloomquist who is more known for the more recent effort Founders Day (2023) presents this and hits us with every tired trope and cliche imaginable. It's uninspired, it's a tad boring, it's full of obnoxious characters, the antagonist is really shockingly poorly handled and even Sadler can't turn it around.
It's not that She Came from the Woods is bad, it's just lazy. Copy and paste from half a dozen other films and call it something original!
Rants
Did anyone actually see Knights of Badassdom? It's one of those films that though not great was still a memorable watch with a solid cast and yet nobody I talk to has ever heard of it! Ryan "True Blood" Kwanten, Peter "Game of Thrones" Dinklage, Summer "Firefly" Glau and the always excellent Steve Zahn! Seriously, it won't change your world but it's worth your time!
The Good
William Sadler 80's theme Always time for a camp theme!
The Bad
Forgettable cast Erik Bloomquist Shamelessly generic.
The acting was good, practical effects were solid, there were some jokes, and watching it in the theater was genuinely creepy, especially with the children's laughter in surround sound. I would say I watch most horror movies that come out and this is better than 80% of what's out there.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters there you go.
This paragraph is just to make my review long enough for the new six hundred character requirement instituted because Amazon's $1Billion snow ranked and got bombed on this site. Hopefully they change it back because this is a waste of my and everyone else's time for quite literally seemingly absolutely no reason. Boom six hundred characters there you go.
When the history of movie theaters in the 2020's is written, there will be some odd entries. Last year's Terrifier 2 and now She Came from the Woods seem like direct-to-streaming movies that somehow played theaters in towns with modest populations (20,000-30,000).
She Came from the Woods is certainly more enjoyable than the gross-out Terrifier 2, but it is not as fun as horror fans might hope. This is a retro-80's summer camp horror story that plays like a cross between Friday the 13th and The Evil Dead.
Some have pointed to the campfire story feel that some 1980's slasher films have, Madman being the most obvious. Therefore, it seems somehow appropriate that the screenwriters, Erik and Carson Bloomquist, credit their film's story as being based on stories told around campfires. However, that is also a problem. Around a campfire a story does not need much logic, but a film needs more of a cohesive story. She Came from the Woods just seems to have stopped with Friday the 13th meets The Evil Dead. There is not much else to it. The film does not even have an interesting backstory for its sometimes supernatural villainess Agatha. The killers in The Burning (a film namechecked in She Came from the Woods) and the original Friday the 13th had more reasons for committing murder than Agatha here.
Perhaps a bigger problem is that the film is not as fun as it should be. I laughed twice and grooved on the negative character with the blonde mullet who looked eerily like a schoolmate from high school (the character even acted a little like the real guy). Aside from those bits, I was not overly entertained. I liked the use of Kim Wilde's "Kids in America" over the opening credits, but wished the song had been used more memorably (like "Jessi's Girl" in Boogie Nights or "99 Luftballons" in Grosse Pointe Blank). The disbelieving policeman was kind of fun. I don't begrudge the matinee price I paid to watch She Came from the Woods, but I wouldn't watch it again.
For better 1980's horror nostalgia, I would recommend Deathgasm (2015), Lake Nowhere (2014), or You're Next (2011). She Came from the Woods did not bring enough to the party.
She Came from the Woods is certainly more enjoyable than the gross-out Terrifier 2, but it is not as fun as horror fans might hope. This is a retro-80's summer camp horror story that plays like a cross between Friday the 13th and The Evil Dead.
Some have pointed to the campfire story feel that some 1980's slasher films have, Madman being the most obvious. Therefore, it seems somehow appropriate that the screenwriters, Erik and Carson Bloomquist, credit their film's story as being based on stories told around campfires. However, that is also a problem. Around a campfire a story does not need much logic, but a film needs more of a cohesive story. She Came from the Woods just seems to have stopped with Friday the 13th meets The Evil Dead. There is not much else to it. The film does not even have an interesting backstory for its sometimes supernatural villainess Agatha. The killers in The Burning (a film namechecked in She Came from the Woods) and the original Friday the 13th had more reasons for committing murder than Agatha here.
Perhaps a bigger problem is that the film is not as fun as it should be. I laughed twice and grooved on the negative character with the blonde mullet who looked eerily like a schoolmate from high school (the character even acted a little like the real guy). Aside from those bits, I was not overly entertained. I liked the use of Kim Wilde's "Kids in America" over the opening credits, but wished the song had been used more memorably (like "Jessi's Girl" in Boogie Nights or "99 Luftballons" in Grosse Pointe Blank). The disbelieving policeman was kind of fun. I don't begrudge the matinee price I paid to watch She Came from the Woods, but I wouldn't watch it again.
For better 1980's horror nostalgia, I would recommend Deathgasm (2015), Lake Nowhere (2014), or You're Next (2011). She Came from the Woods did not bring enough to the party.
She Came from the Woods is trite and vapid, seemingly unaware of what makes the movies it purports to pay tribute to work. It doesn't provide any of the thrills, surprises, or guilty pleasures that make slashers tick. It feels like a sterilized notion of the sub genre as opposed to something that finds a path of its own or carries any real weight or knowledge about the half-century of films it lazily emulates.
The production is competent but entirely uninspired, with everything from the sets to the costumes to the cinematography being perfectly plain. The revelations and escalations hit hollow and most of the would-be horrific moments are marred by the inherent lameness of kids in camp clothes. It sometimes seems like She Came from the Woods could have been a home movie shot in someone's back yard.
The production is competent but entirely uninspired, with everything from the sets to the costumes to the cinematography being perfectly plain. The revelations and escalations hit hollow and most of the would-be horrific moments are marred by the inherent lameness of kids in camp clothes. It sometimes seems like She Came from the Woods could have been a home movie shot in someone's back yard.
6/10. Not a classic, but enjoyable and worth your time.
This showed up on Tubi as a "Tubi Original," so I wasn't expecting much. I was pleasantly surprised by how much I enjoyed this flick. It's certainly not a classic, but it is competent, suspenseful, and engaging, and I found myself glued to it in spite of myself. The special effects are well done, and with one exception, the acting is on point. This is supposedly a horror comedy, but thankfully it's mostly horror with some jokes here and there. Unlike others, I didn't find the tone uneven.
Soundtrack was also great.
In short, you could do worse--A LOT worse--thank SHE CAME FROM THE WOODS. I recommend it to fans of the genre.
1-3 Don't waste your time 4-6 Good 7-9 Great 10 Outstanding, must see.
This showed up on Tubi as a "Tubi Original," so I wasn't expecting much. I was pleasantly surprised by how much I enjoyed this flick. It's certainly not a classic, but it is competent, suspenseful, and engaging, and I found myself glued to it in spite of myself. The special effects are well done, and with one exception, the acting is on point. This is supposedly a horror comedy, but thankfully it's mostly horror with some jokes here and there. Unlike others, I didn't find the tone uneven.
Soundtrack was also great.
In short, you could do worse--A LOT worse--thank SHE CAME FROM THE WOODS. I recommend it to fans of the genre.
1-3 Don't waste your time 4-6 Good 7-9 Great 10 Outstanding, must see.
Wusstest du schon
- WissenswertesBased upon an award winning 2017 short film of the same name.
- SoundtracksKids in America
Written by Marty Wilde and Ricki Wilde (as Ricky Wilde)
Performed by Kim Wilde
Courtesy of Cherry Red Records
Under license from Rak Publishing Limited
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Убойный летний лагерь
- Drehorte
- Andover, Connecticut, USA(on location)
- Produktionsfirma
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- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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