I Saw the Light

I'm only 25 years old, but I have almost all of Hank's music and have read multiple books in high school about him (including "Hank Williams: The Biography" by Colin Escott). So needless to say, I had high hopes for this movie.

I feel like my high hopes were mostly met. I thought the movie did a very good job of laying out Hank's life and showing his stardom as well as struggles. I didn't like as much that it was rated R vs a PG-13 for "Walk the Line", but then again, anyone who has studied Hank knows that his life was rough and he wasn't candy-coated by any means.

I think Tom Hiddleston does a very good job as Hank, though maybe not QUITE as spot on as I would've liked. But when a big movie comes out about probably my biggest musical artist of all-time, I won't complain. From what I've read, Mr. Hiddleston was basically trained to be as spot-on as possible, and when I saw the movie, he had me believing it was Hank. Elizabeth Olsen did a very good job as Audrey as well.

Overall, I quite enjoyed the movie and am anticipating any special edition releases when it comes out on DVD in a few months. Of course, there were moments of sadness especially toward the end, but there were also moments of happiness and (at least for me) a few chuckles. Although I wouldn't rank this as high as "Walk the Line" in my list of biopics, it was definitely worth the price of admission to me and I would totally see it again if given the opportunity.

When I see a film like "I Saw The Light", it reminds me of how fine the line is between being "great" and being "just okay". This film has great acting, wonderful song numbers, and tells a dramatic story…all things that it's "spiritual" successor "Walk The Line" does. However, there is one key difference (that makes all the difference): That earlier Johnny Cash flick had a lot of heart. This Hank Williams biopic? Not so much.

For a basic plot summary, "I Saw The Light" tells the story of Hank Williams (Tom Hiddleston), the mega-popular but also severely troubled country music superstar. The film begins with his rushed, low-key marriage to Audrey (Elizabeth Olsen), then chronicles his rise to stardom in line with the promiscuity and alcoholism that defined his personal life.

The problem that holds back "I Saw The Light" is simple to identify, yet tough to disseminate: it lacks that "spark", or heart, that previous biopics on other topics have provided. I think the primary culprit in this case is that it doesn't include much of a personal narrative for any of the featured characters. It's about as "straight" of a biopic as one will ever see, not providing any "editorializing" (for lack of a better word) on Hank or his life. Simply put, there is no backstory given, so how can we ever really feel for the events on screen without that context?

Fortunately, the acting in this film is terrific…every bit as good as "Walk The Line", to be completely honest. Hiddleston captures the awkward skinny-ness of Hank's physical presence, while Olsen often steals the show as Audrey. Usually, acting like this can propel a film to great heights, but (as previously mentioned) there just isn't enough meaty material to create the kind of dramatic tension needed to make that happen.

The musical numbers are a treat, as Hiddleston does a remarkable job of mimicking Hank's unique sound. I like it when films like this let the actor cover the songs…so long as the performance isn't totally butchered. Hiddleston shines in that regard.

Overall, though, the lack of drama/energy in "I Saw The Light" ultimately doom it to its 3-star rating. It's a bit sad, as all the other components are firmly in place, but it just lacks that dramatic narrative that needs to drive any biopic. A film like this can't just "portray real life" (as where is the spectacle in that?). It has to tell its own story, and that is where "I Saw The Light" fell short.

"A man sings a sad song he knows is sad." Hank Williams (Hiddleston) is a country music legend. He has sung and written some of the best song in this and any genre. He also had some demons that destroyed him. Pain and hurt that he felt and caused led to his classic body of work, and ultimately his untimely death. This is a very hard movie to review. After the huge success of Ray and Walk The Line it is a tall order to live up to those two. I wondered why this didn't get a big release, especially considering the Avengers connection. After watching this I can see why. The acting is great. Hiddleston embodies Hank and even does his own singing. Olsen does a spot on job as Audrey and portraying the struggles she went through. The music and performances are a treat to watch. All that said, the movie itself came off as flat and a little uninspired. It was missing something that the other two had and it ultimately ended up hurting the movie and making this a huge disappointment, for me at least. Overall, great acting could not overcome the bad writing. Worth seeing, but temper your expectations. I sadly give this a B-.

Tom looks and sounds remarkably like Hank Williams here. If you listen to 'Hey good lookin'' performed by Tom he pronounces 'new' with yod retention ('nyoo') but that's not a mistake due to him being English as if you listen to the Hank Williams recording he does the same! The only problem is the absence of a back story to the central characters, even Hank himself, means you don't particularly care about them or root for them, which is a shame.

It's a shame that some of this film's structural flaws will keep many from seeing one of the best on screen performances I've seen in years. Hiddleston's Hank Williams is a masterful creation: haunting, driven and soulful with the added bonus of Hiddleston doing his own singing and playing (no lip-syncing) including Hank's famous yodel.

While the film would have benefited with less marital squabbling and more music, it nonetheless takes one on an gripping journey of an American music icon's tragic life and short but amazing career.

Elizabeth Olson as Audrey, William's headstrong wife, does a fine job but I could have done with less of their relationship story and more about Hank's musical process. Cherry Jones is also excellent as Hank's bossy mom.

The stellar singing in the opening segment is worth the price of admission.