Taurus

Upper body half that 98% of the viewers will think Kurt Cobain when delving into this , lets call it '' riding the surf into eternity'' kind of sad socialrealismic drama called taurus...

the thumbs up for the 2 main actors, the explosive discussion in the studio is some of the best interaction ive seen ever, as well as rest of the cast, its colliding into a crystalclear revelation of sadness, pain and agony due to the force of stardome, the score leads you effectively into the abyss, and the outcome of the story is checked out allready from the start.

What draws some stars is outta some of the camera and soundwork, some camera-/-man-shadow here and there, and some closeups are hard to say, but what makes just a 7? Well the plotspeed, it dragsssss...

but if newbie stuff then its good, the actors definately delivers, and one thing the grumpy old is surtain about is that you will become sad and thoughtfull.

Very dark and gritty film. It dances on the line of fact and fiction for Colson's life. There is an element of the film that is introduced in the beginning, is later addressed in the film, but I think that Sutton could have tied it in with Colson's character to make a deeper impact on the film. Overall it is a good film but it could have had some tweaks made to it order for it to be a 10 but no film is perfect! I saw it screened at the Newport Beach Film festival! I think that Colson and Sutton would make a great pairing and could be good for both of their careers in film in the long run!!!!!!

Have to admit I only watched this for MGK who I find mildly interesting. I don't like most of his music and if you go into this expecting to hear a bunch of his music, forget it, this movie is about one drug addicted star and their is little music to it. There isn't much of a story to it either, little character development, and it really just qualifies as a slice of life drama. In that instance it works. He's actually a fairly good actor even if he's not given much to do and that seems to be the main problem with this movie. There is no depth to it. We learn nothing about him, or really any of the characters. Maddie Hasson, who could be Florence Pugh's twin, steals the movie as the assistant. There are some well done and interesting scenes and the movie is well shot and scored. It comes across as a realistic look at one segment of the music and entertainment industry but it definitely needed more of everything, more plot, more drama, more dialogue, more background.

The vibes I got from this film are intitled rocker with absolutely zero accountability. I've struggled with mental health my whole life & can resonate with deep pain but the self-centered, entitled attitude this man seems to have in this film is beyond comprehension. I can understand being raw and putting yourself out there but the only vibes I got from this film is that this person is clearly allowing their mental illness to completely take over their life and make exuses for every poor choice they decide to make. Most definitely no inspiration to be found in this film , more then just pure embarrassment of the toxic behavior exused simply by "I'm a rockstar " give me a break.

The idea of a Music Icon thrashing around and getting drunk and coked up endlessly should not be any big news or any groundbreaking sort of plot. But oddly enough, some studio execs thought that it was a big deal that Coleson (aka Machine Gun Kelly) was the lead was willing to be the messed-up character, that they had to put some unfortunate money behind it.

The result, as expected, is to make him out to be a total relentless asshole to everyone in his eyesight, especially the sweet and patient Assistant played by Maddie, who deserves as much credit as she can get for her acting chops in realistically portraying someone in the position of having to deal with the ridiculous antics of the spoiled "genius" she has to babysit.

The most hilarious scene which gives a realistic example of the so-called musical genius turning into a foul-mouthed child, throwing a tantrum in a TV interview studio, where the techs and the makeup people all scatter while Cole (his real name is the same as the character) yells and cusses out everything the poor girl does, for no reason--and then she quits, only to be combing his ridiculous ratty hair in the next shot.

The entire film is set up to somehow make us sympathize with the Cole character, only to leave us utterly cold as he is utterly devoid of any sort of sympathy for anyone, including his little 4-year old daughter. God only knows how that kid could ever mistake this man-child for a father.

This movie is pointless and is really only required viewing for that cross section of the audience that admires this kind of spoiled, egotistic, and vapid mentality.