Taurus
- 2022
- 1 Std. 38 Min.
IMDb-BEWERTUNG
4,6/10
1411
IHRE BEWERTUNG
Verfolgt die letzten Tage eines aufstrebenden, aber problematischen Musikers.Verfolgt die letzten Tage eines aufstrebenden, aber problematischen Musikers.Verfolgt die letzten Tage eines aufstrebenden, aber problematischen Musikers.
- Auszeichnungen
- 1 Nominierung insgesamt
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Full disclosure: I only streamed this because hot Megan Fox was in it. At least I think she was.
This movie was so freaking bad that I spaced out many times during it. Frankly, I only remember Megan for a few minutes maybe 50 minutes into the movie.
But as I said, this is a space out movie. It is one of the worst written and directed films I've seen in about a decade. It is so slow you will be drowsing off following the credits.
I'm not even sure why this movie was made, or how it got backing. It goes no where. You have no sympathy or empathy for the main character whatsoever.
Please, never direct a movie again.
This movie was so freaking bad that I spaced out many times during it. Frankly, I only remember Megan for a few minutes maybe 50 minutes into the movie.
But as I said, this is a space out movie. It is one of the worst written and directed films I've seen in about a decade. It is so slow you will be drowsing off following the credits.
I'm not even sure why this movie was made, or how it got backing. It goes no where. You have no sympathy or empathy for the main character whatsoever.
Please, never direct a movie again.
Taurus is one of the worst films I have ever seen. As someone who has seen many films depicting mental health & addiction this must be one of the most one dimensional attempts ever made. MGK is desperate to portray himself as a broken angst ridden artist at the best of times. This film feels self absorbed and try hard. The dialogue is awful. The acting even worse. The scenes of drug use felt so text book with empty dialogue which felt meaningless and so Hollywood without any grit or emotion. Even if MGKs character is meant to be depressed I still should have felt some of the internal pain from the character and I felt nothing. There was no substance to anything in this film.
As was to be expected with a kind of auto biopic of Machine Gun Kelly, there wasn't a whole lot of drama or depth to create a detailed and intriguing story with. That being said the performance delivered still made it enjoyable and realistic. With a better script based around the more dramatic tales from the Rap scene this could've been great. Never the less, it was produced well and for a music fan, it doesn't disappoint. As a movie fan don't go into it with the highest expectations and you will be satisfied. The music component of the film with integration of a songs conception, mixing and finalisation throughout is an amazing concept, one that was delivered well and could be used to great effect in other projects. Overall I see the film as not great but is good and groundbreaking in some ways. When looking back in a few years, it will hopefully be an acting and film turning point in Colson's career.
The idea of a Music Icon thrashing around and getting drunk and coked up endlessly should not be any big news or any groundbreaking sort of plot. But oddly enough, some studio execs thought that it was a big deal that Coleson (aka Machine Gun Kelly) was the lead was willing to be the messed-up character, that they had to put some unfortunate money behind it.
The result, as expected, is to make him out to be a total relentless asshole to everyone in his eyesight, especially the sweet and patient Assistant played by Maddie, who deserves as much credit as she can get for her acting chops in realistically portraying someone in the position of having to deal with the ridiculous antics of the spoiled "genius" she has to babysit.
The most hilarious scene which gives a realistic example of the so-called musical genius turning into a foul-mouthed child, throwing a tantrum in a TV interview studio, where the techs and the makeup people all scatter while Cole (his real name is the same as the character) yells and cusses out everything the poor girl does, for no reason--and then she quits, only to be combing his ridiculous ratty hair in the next shot.
The entire film is set up to somehow make us sympathize with the Cole character, only to leave us utterly cold as he is utterly devoid of any sort of sympathy for anyone, including his little 4-year old daughter. God only knows how that kid could ever mistake this man-child for a father.
This movie is pointless and is really only required viewing for that cross section of the audience that admires this kind of spoiled, egotistic, and vapid mentality.
The result, as expected, is to make him out to be a total relentless asshole to everyone in his eyesight, especially the sweet and patient Assistant played by Maddie, who deserves as much credit as she can get for her acting chops in realistically portraying someone in the position of having to deal with the ridiculous antics of the spoiled "genius" she has to babysit.
The most hilarious scene which gives a realistic example of the so-called musical genius turning into a foul-mouthed child, throwing a tantrum in a TV interview studio, where the techs and the makeup people all scatter while Cole (his real name is the same as the character) yells and cusses out everything the poor girl does, for no reason--and then she quits, only to be combing his ridiculous ratty hair in the next shot.
The entire film is set up to somehow make us sympathize with the Cole character, only to leave us utterly cold as he is utterly devoid of any sort of sympathy for anyone, including his little 4-year old daughter. God only knows how that kid could ever mistake this man-child for a father.
This movie is pointless and is really only required viewing for that cross section of the audience that admires this kind of spoiled, egotistic, and vapid mentality.
Have to admit I only watched this for MGK who I find mildly interesting. I don't like most of his music and if you go into this expecting to hear a bunch of his music, forget it, this movie is about one drug addicted star and their is little music to it. There isn't much of a story to it either, little character development, and it really just qualifies as a slice of life drama. In that instance it works. He's actually a fairly good actor even if he's not given much to do and that seems to be the main problem with this movie. There is no depth to it. We learn nothing about him, or really any of the characters. Maddie Hasson, who could be Florence Pugh's twin, steals the movie as the assistant. There are some well done and interesting scenes and the movie is well shot and scored. It comes across as a realistic look at one segment of the music and entertainment industry but it definitely needed more of everything, more plot, more drama, more dialogue, more background.
Wusstest du schon
- WissenswertesOriginally titled Good News but changed to the name Taurus (MGK's zodiac sign) after backlash from Mac Miller's family & fans after hitting too close to home. Good News was also the title of one of Mac Miller's last songs, which was posthumously released on January 9, 2020, as the lead single from the album. It peaked at number 17 on the US Billboard Hot 100, becoming Miller's highest-charting single as a lead artist.
- VerbindungenFeatured in Machine Gun Kelly Feat. Naomi Wild: Taurus (2022)
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Details
Box Office
- Weltweiter Bruttoertrag
- 11.698 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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