Es geht um einen jungen Graffiti-Künstler, der ein schockierendes Geheimnis entdeckt, das ihn und die Menschen, die ihm nahe stehen, in Gefahr bringt.Es geht um einen jungen Graffiti-Künstler, der ein schockierendes Geheimnis entdeckt, das ihn und die Menschen, die ihm nahe stehen, in Gefahr bringt.Es geht um einen jungen Graffiti-Künstler, der ein schockierendes Geheimnis entdeckt, das ihn und die Menschen, die ihm nahe stehen, in Gefahr bringt.
- Auszeichnungen
- 1 wins total
Shenel Hussein
- Male Police Officer
- (as Shenel Houssein)
Handlung
WUSSTEST DU SCHON:
- WissenswertesStephen King personally recommended this movie via his Twitter account.
- PatzerThe killer murders at least five people in this movie. His MO is to bring them to his house, when he does so. So that's five disappearances, and at least five people whose mobile phones' cell tower traffic would have led to Blake's residence.
- VerbindungenReferenced in Maldito clásico: Cloverfield es un maldito clásico (2024)
- SoundtracksFuneral Music: March, Z. 860
Composed by Henry Purcell
Performed by The Sixteen (Choir & Orchestra) & Harry Christophers (Conductor)
Licensed courtesy of The Sixteen Productions Ltd
Ausgewählte Rezension
This is an honest-to-goodness thriller that keeps you on tenterhooks.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
The script is tight, and while it careens to a somewhat expected ending , the way the story is woven engages the viewer. I thought, for a while, that Hector could go on doing his ghastly acts with impunity because he seems so cool and smart that authorities cannot lay a finger on him. That's how effective the plot is to me.
It's a remarkable cast of relatively newbees headlined by Hugh Bonneville and Kelly MacDonald. I like, in particular, how Hugh Bonneville is able to conceal his fiendishness behind a cloak of aristocratic air and respectability; Kelly MacDonald's Lizzy awakens the maternal instinct in the female viewer. She portrays her effectively as the harried, worried and ordinary mom who just wants her stubborn son to succeed; George MacKay as Toby, the son who's clueless as to what he really wants in life but has a natural affinity with those who are maltreated or abused; and finally Percelle Ascott as Jay, Toby's best buddy, a young father who's torn between his love for his young family and close ties with Lizzy and Toby.
All these characters come together to produce a coherent, socially relevant and no-nonsense film.
Watch to enjoy it.
- albertval-69560
- 1. Sept. 2022
- Permalink
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- Laufzeit1 Stunde 50 Minuten
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- 2.39:1
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