Firebrand

Honestly, I am a bit surprised with the low reception this movie has been getting because while I can understand some of the writing faults and direction choices being strange, it's ambitious approach on the tale of Katherine Parr provides an interesting newfound dramatic story.

Karim Aïnouz, being his first movie outside of Brazil, approach on it's atmosphere, presentation, and themes remain vibrate, powerful, and tense that establishes some well-made choices, costumes, and structures throughout the setting. Including some wonderful colorful costume designs, production, musical soundtracks, and vibe.

Many of the performances have brought their characters to it's height of investment, particular Alicia Vikander and Jude Law have great chemistry both volatile, smart, and love. It's writing on the history and characters may feel a bit slim, however, does provide some interesting themes and atmospheres. The camerawork, unfortunately, is the worst aspect because the camerawork felt flat and usually Aïnouz approach on the camerawork is pretty good but here, it feels too flat which made certain moments feel lifeless.

Overall, it's not one of Karim Aïnouz best works but I thought it was ambitious and still engaging throughout.

I like historic biopics of the decade of Henry VIII and Elizabeth I. This was solid. Not bad but also not among the greatest but it still has some features to appreciate. While the story itself is maybe not rich enough to fill a feature film and sometimes dragged, due to a mediocre direction, its the actors who make this worthwhile. Alicia Vikander in the lead role plays it very well and giving it a lot of more than there is on paper. The standout is Jude Law as Henry VIII who really gives one of his best recent performances and deserves much more attention for it than he got. Its a great portray of the king. Also Law plays it unlikely the way he usually plays his role so this gives us a new facette of Jude Law's abilities.

The look and feel was also good, costumes and production design worth to pick out.

Dont look for too much historical authenticy but rather enjoy visiting that decade.

Alicia Vikander and Jude Law . The try of Karim Ainouz to explore the contribution of Katherine Parr to modelate last part of reign of her royal husband and the delicate balance between risks.

Motives to see this film, correct crafted, not always faithful to historical facts but working as honest sketch about a period and its challenges. And not bad resume of Henry VIII reign and the relation with his wives.

The only reproches - the feeling about soulness story, a presentation of venerable history teacher to his students after too many years of teaching. Second, the eccentric end and the impression about feminist manifesto.

But the costumes, rooms, relation of Katherine with the children of her king and the nice performances- Jude Law is, real, a good Henry VIII- are enough good points for appreciate this film.

This beautifully shot and meticulously cut film is far better than the reviews suggest, and the performances are all first-rate.

I wasn't expecting the story to be in any way accurate - and I am fairly clued up on Henry the Eigth - and it isn't. But despite that the film works really well.

June Law is the BEST dipiction of an elderly, dying Henry VIII, I give his performance 10 stars.

The film is loosely tied to real events, with one exception and to that, later.

The setting in Haddon Hall, the building works perfectly, the Tudor period and its inhabitants were still quite medieval animals, with rare exceptions, and about 100 years behind their European contemporaries (see Chambord for example). Not until Charles I can England be described as having an emerging Renaissance culture. The clothes, head-dresses, jewellery, furniture are all deliciously vernacular, as is the Latin liturgy (which is helpfully translated using subtitles) as the setting is pre-Common Prayer - just).

So, the overrall flavour of Tudor Court life shown as a primitive and cruel place, given licence by a wilful, cruel and despotic king, is bang-on. The depiction of Elizabeth Parr's endurance of unspeakable treatment in a loveless, selfless marriage to an utterly unpredictable and boorish, selfish, old man - who also happens to be King and wields absolute power - quite justifies the finale which is THE ultimate wish fulfillment of all battered and abused wives everywhere!

Enjoy the film, and the less English history you know, the better it gets.

This film is set during the last days of Henry VIII (1546-7), with Jude Law as the King and Alicia Vikander as his sixth and last wife, Catherine Parr, who was also mother in all but name to the king's three children (only one of whom ever knew their actual mother).

The film starts with a caption which says (I forget the exact words) that there are always gaps in our knowledge of history, which we often fill with things we've made up. Well there aren't quite so many gaps as this film seems to suggest. The ending is entirely fictional, and there's at least one plot point that's total fabrication.

Does this matter, given that they were open with us? Probably not. Law is excellent as the sick, dying and paranoid king. Vikander is also excellent as the woman who must constantly tread a microscopically thin line between giving the king the support and affection he needs and becoming the third of his wives to be executed. Simon Russell Beale radiates oily menace as the odious Bishop Gardiner, and the rest of the ensemble cast do a good job in portraying a court torn between jockeying for advancement and fearful of provoking one of the king's irrational outbursts.

I do have one issue with the film: in an early scene we see Erin Doherty as Anne Askew the religious reformer (or radical, depending on your point of view) preaching to her followers in the woods. This is a dramatic and moving scene, and one hopes that Askew is going to feature prominently. She doesn't. Less than two minutes later we learn that Askew has been arrested, tortured and burned at the stake. We see nothing of this, which struck me as a missed opportunity.

That aside, we get a moving and dramatic film which skirts round the edge of actual history.

Oh; and if a King writes a song, of *course* the whole court will learn the words.