Ein Glücksfall

The new Woody film is neither a masterpiece nor is it bad - as some reviews here seem to claim. It is actually better than some of his recent films (i.e "Autumn in NY"). Parts of it reminded me of "Scoop" or even of the masterpiece that is "Manhattan Murder Mystery". Unfortunately without the humour and star actors of his older films. Although acting is decent and photography, script and directing are even better- it misses the quality and sparks that great stars have brought to Allen's films in the past turning a small-talk scene into something brilliant and funny or a personal impasse into tragedy.

For Allen fans it is very pleasant entertainment with some Hitchcockian touches and a nice Paris-in-the-autumn atmosphere.

The underlying "philosophical" motif of beleiving or not in the power of chance in life is rather superficially dealt with, rehashing the ideas of "Matchpoint". The ending could be more developed while the whole film seems at places to work on auto-pilot following similar plots of his previous films. However, as the "captain" here happens to be one of the greatest living directors who - despite his old age and the witch hunt against him- continues to offer us one film per year I can only say, thanks again Woody!

Being a fan of Woody Allen's films, I couldn't expect a mediocre film shot in Paris. Paris is the European muse for Allen and some of his most enjoyable films are shot there.

Many have found resemblance to "Match Point" but I disagree: "Coup de Chance" is a wonderful hommage to Claude Chabrol's oeuvre. Here's why; There's a corrupt rich husband with a murky past, a depressed wife longing for romance, and an old friend who storms into her life to spark 'illegal' passion with all that follows.... Need I say more?

But what Allen knows better is to provoke the sympathy for the people who try to follow their heart and change their life to the better and at the end of the day we can all realize that no one knows what the future might bring in life.

Coup de Chance is also a great comment to those arrogant wealthy people who think they control everything and everyone around them until they meet their own Nemesis!

I was waiting for the opportunity to see Woody Allen again. I am happy I did. «Coup de chance» is very much in line with what we are used to have from W. Allen, and yet there is something new, namely, the way the film underlines the conflict between self-control and the power of chance, between honesty and the drive for control, between intelligence and the demands of the heart.

Woody Allen is a very skilled filmmaker, and yet you can see signs of repetitiveness. TO me, this was not a disturbance, but rather a confirmation of the Allen cinematographic stile. «Coup de chance» is very well constructed and the end is amazingly surprising. The way the movie ends is a lesson in itself. I enjoyed the movie and highly recommend it to others. I am more interested in the substance of the work than in its entertainment value. Either way, the viewer will not be deluded. Yet, the viewer is requested to further think once the movie is over. Like this, I would like to see more from Woody Allen. I hope I will!

I've been waiting for quite a long while for Woody to say something new. To be completely honest, it's not all that new, Woody himself had said more than once in his writing. But he never made a movie saying it so bluntly. And after a decade of repeating movies he did before, it's a breath of fresh air.

The acting is spot on, even if it does feel like his French people are in fact New Yorkers speaking with a weird accent. All the technical aspects were never an issue in Woody's movies. I'm not saying it's perfect, but it's a fun movie, and a good pastime. And I do like seeing Luo De Laage, ever since I saw her in Les Innocentes.

We were very lucky to attend an advance screening of Woody Allen's latest movie, "Coup de Chance" (Stroke of Luck) almost a whole month ahead of its Australian release. While it may not stand as his greatest work, the film is undeniably well-made and thoroughly entertaining. Set against the backdrop of Paris in the autumn, the cinematography captures the city's beauty, adding an extra layer of charm to the narrative.

The film boasts decent acting performances, with the cast delivering their roles competently. However, it's hard to ignore the sense of déjà vu, especially if you've seen "Matchpoint." It's like Allen's taken a stroll down memory lane, rehashing some of his earlier ideas. While the familiarity may give a sense of nostalgia for longtime fans, it also left me yearning for something new from the seasoned filmmaker. Despite these echoes, "Coup de Chance" manages to create a compelling story, keeping the audience engaged with its well-paced plot and witty dialogue. In the end, Allen once again demonstrates his ability to craft an enjoyable cinematic experience, even if the shadows of his past successes loom in the background.