Taking the Reins

I love Nikki DeLoach and Scott Porter together. They are such superb actors who are even better together. Scott Porter is giving Andrew Walker a run for his money and I hope to see him in many more Hallmark movies.

I take some heat from friends and family for being a card-carrying Hallmark movie dork. I generally love the light, happy entertainment. I get that it's not intended to be complex award-winning drama, and I'm okay with that. But, this movie set the bar so low even I can't forgive it. Why go to the trouble and expense to make a movie entirely centered around riding hunter/jumpers if you're going to ruin it by casting people as supposedly accomplished riders and trainers who clearly have never ridden a horse? Is it so impossible to cast people who can simply ride a horse? The riding in this movie is so bad it's laugh-out-loud ridiculous. It makes the story unforgivably ridiculous. Seriously? A supposed national level competition involving jumping over 1 to 2 foot fences I could step over while the audience oohs and ahhhs. Come on, Hallmark. Try a little bit.

I mostly wanted to watch this movie because of the equestrian angle. But I should have known that it was going to be not well done on that point. Anytime any of the stores are supposedly on a horse and jumping their head isn't in-frame because it's someone else doing it. A horse show of this magnitude would have jumps twice as high. And since jumping shows are timed events, these horses would be Galloping and not a nice little Canter. Oh and last but not least, there is no play-by-play commentary while you're in the ring jumping. It's silent just like golf.

The story revolves around a horse farm, an equestrian event, and a divorced couple thrown together by her family. For the first part of the movie, it was a build up to what was supposed to be the awkward reunion of a divorced couple, made that much worse by the fact that everyone but Sam knew it was coming. For the viewer, it didn't seem that awkward unless you count Sam chewing out her parents. Then like so many Hallmark movies and their clones, the animosity disappears almost instantly. By about half way through the move, you could almost forget it happened that way because Sam and Luke were getting along great.

I've seen most, if not all, of Nikki DeLoach's Hallmark movies. At first, no big deal, but Two Turtle Doves sealed it - this is one of Hallmark's best lady stars. There are others that appeal to me more for various reasons, but every time I see Nikki, she grows a little more on me. Unfortunately, this movie did her no favors.

For what little screen time they had together, Nikki and Scott Porter had chemistry.

As I mentioned, the climax of the movie is the equestrian contest. From slightly past the midpoint when all the pieces were in place, it was obvious almost to the minute details what was going to happen. And the event consumed more and more of the story. I'm not a fan of rom/coms where some contest takes up significant time and attention. I'm much more into the people and relationships.

I especially didn't like some of the camera angles during the riding scenes. Poor Nikki didn't look good. It wasn't quite fear, but it wasn't flattering.

There were some scenes which were very flattering for her physically. I don't usually think of her that way.

I caught one scene, where once again on Hallmark, face makeup didn't look right. I don't see it in similar movies by other companies.

I give what I feel is an overly generous rating thanks mostly just because the movie had Nikki DeLoach.

I really like Nikki DeLoach (she was great in Two Turtle Doves and The Perfect Catch). And I get that Hallmark sells relationship fantasies. I'm a happy consumer of those fantasies. But it's one thing to reunite old sweethearts from high school or college who went their different ways; it's quite another to reunite divorced couples. It's hard enough for divorced couples just to be civil to each other, let alone fall back in love. Heck, I thought Crashing Through The Snow (which featured a divorced mom spending Christmas with her ex's fiancé's family) was wildly unrealistic.

These 2 spent six (6!) years together, couldn't make it work, got divorced (the reasons were fuzzy), and it was apparently so bad, her family was afraid to tell her that her ex would be at the ranch (that was weird by the way). But then Poof! They're hanging out, riding horses and falling back in love. Sorry. I didn't buy it. Divorce is more than just a break up. A lot more.

I also thought the focus on the big horse riding event was a bit off. I loved taking my daughter to her horse riding lessons. She loved horses, and I loved seeing her happy. But, as others have noted (in impressive detail), Hallmark really screwed up in making that event and the riders seem believable. And it came at the expense of an unrealistic love story that needed more time to seem plausible. If Hallmark wants to target some demographic clamoring for stories about divorced couples getting back together, those stories should be told, if at all, over time in a series like Chesapeake Shores.

And as someone who applauds Hallmark's efforts to make their movies more diverse and inclusive (the intolerant pearl clutching "PC alert" crowd should be ashamed of themselves), I thought the same sex couple was thrown in to win quota credits in lieu of treating them as fleshed out characters. In contrast, I loved the realistic and interesting lesbian sisters in Unexpected Christmas and Every Time a Bell Rings. Still, I suppose even a token effort should be acknowledged as progress that, just 5 years ago, seemed unlikely.