Eine Frau entdeckt die größte Weinsammlung der Welt, die ihr entfremdeter Vater hinterlassen hat, und tritt gegen einen Japaner an, um ihr Erbe anzutreten.Eine Frau entdeckt die größte Weinsammlung der Welt, die ihr entfremdeter Vater hinterlassen hat, und tritt gegen einen Japaner an, um ihr Erbe anzutreten.Eine Frau entdeckt die größte Weinsammlung der Welt, die ihr entfremdeter Vater hinterlassen hat, und tritt gegen einen Japaner an, um ihr Erbe anzutreten.
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In an ocean of overdone cartoons, vacuous gore, CGI, true stories and star wars-type productions, here we have a unique fictional story with an original plot, spanning across geographical boundaries and time periods, deeply human, with whatever darkness or light that carries along, beautiful photography, attention to detail in the production and complex characters who slowly unfold through an intricately unpredictable and quite addictive narrative full of twists about a side of the wine industry few are familiar with. Contemporary, smart, entertaining and just beautiful to watch...A true breath of fresh air.
I wasn't impressed with the trailer but started watching out of curiosity. What a surprise! It's hard to describe, it isn't like anything else.
I've read comments about it being pretentious but i really don't feel that way. Maybe the fact that it's mainly in French and about wine makes some people feel a certain type of way?
The casting is excellent, apart maybe from Camille's mother that feels a bit less credible to me. Fleur Geffrier is wonderful in her part and I'm curious to see how Tomohisa Yamashita's character will develop.
The show also looks really beautiful. Like really beautifully shot and directed. The music score has some very mesmerizing moments too (in episode 2 especially).
So far one of my favorite show this year!
I've read comments about it being pretentious but i really don't feel that way. Maybe the fact that it's mainly in French and about wine makes some people feel a certain type of way?
The casting is excellent, apart maybe from Camille's mother that feels a bit less credible to me. Fleur Geffrier is wonderful in her part and I'm curious to see how Tomohisa Yamashita's character will develop.
The show also looks really beautiful. Like really beautifully shot and directed. The music score has some very mesmerizing moments too (in episode 2 especially).
So far one of my favorite show this year!
It's a little ironic in a way that a subject so steeped in taste and smell gets represented in a medium that can deliver neither of these - the fact that this isn't really a problem is a tribute to the brilliance and craft of those responsible for making this show.
For the most part Drops of God has a carefully sculpted aesthetic.
It's a multi-level approach - location plays a key role, but sound, lighting, and cinematography are elevated to convey the additional information - combined with a motif element to account for the filing of information on smell and taste.
Some great acting, and a great story - with a script that is a little clunky at times but mostly works well.
Considering that three languages are managed quite seamlessly and transparently, and that the end result is very satisfying, it's clear that this is a work of high accomplishment.
One episode to go and I'm hanging out to see which way the chips will fall.
For the most part Drops of God has a carefully sculpted aesthetic.
It's a multi-level approach - location plays a key role, but sound, lighting, and cinematography are elevated to convey the additional information - combined with a motif element to account for the filing of information on smell and taste.
Some great acting, and a great story - with a script that is a little clunky at times but mostly works well.
Considering that three languages are managed quite seamlessly and transparently, and that the end result is very satisfying, it's clear that this is a work of high accomplishment.
One episode to go and I'm hanging out to see which way the chips will fall.
Since the beginning it stars with good momentum that it builds up to the final episodes it's just a really good series , one of the few were it isn't eccentric, one that allows you to enjoy each episode and at the same time leaves you wanting more of it.
The performance of the actors and actresses are really good as well as the production of the series you can also learn some aspects related to wine industry as well as some cultural differences between cultures such as Europeans (Especially French) and Japan.
In terms of the ending of the series I'll believe it's will retain its good value if they don't make a second season of it .
The performance of the actors and actresses are really good as well as the production of the series you can also learn some aspects related to wine industry as well as some cultural differences between cultures such as Europeans (Especially French) and Japan.
In terms of the ending of the series I'll believe it's will retain its good value if they don't make a second season of it .
Drops of god is a show about the journey of a french young woman who has to confront her problematic past with her father after his passing. This confrontation triggered by her fathers will that promises her 150 million dollars if she undergoes certain sommelier trials takes us the viewers through a journey of sense and taste in the for me at least very unknown world of winery and the restaurant industry.
It is a joy seeing how much attention to detail was put into every aspect of these trials, describing each time a side of the wine making and tasting process no one ever really cares about. The most interesting aspect of this series is exactly this, every single trial is a culinary puzzle the viewer unravels by learning alongside the protagonist on how to differentiate taste, memory and association. It is an unexpected thrill. Not to mention, the series is beautifully shot with long track shots bringing us along the journey, creative expressions on how the protagonist perceives taste and smart cuts, scenes that never drag.
The acting could use a little help, also the dialogue. My main complaint here is one that often appears when international casting and multiple languages happen to be in a movie. The dialogue done in one language culturally and colloquially does not fit the other. So you will see a lot of English dialogue spoken by a french/japanese person, who apart from the language has no bond to the culture, speaks like an american teenager for some reason. It is this disconnect that bothered me time and time again, only when the actors spoke in their own native tongue did it seem authentic.
Still this show is a thrill to watch and absolutely recommended.
It is a joy seeing how much attention to detail was put into every aspect of these trials, describing each time a side of the wine making and tasting process no one ever really cares about. The most interesting aspect of this series is exactly this, every single trial is a culinary puzzle the viewer unravels by learning alongside the protagonist on how to differentiate taste, memory and association. It is an unexpected thrill. Not to mention, the series is beautifully shot with long track shots bringing us along the journey, creative expressions on how the protagonist perceives taste and smart cuts, scenes that never drag.
The acting could use a little help, also the dialogue. My main complaint here is one that often appears when international casting and multiple languages happen to be in a movie. The dialogue done in one language culturally and colloquially does not fit the other. So you will see a lot of English dialogue spoken by a french/japanese person, who apart from the language has no bond to the culture, speaks like an american teenager for some reason. It is this disconnect that bothered me time and time again, only when the actors spoke in their own native tongue did it seem authentic.
Still this show is a thrill to watch and absolutely recommended.
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- WissenswertesBased on manga series "Kami no Shizuku" written by Tadashi Agi, a pseudonym employed by creative team of sister and brother Yuko and Shin Kibayashi, & illustrated by Shu Okimoto (published from November 18, 2004 to June 12, 2014 in manga magazine Morning). The story is told in two parts - the first part focusing on protagonist Shizuku Kanzaki and his rival Issei Tomine on their search of the "Twelve Apostles" wines, and the second focusing on finding the "Drops Of God". A third part of the series serves as short sequel details Shizuku's life after the competition and taking Issei's daughter under his wing.
- PatzerThe protagonists claim that the fictional "Gigon Lignage" grape variety is the only red grape in the World able to produce both white and red wines. This is wrong. Any red grape can be used to create white, rose, or red wines, depending on skin-juice contact (and the duration of said contact).
- VerbindungenVersion of Kami no Shizuku (2009)
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