Laththi

Laththi movie was very good movie and vey good screenplay for the firsthalf and the second half was lightly slow and lag of screenplay otherwise this was a good family and action entertainer.vishal acting was very good and the cop look was awesome it is perfectly suitable for vishal and sunaina acting was a perfect suit for the character munishkanth comedy was slow poison for audience the negative role Actors acting was very good and overall this family entertainer and vishal fans definetly like so much for this movie.improvements second half the building scene and the sequence was be make one by one its easily understend for audience.

Story in 5 line.

1. Once upon a time there was a policeman.

2. He was in suspension.

3. He rejoined his duty.

4. He alone killed 100 goons.

5. The END.

An actor like Vishal should have read the story before doing the projects.

Instead of a police uniform he should have worn a superman costume.

Waste of time. We can't sleep peacefully in theater also.

The film shows policemen are so irresponsible, they are leaving Murugan's son in an abandoned building were goons' activities are reported.

Very poor old dramatic story and screenplay. One of the worst movies in 2022.

Disaster of the year 2022.....

The action sequences are the ones that are worth watching in this flick plus an added twist, nothing else, just nothing else at all is there in this film that is worth mentioning.

The very old plot, poor screenplay, and the worst dialogues & delivery, if removed might make the movie a little better version of it.

Music, BGM nothing seemed to have uplifted the movie in any way.

The known faces like Vishal, Sunaina are the ones that drag us to watch this film and they did their role well it seems but there is only so much they can also do with this kinda content, its really upto the creator of it to make it up which didn't happen for this film.

Overall, if you're free and want to kill time, this film might be one for that activity.

Laththi was the expected masala movie packed with the expected massive action sequences, superficial logic, and common scenario.

The cinematography and fighting scenes, as usual, stood out being intense and edgy, with dramatic up-close and versatile point-of-view shots, and a robust choreography.

Generally, there was nothing out of the ordinary, though we craved for something new. Laththi wasn't bad and wasn't great; just another one of 'those' films.

Laththi was the expected masala movie packed with the expected massive action sequences, superficial logic, and common scenario.

The cinematography and fighting scenes, as usual, stood out being intense and edgy, with dramatic up-close and versatile point-of-view shots, and a robust choreography.

Generally, there was nothing out of the ordinary, though we craved for something new. Laththi wasn't bad and wasn't great; just another one of 'those' films.

Laati Charge" is a remarkable low-budget film that introduced me to Vishal's cinematic talent. Despite its simplicity, the actors delivered outstanding performances, making it a memorable experience.

This movie's strength lies in its straightforward narrative. It revolves around a laathi, a simple yet powerful symbol. The plot explores themes of strength, resilience, and confronting life's challenges head-on. Vishal's portrayal of the protagonist was captivating, displaying a wide range of emotions.

The supporting cast also deserves praise for bringing depth and authenticity to their characters. Their chemistry added to the film's believability, drawing me deeper into the story.

Despite the limited budget, the production values were commendable. The cinematography immersed me in the world of the characters, and the minimalistic yet impactful music enhanced key moments.

"Laati Charge" is proof that great cinema doesn't always require big budgets. It's a testament to the power of storytelling and exceptional acting. This film left a lasting impression, and I'm eager to explore more of Vishal's work and discover other cinematic treasures like this one.