Ayisha

While biopics traditionally aim to depict the entire life of a real person or focus on historically important period of their lives, Ayisha breaks the mold by capturing a lesser-known period of Nilambur Ayisha's expatriate life as a gaddamma in Saudi Arabia '88. Taking us through an intimate journey, the movie hints at how much character and grit and fierceness Nilambur Ayisha has through flashbacks from her past as well as her life as a maid at the palace. Exquisite cinematography by Vishnu Sharma makes gives the feel of an cross-border cinematic experience, complemented by a fitting evocative soundtrack by M Jayachandran (special mention to Masalama sung by Shreya Ghoshal), further enhancing the immersive experience.

Manju Warrier brings vulnerability and emotional depth to her character's fullest potential(which, I felt, was limited in the script) but it is Mona Tawil who steals the show as Mama, as her grief and loneliness linger in our hearts even after the credits roll. A large diversity of cast from different countries, speaking different languages all add colour to a heartwarming tribute to Nilambur Ayisha while also proving a fact that Manju Warrier can carry the weight of a big budget, female-oriented, multilingual movie just as impressively as any superstar can do in Malayalam Cinema.

Ok First Half and a Boring Second Half. The movie started well. The plot was giving some resemblance with Dileep's 'Spanish Masala'. The making was impressive, the shots were superb, the shots of the palace were really extravagant, the songs were good...However, after giving hope, the movie lost its momentum, became tedious and finally ended in a dull manner. The climax was too predictable and not appealing to me. Also, the characters extensively speak Arab, Tamil languages, and no subtitles were provided, which also affected the movie watching in a bad way. Overall, a one-time watchable movie, especially for the extravagant cinematography.

As I have mentioned the screenplay is the dragging part of this movie.because story was decent and manju ma'am acted well.with better screenplay and lesser run time it would have been a good watch.still I am giving 5 star for the story and manju maam's acting.and the funny part is out of nowhere there is a dance number.ha ha what was that.that was not required at all.for the standards of malayalam movie in 2023 everyone expect a lott from malayalam movies which this movie lags.so you can easily skip it or if you still want to watch it then you can may be by forwarding.as the makers also could have easily chopped 25mins.

We audience want something different, unique but when this kind of movies released we don't go for watch. We all go and watch spicy,violence movies like KGF, Animal etc but in social media we raised out voice like we want new, different unique thing but in real we all go only for masala movies.

Start to end movie give you every emotions and at the end you feel happy to ae that kind of cinema, realistic cinema. All of them doing their role good, direction,screenplay everything is perfect. I liked it so much.

I don't need to give any spoilers but yes if you really want good cinema watch this, thanks.

'Ayisha' was a breath of fresh air, it felt like a beautifully animated fairy tale. The long duration, however, seemed as if the director stretched and improvised some scenes making the film incoherent

DELICIOUS

-The director provided us with thorough insights into Ayisha's environment in the Gulf. We learned about the rules and regulations of the palace, who was who, as well as the maids' lifestyle

-The dynamic cinematography increased the fairy tale aspect with camera movements that displayed the magnificence of the palace and Mama's romantic past

-Watching Mama go through her illness was humbling with her regular dialysis and other painful moments.

Ayisha's fierceness amidst adversity was encouraging as she fought for justice and defied the odds for the betterment of others

BLAND

-Let's talk about the language confusion in the movie; Ayisha was speaking to Saudis in Malayalam and they somehow understood while her friend Nisha was speaking Tamil to her foreign colleagues 😳😳

-The movie took ample time to focus on Ayisha's bond with Mama which made us wonder whether the scenario was centered on Ayisha the person or Ayisha & Mama.

The story could have been told in a shorter way but the fact it went on for almost 2h30m, there were many segments that started dragging and being improvised, e.g. The play performed at the end, the clogged pump scene, etc.