IMDb-BEWERTUNG
4,4/10
1888
IHRE BEWERTUNG
Connor, ein Mann, dessen langweiliges Leben sich dank der verführerischen Marilyn in eine aufregende Fantasiewelt verwandelt.Connor, ein Mann, dessen langweiliges Leben sich dank der verführerischen Marilyn in eine aufregende Fantasiewelt verwandelt.Connor, ein Mann, dessen langweiliges Leben sich dank der verführerischen Marilyn in eine aufregende Fantasiewelt verwandelt.
Jeff Bouffard
- Sheriff
- (Nicht genannt)
Sheila Consiglia
- Sheriff
- (Nicht genannt)
Marilyn Swick
- Connor's workmate
- (Nicht genannt)
Empfohlene Bewertungen
Sorry to say, I am not a very astute, in-depth, insightful movie watcher, but I figured out this plot in the first 3 minutes; & I do mean three minutes. The movie went downhill from there with its predictability. Every scene, following those three minutes, unfortunately, just proved my hunch to be more & more correct. The movie actually became painful to watch because of its trite, predictably. I continued to watch out of humorous curiosity to see how correct I was. Humour soon became anger. I wanted to yell at the characters, telling them how ridiculous they were being. "Stop, think, don't fall for it, the way every movie guy does!" But, I knew it was too late to tell them, I was watching a movie so the deed was all ready done & "in the can" as I've heard movie people say. What a shame. That's 90, or so minutes I'll never get back.
Absolutely predictable, not one surprise, or novel idea from start to finish. You could call some of it foreshadowing, I suppose, but that would give the screenwriting far more credit than it deserves. Hard to believe that even one 'named' actor signed up to be part of this movie and the horribly obvious faux-plot that it pretends is worthy of your time, attention and electricity to suffer though. Do yourself a favor, and watch just about anything else you can, and skip this one.
This is probably obvious from the above, but I'd be horribly surprised if this didn't get nominated for multiple razzies. If not, the diner scene, and the "I can sit here all day with my **** down your throat" scene alone should get a writer a good, old-fashioned tarring and feathering.
This is probably obvious from the above, but I'd be horribly surprised if this didn't get nominated for multiple razzies. If not, the diner scene, and the "I can sit here all day with my **** down your throat" scene alone should get a writer a good, old-fashioned tarring and feathering.
Boring, generic, and completely predictable. The plot is absolutely tedious. The screen cards telling you the time that passes between each scene are completely unnecessary. They become very annoying and cut the fluidity of the story consider they appear basically every two minutes making you lose interest. To be honest I'd rather watch paint dry and get more entertainments from it. Diane Kruger is one of the most boring and unerotic actresses in the industry. I've seen the Kardashians act out better emotions than this wannabe Hollywood actress. In a nutshell another forgettable performance on Kruger's part!
The end is made to shock us and reveal the absurdity of this kind of movies. But it is a bit forced and cringy. I felt nothing for any of the characters.
The end is made to shock us and reveal the absurdity of this kind of movies. But it is a bit forced and cringy. I felt nothing for any of the characters.
I cannot believe I just got sucked in and watched this entire movie. The main reason for its low rating is the acting. Krueger and Azaria were the only decent actors. I felt like I was watching a Nickelodeon teen soap. Well, with a little more spice and violence. The story itself wasn't too bad but it started spiraling near the end. The very ending was the WORST. Please...with all the creative people in Hollywood I am sure they can do a better job than this! The only thing this movie had going for it was the scenery. Looks like it takes place in the northeast and it's just gorgeous! That's the only way it got its 1 star.
Follows similar story of 1981's Body Heat.
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
Wusstest du schon
- WissenswertesThe film explicitly references "The Postman Always Rings Twice" by James M. Cain several times. Lead actor Ray Nicholson is the son of Jack Nicholson, who starred in Wenn der Postmann zweimal klingelt (1981).
- PatzerThe police car says South County Sherrif. South County is just a nickname, the actual county in Rhode Island is Washington County. The movie was filmed in Newport County, Rhode Island.
- VerbindungenReferences Im Netz der Leidenschaften (1946)
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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