Jemand, den ich mal kannte

IMDB, you are guys are crazy. I'm genuinely shocked at the pearl clutching in the comments. (Oh my god, how dare someone try and reignite something with someone already in a relationship?! Think of the children!)

We, collectively, needed a movie like this. Somebody I Used To Know is one of the sweetest, most earnest, gentle romantic films I've seen in a long time. A movie about love and with no gimmicks: there's no time traveling, no amnesia, no action component. Just a simple story about a girl returning home and remembering a lost love.

Alison Brie is wonderful in this movie, and it makes me wonder why or how she hasn't been in a thousand of these movies by now. She's beautiful, funny, has such natural screen presence and chemistry. (And let's be honest, there's no one complaining about her baring it all multiple times) This movie is also a reunion between her and Community co-star (and supposedly really good friend IRL) Danny Pudi, whom was fantastic, but definitely underused. Same with Hayley Joel Osmont, to be honest. This movie presents a fun cast but unfortunately, doesn't have them as present as i'd have liked.

But it's okay because as familiar as the story may be, I think it's fundamentally quite strong. Jay Ellis, Kiersey Clemons, and Brie have a great dynamic and I like the subtle mind games and entendres that dominate their conversations in the middle of the movie. But, it gives way to a sweeter, more thoughtful and ultimately, healthier take on love and relationships that I think is a direct response to the tropes of the past.

This movie also looks GORGEOUS with the picturesque, highly unique town of Leavingworth, Washington, with its German inspired town centre playing the perfect romantic setting for a movie like this. Honestly, this movie makes me want to visit that town. It looks incredible. But it's also a testament to the cinematography that every image looks so crisp and gorgeous, even if I could've used a bit more cinematic flair.

I don't know what to say, I really liked this movie. It felt mature, it felt earnest, it felt right. I genuinely don't understand why the reception has been so negative. This movie is perfect for Valentine's Day.

As a principal character pointed out with an on-the-nose observation in an early scene, this 2023 romcom felt like a familiar rehash of the Julia Roberts 1997 vehicle, "My Best Friend's Wedding". This time, Ally, a reality show producer faces a career crisis and comes home to rural Washington to connect with her old flame Sean from a decade ago only to discover he's getting married to a younger woman Cassidy who is facing her own challenges in abandoning her burgeoning rock music career for marriage. Showing her signature spunk with comic aplomb as Ally, Alison Brie co-wrote the screenplay with her husband Dave Franco who directed. Despite some sharp jabs at reality TV at the outset, their plot follows a predictable path with the characters acting just as you'd expect in their respective predicaments. Jay Ellis is given little to do but act moony or confused as Sean. Kiersey Clemons fares better as Cassidy who recognizes her affinity with Ally. Julie Hagerty displays her trademark ditziness as Ally's sexually active mom, while a still recognizable Haley Joel Osment energetically plays a family friend who is an irritating pop culture geek.

Dave Franco's sophomore directorial has a definite flow and some interestingly grey-shaded protagonists. Where it doesn't stick is in its first act (the whole "Do I hate my job?" aspect isn't called out well enough) and the somewhat rushed finale, with everything getting sorted out so easily. The middle section, however, had me completely invested. The writing by Dave and Alison tries hard not to succumb to some derivative tropes of the steal-your-guy genre but it ends up doing just that. That said, the film does offer some moments of shine as the leads are well-written and performed, and even some of the supporting cast (featuring the likes of Danny Pudi and Julie Hagerty) adds on. To brand this film an all-out romantic comedy isn't exactly correct - it's more of a romantic drama with bits of organic humour added unevenly.

This one's really weird with a pretty predictable storyline. I think this is the first movie where the wronged party (the fiancee) literally provides the so-called heroine with ALL of the ammunition to use against her. Who does that?! While this one has shades of My Best Friend's Wedding, the big difference is that you really don't get invested in any of the characters because none of them are likeable. I just didn't feel the love with any part of this triangle. It was all overly contrived. It's also extremely uncomfortable how the fiance has told EVERYBODY in town her business in the short 6 months she's dated this guy and they're all passing it around like party favors on the eve of the wedding. Every time we see the ex-girlfriend stalking the couple like chewed up, spit out karmic gum on a shoe while pretending to be a videographer, it makes less and less sense. If the groom didn't get rid of her, the bride-to-be should have made it clear that she was NOT welcomed. Note to anyone confused: You should NOT be at your ex's wedding as a single. That's not about insecurity, it's about the energy especially when she looks like a thirsty stripper in every scene. Even a couple of so-called emotional scenes can't save this one. And why was the lesbian hint thrown in?? Too much stuff in the soup without enough quality ingredients. On the bright side, it is a little bit better than Shotgun Wedding. Not by much though.

I like Allison Brie a lot. She is charming in some ways in this Romantic Comedy about a Los Angeles television star who returns home after her show is cancelled and reconnects with her ex-boyfriend. Ted by he problem is that her ex-boyfriend is now engaged and on the verge of getting married, and it gets complicated. Jeremy is played by The Sixth Sense's Haley Joel Osmond, and is very awkward. There are some cute moments. The premise is a little mean, but Brie's lovable personality makes it less so-or does it. The meanest part is how her boyfriend's current girlfriend is inadvertently collateral damage. Many of the lines and relationship are weak. It is low budget. It is predictable . It is awkward-not romantic in my opinion.