Füge eine Handlung in deiner Sprache hinzuEverything can change in an instant--and take a lifetime to unravel. Every day, we have the opportunity to rebuild relationships by extending and receiving God's grace. Offer The Grace Card,... Alles lesenEverything can change in an instant--and take a lifetime to unravel. Every day, we have the opportunity to rebuild relationships by extending and receiving God's grace. Offer The Grace Card, and never underestimate the power of God's love.Everything can change in an instant--and take a lifetime to unravel. Every day, we have the opportunity to rebuild relationships by extending and receiving God's grace. Offer The Grace Card, and never underestimate the power of God's love.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
- Dr. Vines
- (as Cindy Holmes Hodge)
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Michael Joiner's character, Bill McDonald, was unrealistically morose. He blames himself for the death of his first child and resents the second child who lives 17 years later. I blame the director for the character' unrealistic grief. I think it would have been more realistic if he tried to put on a normal demeanor, kidding around and striving to be professional with bursts of behavior that would betray the underlying grief and anger that he carried around.
Another example of directing that should have changed regards the son Blake (played by Robert Erikson) after the counselor (who is a Christian) suggests the son try to reach out to the hurting father. For the amount of conflict that had already been established between father and son, I felt the portrayal of the boy's effort to be nice was too sunny and cheerful. The director should have had more struggle on the son's part to be nice for it to be believable.
As for Bill McDonald's recently assigned partner, Sam Wright (played by Michael Higgenbottom), who also was a black pastor promoted as a police Sargent, I thought the Christian family portrayed was too happy and loving. It was almost stereotypical of Christians. Particularly concerning Sam's regard for his missing father. It was like the missing father was only written into the story to be a touchstone of sympathy for Sam's character when he talked to Bill. Otherwise it was a meaningless element of the story that should have been built up to give more realistic depth to Sam's character and family.
Nevertheless, the film had an edifying message, so I don't regret seeing the movie.
Although we see God working through the hearts, actions, and circumstances of people, it is not one of those films that portrays this in a triumphal, miraculous, or unrealistic way.
It's the story of a Memphis cop, Bill "Mac" McDonald, who, 17 years prior, lost his 5-year-old son who was an innocent bystander when police were conducting a drug bust on their street. "Mac" turns inward and becomes very bitter, a racist and a perfectionist, straining relations with his wife and other son, and has an attitude problem which keeps him from getting promoted as a cop.
Seventeen years later, still deeply embittered and racist, Mac looses out on a promotion that goes to an African-American cop Sam Wright.
Sam has struggles of his own. He is a preacher in a small, somewhat declining Church of the Nazarene congregation that seems to be growing stagnant. Sam had hoped that God would bless his ministry and be able to commit full time to it, but in order to support his family, must remain on the Police force. He's a pretty good preacher, but God seems to be using him in even more effective ways on the Police force.
Sam Wright and Bill "Mac" McDonald (the racist, embittered cop) are temporarily placed together as partners on the police force.
Despite being emotionally with it, even Sam is deeply hurt by Mac's nonacceptance, unfriendliness, hurtful remarks and scowling hatred merely because Sam is a black man. As a result it hurts his ministry which wants him to preach forgiveness and reconciliation.
Without giving away too much, it is Sam's grandfather (played by Louis Gossett Jr.) who helps Sam deal with his feelings, and produces a short letter from his grandfather the 1880s that becomes the miraculous premise for helping Sam overcome his hurt.
A NEW tragedy in Mac McDonald's family brings Sam and Mac closer together in Mac's hour of desperate, prayer-fraught need.
Yes, there is a surprise twist or two in the plot.
It should be noted that this movie is the work of a first-time director David G. Evans and scores of first-time actors, sponsored mainly by one church (Calvary Church of the Nazarene, Memphis). Even so, the results are remarkably good. The actors, the police force -- all seem like down to earth, ordinary people pulled together by miraculous circumstances, and a few surprise twists. We see God working profoundly through hearts and circumstances rather than divine intervention and miracles. Only a couple of actors are less than professional and their lines or scenes are short, unobtrusive. Louis Gossett fits in well with his stellar performance.
The film also has great shots of Memphis, portraying the city as it really is -- many of the familiar but less known streets and intersections.
Don't expect a high-tech thriller. But this is a realistic, down-to-earth slice of life film with a powerful Christian theme of Grace and reconciliation.
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- WissenswertesMany fans of this movie can't believe that Michael Joiner is a stand-up comedian; but the crew was well aware, as often when the camera wasn't rolling, Michael was cracking up the cast and crew.
- PatzerIn various car interior shots, a character can be seen sliding his hands back and forth on the steering wheel, pretending to drive, but the steering wheel is not moving.
- Zitate
George Wright's grandfather: I promise to pray for you every day, ask your forgiveness, grant you the same, and be your friend always.
- VerbindungenReferenced in The Cinema Snob: The Identical (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- El poder del perdón
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 200.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.430.735 $
- Eröffnungswochenende in den USA und in Kanada
- 1.040.000 $
- 27. Feb. 2011
- Weltweiter Bruttoertrag
- 2.430.735 $
- Laufzeit1 Stunde 41 Minuten
- Farbe