Ooru Peru Bhairavakona

Fantastic movie one of best movie of 2024. Proud to be hindu its shows true strength of hindus. Action , songs, story is excellent. Modern Indian who forgot out culture should watch this movie. The hero for love take risk rob jewellery and escape he burns himself and escape on bike. He finds a girl met with accident but like true hindu try to help her. To hide from police they enter a village in a remote jungle whose people follow true hindu culture and in that village the hero realise how strong and powerful his religion is. Imagine can any one fight with ghosts for his right but like a true hindu the hero fights. All indian should watch this gem to feel proud of their religion.

No spoiler Alert.

A brilliantly made Fantasy Thriller and an edge of the seat experience!

Ooru Peru Bhairavakona exceeds my expectation in all departments and certainly a must watch theaterical film of this year. The director Vi Anand has comeback strongly to entertain us and proves yet again that he is a Master of such genres which are rarely touch based in Telugu Film Industry. Screenplay was top notch with decent twists and turns required for this movie.

The entire cast starting from Sundeep, Varsha, Vennela to Viva fits perfectly into the world of Bhairavakona. There is an extra ordinary bonding between Vi Anand writing and Vennela Kishore characters which creates a comedy swirl in theatres.

Songs and BGM, no doubt will be one of the highly talked about positives of this film. Nijeme Ne is certainly a crowd puller. DOP is a masterpiece considering 90% of the movie is shot in night.

For this budget film, the VFX is out of world experience. At times we can see glimpses of Marvel Cinematic Experience, which is a major feet for this film. The trust that the director had in the VFX team needs to be appreciated considering 1/3 of the movie has CG sequence.

The production value is high and defintely looks like a 50-60 cr movie, though it is not. Bhairavakona world is well designed and thought out without any confusion.

Overall if you are a movie lover and wished to see industry taking positive changes including all commercial aspects, this is a perfect theaterical watch for you with your family.

Ooru Peru Bhairavakona goes wrong in many aspects. The first and foremost thing is the love track upon which the entire movie revolves. There are not enough scenes between Sundeep Kishan and Varsha Bollamma, making it tough to connect to their emotion. The key scene/twist reveal in the second half featuring the lead pair should have been emotional and shocking, but the presentation here made it inconsequential. There are two chartbuster songs, but they don't add much value to the proceedings due to their placement.

Multiple genres are incorporated into the film, but enough justice isn't done regarding execution. From the opening scene, the director tried to project that there was some mystery behind Bhairavakona, but the suspense was not built properly. The stakes were never high, so we would hardly be interested in knowing the enigma surrounding Bhairavakona.

The fun moments in the first half are passable, but the actual story is brought in during the halfway mark. The interval episode is neat, but as the staging of scenes and world-building aren't done well, the impact is minimal. There are no high moments or thrills in both the halves. There are some really good, fun moments, but the movie somewhat disappoints on the whole due to a lack of emotional depth and flat narration.

Everything regarding the second half looks very rushed, and one would get a feeling that the movie ended abruptly. The heroine's backstory is a beaten-to-death concept, and the makers tried to blend it with fantasy, comedy, horror, and suspense elements, but these elements look somewhat contrived.

The film presents a promising story but falls short in its execution. The screenplay struggles, leading to a narrative that often feels uninspired and lackluster, although it does have its moments with a very few standout scenes. Unfortunately, the dialogue fails to elevate the material, lacking depth and impact.

Musically, the film manages to deliver two nice songs.

Sandeep Kishan delivers a commendable performance, consistent with his reputation for solid acting. Varsha Bollamma shines in her role, Kavya Thapar adds a spark to the film with her presence. Kishore and Harsha are fun.

The supporting cast turns in acceptable performances, doing what they can with the material provided. The cinematography is competent, offering some visual appeal, though the film's VFX elements do not meet the same standard, detracting from the overall experience.

While it may not justify the price of a movie ticket, the film could be an option for streaming on OTT platforms for those who find the premise intriguing enough to overlook its shortcomings.

A fantasy drama set in a village has become quite a trend in so called pan Indian South Indian cinema, especially in Telugu films. This wave started with movies like Karthikeya 2, Hanuman, and Kantara, which churned out big numbers. However, simply trying to capitalize on the trend often fails, and that's exactly what happened with this one.

The story follows a thief who, after a major robbery, escapes from the police and ends up in a village called Bhairavakona. Little did they know, the village is haunted by ghostly inhabitants, leaving them with no way back home. Moreover, the village holds a mysterious connection to the thief's past and love life.

This is a movie that makes no sense in any way. Even if you go in expecting a no-brainer, you'll find yourself in disbelief, wondering how such scripts get approved for production. With caricature-like characters and an absurd storyline, the film neither scares nor amuses. Even the so-called comedy feels like mockery.

Sundeep Kishan, despite being given a weirdly written character, holds his ground, making the film barely tolerable. Viva Harsha as his friend fails to deliver either comedy or impactful acting. Kavya Thapar's performance was amateurish, though Varsha Bollamma fares slightly better. Among the supporting cast, only Vennela Kishore stands out with his good comic timing. The rest either overact or seem to have forgotten how to act.

The screenplay is the biggest flaw here. It doesn't fit into any genre-be it horror, comedy, or fantasy. Logic takes a backseat, and you're expected not to question anything that unfolds on screen. Director VI Anand seems confused in his vision and should work on refining his craft.

Movies like this should only be watched when you're in the mood to watch just anything. It's not so bad that it'll give you a headache, but it's far from engaging.

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