Premium Rush

Wilee (Joseph Gordon-Levitt) is a high risk bike messenger. Bobby Monday (Michael Shannon) is a corrupted cop who's desperate for what Wilee is carrying. That's as simple as it gets. There isn't much more substance in the story.

The story is simplistic and reasonable. The involvement of the snakeheads allow a minimal semblance of substance in the writing. Make no mistake, this is about the action. And it's got great exciting NYC street racing action. David Koepp is the writer/director here. He's a prolific Hollywood writer and has directed a couple of good thrillers. In this one, he used all of his action skills.

I used to own a bike..then I bought a car..anyway. Basically guy on bike versus bad guy in car. With the whole love story slash you could a been somebody thrown in. I really enjoyed this movie. It's definitely leaving the brain at the door, but in a nice way. There are no major action scenes. Acting, storyline, action, ending..I literally can't fault any of this. The director kept it very realistic; with a hint of... dare I say eighties ..we can do it nostalgia.

For the movie buffs I'd say, Gleaming the cube mixed with Taxi (original french version..we all known US version was rubbish). Adrenalin sports guy takes on the system. Watch it.

I have just watched 'Premium Rush' and I have to say I'm very impressed with it. This isn't your huge blockbuster but it is something different and keeps you on the edge of your seat.

I liked the plot and it was very clever how we saw flashbacks of various things, twists and turns, going in back in time and seeing a different perspective. This really linked the film together nicely.

The action is just thrilling and something different. The chases are fast paced and frantic, it is absolute chaos on the roads. There is some great stunts, its far fetched but its crazily fast. Definitely a film for all the adrenaline junkies out there.

One part of the film that I really liked was, when Wilee was in danger of potentially crashing the bicycle, we see how his mind works. We see 3 potential routes he can take to avoid injury so he can decide the best way to go. Some of these parts are cleverly thought out and also quite funny in parts.

The acting was up to scratch, there was a few characters who added something different. Joseph Gordon-Levitt and Dania Ramirez played a very likable pair.

Overall this is a good action thriller type film, suspense builds and the movie is just fast paced. I really enjoyed it, much better than expected. Would recommend it to anyone and I would certainly watch it again. 85 minutes of carnage.

9/10.

It's not a 10 star film but it is a fun ride with action that makes up for a few flaws in plot and the flow of storyline. The best issue in this film is almost constant action and wild biking through the New York streets. One of the elements that were new to the screen and highly workable were the sudden stop of action to follow the split-second decision making of a messenger/biker. Choices (usualy three) that have to be made in the moment. The bad guy in the film is nasty and very believable. So, if you're looking for a thrill ride and a fun film then go see it. Enjoy the earthy feel of the cameras that capture the life of a messenger on two wheels competing with trucks, cabs, and cops.

Premium Rush is a commercial film that sticks to being a 'B' movie with some A-movie assets - chiefly the actors Joseph Gordon-Levitt and Michael Shannon as the hero and opposition - and David Koepp does a very good job balancing those elements. It could have been just a straight to video title, but it's smart about being a little movie (that is, not quite as on the radar as a big summer tentpole), and has a script that can hold its story and juggle a few elements with more than just competency, that you can go for the ride without being insulted. And yes, it isn't just hyperbole saying it's a 'ride'; here, as in some TV shows (only here with better visual intentions than just quick- adrenaline-fixes), we see with big visual effects the scenarios our hero Wiley (yes, perhaps ironically named as he is really the Roadrunner) navigates the streets, his main route, and then when he's at a cross- walk and cars coming on all sides which of three paths he could take and if he'll die or not or kill others.

Sure, most of us (those of us walking or driving in a city, such as New York) don't like bike messengers, but it's in abstract or in the all-too personal. Koepp's cleverness is to look at a bike messenger on the street and go 'hmm, how about a movie about him and what he has to do, and then what if we throw in a crooked cop and a mob element and a woman wanting to reunite with her kid?' A lot of these elements on their own (and perhaps still the woman with the kid) could be under-cooked or just not very interesting. Altogether, they amount to something, rather that the elements can connect through Michael Shannon's cop Detective Monday (or "Officer Ackerman") who sets a lot of this into motion through his comically inept gambling addiction and inability to get money together - or a ticket from a bike messenger.

Some of this may just seem like 'screenwriting 101', with pieces like the woman with the son and the hero's conflicts (love interest, side- opponent in another bike messenger, the latter I didn't care for as it was too weak on its own and in the movie), but hey, in a first-level class there can be good work done! It's not even a 'turn off your brain' kind of suspense thriller either; Koepp has enough experience to inject, along with his co-writer, really funny or witty dialog, solid (albeit 'movie') character dynamics as people ride on their bikes and can speak on their blue-tooth phones. It's so good when watching the actors bicycling along, and some stunt doubles but who knows when they really use them it's so well integrated, it almost slows the movie down when they have to stop to fill in the spots of the story's quasi- MacGuffin object in the envelope.

But mostly, it's the acting that carries it through. Gordon-Levitt is an appealing lead, likable but has a tough attitude when he needs to, and of course you got to go with him. But without Shannon, frankly, I don't know if the movie would have been as successful, at least to the level it's at now. He's such a convincingly kooky-looking villain, brutal, nasty, but cartoonish in a big way (listen to his laugh, or chuckle, and it's a touch of Chucky the doll or something!) Even in a supposedly marginal Hollywood thrill-ride, Shannon brings his A-game.