Das Verschwinden seltsamer Kinder hat die ländliche Stadt Miles in einen Zustand der Ungläubigkeit versetzt. Die kranke Mutter Sonya befürchtet, dass ein unaussprechliches Übel ihre 11-jähri... Alles lesenDas Verschwinden seltsamer Kinder hat die ländliche Stadt Miles in einen Zustand der Ungläubigkeit versetzt. Die kranke Mutter Sonya befürchtet, dass ein unaussprechliches Übel ihre 11-jährige Tochter bald entführen wird.Das Verschwinden seltsamer Kinder hat die ländliche Stadt Miles in einen Zustand der Ungläubigkeit versetzt. Die kranke Mutter Sonya befürchtet, dass ein unaussprechliches Übel ihre 11-jährige Tochter bald entführen wird.
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I really appreciate these types of films where you aren't expecting much and then the movie exceeds your expectations. From start to finish the tone of the film is one of unease; it keeps you guessing while maintaining a sense of mystery. The fact that it wasn't made by a big budget studio was to its benefit, the cinematography and acting is significantly better than what you would expect from a typical hollywood horror film. I think big movie studios are afraid to produce more artistic and creative films like this because they might not fare as well in the box office. The practical effects and use of color added to the overall experience throughout. Ultimately, it's a film about grief and trauma above all else, while the more conventional horror aspects are used to drive the plot. It's refreshing to see unique films like this when we all too often get the same cookie cutter horror films being pumped out by Hollywood. The movie currently has under 1,000 votes which is a little disappointing considering that it doesn't have the audience the film deserves. This is one I plan on rewatching to fully appreciate all the nuance and detail I might have missed.
Not as much of a horror as I expected, but more of a good mystery. It kept me wondering all the way to the end. Film work and acting was top notch. I thoroughly enjoyed the sets and scenery that was used, as this is a part of the world that I have never had the opportunity to explore. Knowing that the movie was filmed in Australia had me wondering if the accents would be difficult to understand, but that certainly was not the case. The scariest part was that somewhat wicked old crone with her quickly withering apple. It left me worried about opening my foot to a stranger. To sum up my opinion - I recommend this movie 100%.
Some of the best horror films are those that burn slowly, embers of nightmarish intent smouldering until the end, and continuing to burn into the mind long after the final image fades.
VIOLETT (named after the young girl in the film) is a study of psychological disrepair, shrouded by an ominous cloud of despair. It's a young woman's personal hell, a mother, Sonya (Georgia Eyers), traumatised, struggling to cope, terrified for her young daughter's safety.
There is danger at her doorstep. Her husband is at wit's end, and her neighbours are weird. As Sonya's reality unravels - providing the viewer with a suitably unreliable perspective - the darkest truth is finally uncovered. It's a terrific ending.
Imagine David Lynch down under. Think the elements of mystery and allure from Blue Velvet, but from the point of view of Dorothy.
Writer/director Steven Mihaljevich has conjured a very dreamlike portrait of the ruinous nature of guilt. Rich in symbolism and texture. It's a film that is beautiful and grim in equal measure. Georgia Eyers is fantastic in the lead role as Sonya.
Watch it on the biggest screen you can.
VIOLETT (named after the young girl in the film) is a study of psychological disrepair, shrouded by an ominous cloud of despair. It's a young woman's personal hell, a mother, Sonya (Georgia Eyers), traumatised, struggling to cope, terrified for her young daughter's safety.
There is danger at her doorstep. Her husband is at wit's end, and her neighbours are weird. As Sonya's reality unravels - providing the viewer with a suitably unreliable perspective - the darkest truth is finally uncovered. It's a terrific ending.
Imagine David Lynch down under. Think the elements of mystery and allure from Blue Velvet, but from the point of view of Dorothy.
Writer/director Steven Mihaljevich has conjured a very dreamlike portrait of the ruinous nature of guilt. Rich in symbolism and texture. It's a film that is beautiful and grim in equal measure. Georgia Eyers is fantastic in the lead role as Sonya.
Watch it on the biggest screen you can.
This movie... please give it a chance because it blew my mind. What really blew my mind was the 4/10 rating. Let's just say that the cinematography gives the atmosphere and the ambience of the dark, psychological and most uncomfortable kind of horror I could never imagine putting myself in. The movie really played me in the end and for a movie to make my mouth drop takes a lot. The acting was really well done by a cast I've never seen before in my life. If anybody can recommend more movies like this one, I would grately appreciate it. It's rare these days to find a good horror of any sub genre to give a good shock value along with a deep story line.
I'm FB friends with one of the actresses so I was excited about seeing this movie. Now that I tortured myself to watch it to the end , glad it was never in US theaters and didn't waste money for a ticket. Don't understand what other critics think was do great snout this movie. Could t figure out the plot.
Wusstest du schon
- WissenswertesThe movie is from Australia.
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- 1 Std. 41 Min.(101 min)
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