The Big Four

At the beginning of the film, I thought, "this might be interesting", but as the film went on, I lost my interest. The story isn't really good and I couldn't get used to the humor either (exept for a few times). However, the action in this movie is very good. This is also the reason why I kept watching the film as I was always waiting for the next good action scene. There are 1-2 scenes that don't really look good and don't really make sense either but all in all, the action is well done and it's a lot of fun to watch.

If you are in the mood for good action, you can watch the film, but expect that you may be bored until the next action scene and that the story won't really catch you.

I'd count the director's THE NIGHT COMES FOR US as one of my all-time favourite movies, an absolutely blistering attack on the senses and all-out martial arts hit. This follow-up adopts an action comedy template and has more of that top action direction, but at the same time it somehow misses the mark. At two and a half hours in length, the action hits but only occupies a third of that running time. The rest is made up of inane comedy and no story. The characters are very limited here, the actors unknown and lacking gravitas, and some of them cross over into being annoying. The gory FX and fight choreography are as great as ever, but I wish the rest wasn't such a drag.

Nothing new in terms of storyline, we've seen a lot of this kind of story in Hollywood movies, but I have to admit that the CGI and the martial choreography is good and nice to watch.

Abimana and Putri Marino are the main casts that really standout, well done...!!

The other casts seem to be occupied with the script that makes them unable to develop characters.

Honestly, I do like the harsh words used in this movie, although a little cultural shock for me, but it relevant to the characters and the kind of life they are in.

The comedy in the scripts are quite good, it do tickles and make me smile and laugh.

Timo Tjahjanto is one of the best action directors in the business. If you need convincing, just watch Headshot (2016) and The Night Comes For Us (2018), both of which deliver amazing fight choreography and brutal violence aplenty.

Unfortunately, Timo doesn't appear to be so great at comedy, of which there is lots in The Big 4; his attempts at humour in this film are pretty terrible, making it quite tedious at times, especially whenever the film takes a break from the kicking and punching and shooting and explosions.

Things kick off in fine form, as the titular quartet of vigilantes make a gang of evil organ traffickers pay the price for their crimes. It's gleefully OTT, the screen painted red with the blood of the guilty. The foursome -- Topan (Abimana Aryasatya), Jenggo (Arie Kriting), Alpha (Lutesha) and Pelor (Kristo Immanuel) -- have been trained as assassins by their adoptive father Petrus, whose real daughter, policewoman Dina (Putri Marino), has no idea about her dad's other 'children'.

Three years later, Petrus is murdered, and Dina investigates, discovering her father's secret...

The comedy kicks in when Dina encounters her 'brothers and sister', who have now retired from the killing business, and the film suffers for it, the silliness being more irritating than funny. Of course, the film ends with a jaw-dropping action set-piece in which Tjahjanto piles on the stylish ultra-violence with aplomb, but it's not easy to forget all of the daft nonsense that precedes it.

9/10 for the action, 2/10 for the rest, which averages out at 5.5/10 (rounded up to 6 for IMDb).

The Big 4 are the adopted children of Petrus, who has trained them to be perfect assassins well atleast 3 of them as the youngest one mostly is a bait. Petrus is murdered leading to the big 4 to go on hiding while his actual daughter becomes a police officer and is obsessed to solve his murder. How the daughter teams up with the 4 to take revenge on their father's killer, forms rest of the story.

The tone never gets serious with constant funny lines thrown around. Many jokes don't land correctly, but the loud comedy somehow carries the story forward while the bloody action set pieces take care of the rest. Much of the jokes fall under the silly category but the action set pieces gets more fun whenever they get silly which should be credited for the innovativeness. The story is built up for a sequel so the main reason for the conflict is still kept unrevealed.