The Channel - Waffenbrüder

Never mind the clearly bogus high reviews, and this film is certainly more deserving than the 1/10's, so here's an honest real review; it's a decent and one-time watchable B-Film. The story is nothing new, but has a nice flow and continuity to it, with very little plot and technical issues, and decent action. The 100 min runtime could've used a 10-15 min trim to get rid of some of the filler. Pacing was decent, as was the cinematography and score, especially for a B film. I've never heard of any of the actors, but they performed fairly decent, although the Walter White looking guy and the lead FBI agent Nicoye Banks could've had better casting choices. Nevertheless, it's no 10 and certainly not a 1, but a fair 7/10 for one of the better watchable B films I've seen in a while.

What a great surprise - i only gave this a chance because Clayne Crawford is in it, terrific edgy actor (the talented one from TV series Lethal Weapon, the wonderful Rectify, and several acclaimed indie movies including The Killing Of Two Lovers and The Integrity Of Joseph Chambers), and was shocked by how good it was. A genuinely tremendous opening set-piece, in which a heist goes wrong, comes pretty close to the wonders of Michael Mann's Heat with an intense and prolonged shootout. The film is beautifully shot, well-acted with muscular and committed direction, tight and straightforward - it may not be Shakespeare, but for action fans it delivers what it promises and more, a gripping, visceral heist movie made with real style and quality. Highly recommended.

Action movie fanatics may wanna take a look at Kaufman's work, he started in 2005 with a very low budget flick The Prodigy (200 000 bucks), a dark and gloomy story about a sadistic masked killer. A must watch. The mold for all his other movies.

The way he handles the shoutouts is quite specific, a mixture of quick cuts, and immersive shots, gore wounds, and intense sound design, and believe me it works and it's very enjoyable. It gives a unique and aggressive style to the fight scenes and it shows.

He then continued to direct and write action flicks, using his skills learned in the industry to make good stuffs despite having a limited budget. But he brings back all the old faces you wanna see, Lundgren, Cuba, Berenger, Prochnow,Mandylor,Strong, Coates etc... . I recommend all his movies.

The Channel is no exception and it still got the spirit, good pacing, good acting, immersive music, intense shootout scenes and sound design, you can tell they liked the other good heist movies, there are some references and nod to Heat, Reservoir Dogs and Point Break. No lecturing, no politics, just true Cinema.

I'm curious to see his next movie wich will be released in a 3 days : Shrapnel.

A fun, shoestring-budget type, heist movie that borrows heavily from superior films in the genre. Namely and obviously the 199x movie "Heat". It's almost like the writers of this movie just finished Breaking Bad and then watched Heat directly preceding receiving the inspiration for writing this film. All that said, you could do worse than Breaking Bad and Heat for touchstones imo. The acting is not great (especially from the dude who played the good bro and the dude who played Pacino's cop character) and some of the lines are just awful but I found it enjoyable. Lots of gunfights and sincere but laughably terrible attempts at N'Orlins accents. I have definitely seen worse.

The Channel is a low budget film, but one done with style and skill. It's clearly influenced by crime films like Heat and 21 Bridges (the main cop even looks like Chadwick Boseman!), but the plot manages to go to places that those films did not. The result is a movie that feels fresh and thrilling despite wearing its influences on its sleeve.

The film's secret weapon is definitely director William Kaufman, who has made a career of turning out big action on tiny budgets. His signature is creating visceral, realistic-ish gunfights and he doesn't disappoint here. Shootouts that would last 30 seconds in other movies instead go on for 3-5 minutes here and escalate in a pleasing fashion. I wouldn't say The Channel has the best shootouts he's ever made (see The Brave or Daylight's End for that), but this is certainly the best film he's made. It holds up even during the non-action scenes and I found myself invested in the predicament of the main characters.

If you can accept action movies without big studio production values, then The Channel is a good time at the movies.