Allelujah

As is often the case - I simply dont understand the low-scores by Imdb contributors. A score starting with a 5 on here is completely unjustified.

This is - perhaps at first sight - a boring film full of old doddery figures. There are no car chases - no screeching of wheels - no guns in fact or any raised voices threatening anyone with anything. Perhaps whats whats "wrong" here.

Instead there are many threads of peoples varied lives all ending up (as most readers of this will - if they are lucky) in their twilight years under the care of The NHS - their for our first breath and our last.

There is a completely unexpected plot twist near the ending - makes one think "Is this based on a true story" and then you remember the genius of the Writer Alan Bennetts fiction over decades here in the UK.

Its brilliant. Have some curiosity and give it a go.

This is a bleak drama, intermittently comic, set in the geriatric ward of an old hospital in Yorkshire which looks and feels like the one where I had my appendix removed in the 1950s.

Jennifer Saunders is the ward sister, efficiently and briskly coping with everything from assisted showers to incontinence and patient deaths. Judi Dench and Derek Jacobi are among the patients, but the focus is mostly on Joe (David Bradley), a frail old gent hoping to be sent home, and his nerdy son Colin (Russell Tovey, the go-to actor for gay roles), who is on the team planning a new hospital.

The Alan Bennett pedigree guarantees brilliant writing and all the cast do eminent justice to the script, but the tone of the movie is unremittingly glum, largely focused on death and dementia, and the dimly lit hospital adds more gloom. The ending is a bit rushed and not entirely in tune with what's gone before.

This is a dark comedy that is perhaps a bit too dark. Our Mr. Bennett has not lost his touch, but the humor in ALLELUJAH is over-laced with bile and bitterness.

I thought I was all set for a heart warming feel good film. Very depressing. Tackles the issues of geriatric care and there's no happy ending we all are going to die. Jennifer Saunders is really different to how we usually see her. No make up dowdy and with a northern accent. It didn't surprise me she could transform successfully into a no nonsense matron of a Yorkshire hospital given all of the characters she played in French and Saunders. Judi Dench and Derek Jacobi of course steal the show. The words spoken as a narrative over the film by Dr Valentine had me sobbing into a tissue throughout .

Being UK based and over 60 years old I found this film a little to close to home and therefore so very powerful. It was funny, beautiful and so very sad. It was Alan Bennett all over. Everything was very small and beautifully presented. There was not an ounce of energy wasted, it was all perfectly placed. All the main characters had a tiny vignette which gave them enough of a back story to make them real people. The doctor was from a society that holds dear it's elderly and silently struggles to understand why his patients aren't held in the same high esteem. The film ends with the Doctors monolog praising the people of the NHS and so it should. A political piece, probably but more a piece about our attitudes to the elderly.

When a small geriatric hospital in Northern England is threatened with closure, the staff and patients rally together to try and save it. There might be a glimmer of hope with this task as the government consultant tasked with the final evaluation - "Colin" (Russell Tovey) has his estranged father " Joe" (David Bradley) in that self same facility. The place is run under the benignly imperious hand of "Sister Gilpin" (Jennifer Saunders) with Bally Gill's "Dr. Valentine" tending to their clinical needs. As you'd expect with Alan Bennett, this comes at you from the left of the political spectrum, and highlights what he sees as the short-termism of fiscally based decision making. To that end, Sir Richard Eyre has assembled a strong cast of formidable character actors to portray the patients. Most notable amongst them, for me, was Julia McKenzie and Bradley is also on great form as the curmudgeonly old gent coming to terms with his predicament and his successful, gay, son. There is plenty of dry humour, observational sarcasm to the fore and Saunders and Gill have quite a nice chemistry between them as they both strive to care for their elderly charges. I can't say that I loved the ending. It is thought provoking, but somehow seemed just a little over-dramatic and unnecessary. That said, though, the ensemble cast reminded me very much "Quartet" (2012) with strong leading characters and familiar faces at every turn helping to highlight the serious (and lighter) issues of the ageing process for both the older folks and for those charged with keeping them well. Not sure it really needs a cinema to enjoy, but it's still well worth ninety minutes.