He Never Left

Seeing the 8, 9, 10 ratings and reviews I couldn't not express my view of this film.

I guess technically it was mediocre. The plot was intrresting and could have worked.

What canceled out any positives were the preposterous breaks in continuity.

Every time the dialog negated what was established moments earlier was physically jarring.

After the 3rd or 4th total break in the established story, I just could not take it anymore.

I stopped to write this half way through.

If you watch this, you will know what I'm talking about assuming you follow what has been established.

Literally mind boggling.

In a town that's plagued by the memories of a killer in a mysterious pale mask, the setting takes place primarily in a small motel, where a wanted criminal has decided to post up from the police. Quickly you find out that not all is right in this motel as things begin to reveal themselves.

Actors give a solid performance that helps sell the uncomfortable uncertainty of this modern slasher.

The color grading, as well as the Halloween aesthetic, make for the perfect setting during the spooky season but doesn't limit this to a seasonal watch.

Simply, this was a beautifully shot, well acted, thrill ride.

This was a blind purchase primarily based on the artwork, granted I did read the synopsis and thought to myself this seemed promising.

Sadly it was not the case, it took a lifetime to get going, I will tip the hat to Colin Cunngham who plays Gabriel, he certainly brought his A game to the proceedings, but I found myself thinking, did his performance belong in another movie.

Strangely the artwork at first glance reminded me of The Town That Dreaded Sundown but as far as thrills and chills go, it was quite a numbing experience and storyline wise it was all over the place.

Proceed with caution.

While I had never heard about this 2023 horror movie titled "He Never Left", from director James Morris, of course I had to watch it as I stumbled upon it here in 2025, given my love of all things horror.

From the movie's synopsis, I was figuring that I would be in for a masked slasher type of horror movie, but instead I found myself in for a supernatural horror movie I guess, as there was a lot of imaginary things going on apparently. And truth be told, the writers James Morris, Michael Ballif and Colin Cunningham, with the latter also starring in the movie, failed to pen down a properly entertaining script. I found the narrative boring and uneventful, and I struggled to keep feigning an interest in it, but it was a losing uphill battle.

I wasn't familiar with the cast ensemble in the movie, and that was actually a nice thing, as I enjoy watching unfamiliar talents and faces on the screen. And despite of the script being a swing and a miss, then I will say that the acting performances were fair.

As for "He Never Left" being a horror movie, well, don't get your hopes up. Perhaps if you are a newcomer to the horror genre then you might find this movie scary. But I have been watching horror movies for more than 40 years, so this was a mere walk in the park. And a boring one at that.

Semi-watchable, sure, but "He Never Left" was not a great movie, not even by a longshot. It was a struggle to sit through, and it is definitely not a movie that I will ever return to watch a second time. Nor is it a movie that I will recommend to horror fans.

My rating of director James Morris's 2023 horror movie "He Never Left" lands on a generous four out of ten stars.

This is not a slasher...it is something more. It is a fantastic character study, executed with a stylish sense of filmmaking whilst bathed in Halloweentime ambience. The writing and presentation recall a time when horror films (thrillers, if you prefer) were just as much about mystery and intrigue as they were about shock and schlock. He Never Left has all of this to offer in spades, plus a few surprises along the way. The wonderful Witching Season Films family never fails to impress, with James Morris masterfully manifesting the macabre mise-en-scène both behind and in front of the camera, beside Michael Ballif, who poignantly paints each frame in dual roles as cinematographer and editor and never allows the same motel setting to get stale. Randin Graves' score is composed with as much compelling, calculating complexity as the performances from Jessica Staples and Colin Cunningham who evoke unrelenting empathy as David McMahon and Charla Bocchicchio meanwhile offer quiet quirkiness to round out a truly classy cast. Also true is that this film may not go the way you want or expect, but it stands currently as an antithetical to so many of its contemporaries in the zeitgeist and if it doesn't find massive success now, it will certainly find a cult of its own in due time.