Infiesto

Infiesto: What at the outset looks like a film about a serial killer/kidnapping ring morphs into a Spanish Folk Horror thriller. It begins in march 2020 just as the covid lockdowns were first implemented. A girl who has been missing for nearly 3 months suddenly turns up. She has escaped from her abductors but is traumatised, remembers little. Two detectives who themselves are suffering from family separation due to the quarantines and curfews investigate the case and soon connect it to other missing young people. Strange characters are encountered and the obvious assumption is that a people trafficking gang is at work. But strange symbols are observed and the words of suspects suggest that a Cult with a hidden leader is involved. Sacrifices to appease an Old God, the coming of The End Times are all in the mix with the pandemic itself. The Asturias mountains where the detectives hunt for the Cult members and their victims provide a stark and eerie background. From old farm barns through the woods and pursuit along narrow roads, Cultists determined not to be taken alive must be pursued. Quite violent and gory in parts but much of the horror is psychological. This film could have been fleshed out and would have benefited from a twenty minute extension to it's 97 minute running time. Written and directed by Patxi Amezcua. On Netflix. 8/10.

Infiesto is s small mining town in the province of Asturias, in northwest Spain. The time is the end of winter, a dark, rainy, melancholic season. The lead characters are Inspector Samuel (male) and Subinspector Castro (female). The movie opens with the roadside appearance of a teenager, alive, kidnapped long ago and presumed dead.

The first half is rather good; it shows routine police work with frustrating leads, abundance of dead ends and uncooperative witnesses. It also shows in passing the heavy industry that pollutes the air and defiles the verdant, idyllic landscapes of Asturias with open pits, denuded hillsides and smokestacks.

However, the story veers midway into horror movie territory. Improbabilities and impossibilities pile up and, what could have been a good police procedural slides into the (unintentionally) funny. Direction, cinematography and acting are good, but they can's cope with the material. The time frame of the action is the beginning of the Covid-19 pandemic and this is brought into play but is mostly inessential to the action.

I was intrigued by the choice of a town with the strange name Infiesto. It is close to infesto (I infest) and to Infierno (hell), both pertinent to the happenings in the movie.

I know that I am not a great fan of serial killers films. But there were great ones such as SEVEN of course, the best ever, and several other ones. But this one has nothing to remind of, nothing exceptional to remember. You have the unavoidable detectives duet and the rest is predictable, with the also unavoidable raining scenes, a cliché for serial killers films. No real surprise, if you have seen at least ten serial killer schemes in your life. I prefered THE PLAGUES OF BRESLAU, made in 2018. The only unusual thing is that it takes place at the beginning of the COVID plague, but is it useful to give quality to this flat movie? To enhance the interest to see it? I don't think so.

It's not bad, it keeps exciting until the end, although I can't give it more than 5 stars.

Too much negligence by the police makes it more exciting and also more frustrating, the movie tries to copy the crime thriller genre of other good movies, but it doesn't reach the level, they tried.

It's poorly executed and some actors, like Marta Castro, one of the police inspectors, are not very convincing in my opinion. On the other hand the actor Luis Zahera, Marquina in the movie, is my favorite, he is a greeeat actor that I know from other movies and series. It's a pity that he only has a small supporting role.

The theme about the covid in Spain is the worst, once again remembering the trauma that was experienced during the confinements in Spain, nothing relevant to the theme of the movie, I almost did not see it just for this, although I must say they didn't pushed the issue too much. So in my opinion it cannot be called a covid thriller, a terrible way to classify it, but a thriller filmed in Asturias, green Spain, and the most attractive thing about this movie.

There's been thousands of films just like this one, done much better, so what was the point of any of this? Having it take place over the pandemic was also pointless, especially melodramatically naming the days of the lockdown like chapters that are supposed to mean something to the story's significance, because they didn't. Trying to convince the viewers the antagonists motives were a result of the pandemic was a far stretch, even to the best of imaginations. I kept waiting for some big twist or big reveal, and it never came. The entire story was just a waste of 96 minutes. What made this even more frustrating was the abysmal lack of basic policing protocols, because every crime scene both cops were at they had their paws all over the evidence. Did the producers forget that cops are supposed to wear latex gloves at crime scenes? Never mind there's a pandemic going on and they're still touching everything in sight lol. And in the final act when the female cop goes down the shaft, she's breathing so loud and heavy like she was the victim that was scared to death, and not a trained cop. This entire production was amateur-hour and a complete waste of time. It was a pointless and frustrating watch. It's a generous 4/10 for the somewhat believable performances and the decent cinematography, score and tone the film had.