Eine Frau, die in einem Airbnb übernachtet, entdeckt, dass das Haus, das sie gemietet hat, nicht das ist, was es zu sein scheint.Eine Frau, die in einem Airbnb übernachtet, entdeckt, dass das Haus, das sie gemietet hat, nicht das ist, was es zu sein scheint.Eine Frau, die in einem Airbnb übernachtet, entdeckt, dass das Haus, das sie gemietet hat, nicht das ist, was es zu sein scheint.
- Auszeichnungen
- 5 Gewinne & 38 Nominierungen insgesamt
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
Empfohlene Bewertungen
UGH .... so close - SO CLOSE! But in the end, no cigar. All that potential and solid storytelling dissolving into to a nonsensical, clumsy, rushed, and ultimately unsatisfying conclusion, implementing all of the worst elements of horror movies. That's what disappoints the most. This movie held so much promise and had such a great start and journey all the way up until the end, but sadly the writer(s) somehow couldn't find the way to keep that strong storytelling up to par all the way through to the end. It wasn't that I disliked the end result. It was the clumsy way the screenplay got us there that left a lot to be desired. I was rolling my eyes on multiple occasions during parts of the final act. Video review to come soon.
I went in totally blind, with no expectations whatsoever as I only heard of this movie the day I decided to watch it. I think that's the best way to enjoy it.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
No, they are not mutually exclusive.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
For most I think this is one of those either you love it or you hate it movies. After viewing a couple of days ago I still am having issues deciding on which side of that divide I fall. For me, the opening act was exceptional. Skarsgård was fantastic in his role and Campbell also played her part excellently ( for the entire film really), but the two together had a perfect horror chemistry for me. I really was craving more screen time with both of them.
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
Wusstest du schon
- WissenswertesThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- PatzerOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Crazy CreditsSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bárbaro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 40.842.944 $
- Eröffnungswochenende in den USA und in Kanada
- 10.543.948 $
- 11. Sept. 2022
- Weltweiter Bruttoertrag
- 45.352.337 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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