Silent Night: Stumme Rache

Watching John Woo's "Silent Night" and as much as I hate to admit it, I'm kind of bored.

Also, the lack of dialogue from ANYONE is just weird. Sure, he can't talk due to being shot (it's in the trailer, hardly a spoiler) but the others haven't been shot. Having no one else speak just takes away the impact of the MC losing his own voice.

I'm also struggling with the fact this guy has zero training but thinks he is going to take on the whole criminal underworld - training himself with YouTube videos in his basement.

I guess, all I'm saying is, if you want a decent "You shot my kid, I must kill you all" revenge film - check out Kevin Bacon's "Death Sentence".

I hate to say, I'm overall disappointed. I really wanted to enjoy this but it fell flat for me. I figured John Woo going back to straight up action will be a treat. Instead of using the idea of a dialogueless action flick as an interesting device he creates a very drab story that is less than appealing. He makes little effort in trying interesting ways to propel the story within the confines he set up. It's like he never watched a silent movie and saw how you can tell a compelling story with minimal dialogue. He just leans on lame cliches. Also there's too many logical errors, even for an action movie. And Joel Kinnaman, who I normally like, makes a less than appealing protagonist. Even without speaking his character seems annoying. An unfortunate misfire from something that had a lot of potential.

SILENT NIGHT (2023) ** Joel Kinnaman, Catalina Sandino Moreno, Kid Cudi. John Woo's disappointing action revenge flick with Kinnaman seeking vengeance on gangbangers who accidentally killed his son on Christmas has so much potential but is squandered in its hole-laden script by Robert Archer Lynn (i.e. Namely the sadly misused talent of Sandino Moreno as the spouse who basically just passively cries while her husband for months on end is holed up in their basement preparing for war). While Kinnaman's character is literally silenced due to his being shot in the throat renders him mute and his impressive implosive performance can't make up for the pedestrian trope-laden story (i.e. The police not doing their job). A few decent set pieces sadly cannot make up for a half-baked update on DEATH WISH and its ilk.

John Woo's "Silent Night" has no right to be this good; it's an emotionally devastating, brutal action flick that truly hits you hard and then some. The movie, devoid of dialogue which never gets annoying or irritating is filled with immense emotional heft, and it delivers ridiculously entertaining, ludicrous almost john wick style action. While the storyline is a variant of "Punisher" and "Death Wish," it's crafted with such style and panache that you're utterly captivated throughout. I was pleasantly surprised-Joel Kinnaman is an absolute force in this.

It was like being transported back to the 90s.

John Woo is a filmmaker I admittedly haven't seen a tonne of work from, but he undeniably has a vision for action sequences. That is what he is known for and he has stuck to that throughout most of his career in the business. Face/Off and Hard Boiled are awesome action films, so if I ever get the chance, I'll check out his latest. Well, Silent Night is his latest American effort and I must say, he hasn't lost his touch with action. With that said though, it was just okay overall. It has a lot of promise and some great ideas, but something bogged it down for me. Here are my thoughts.

After a gang accidentally kills the son of a couple just trying to live a happy life, the husband, Godlock (Joel Kinnaman) decides to go after them. He ends up shot in the neck, preventing him from ever speaking a word again. His mission then becomes to train his body to take on this gang and kill them all. The unique aspect of this film is the fact that it is told entirely without dialogue. Not a single one of the characters speaks one word. I enjoyed that aspect, but I do wish it was utilized more than just having nobody speak. Nothing was interesting past the point of just not having him talk. It was clear that Woo just wanted to focus on the action and that was worth the price of admission.

There wasn't a lot of originality in terms of the action set pieces, but it was all very well-choreographed. From a standout fight that takes place in a house, to a great stairwell scene, the action held my attention. With that said, the good aspects of this film are bogged down by the sappy nature of the backstory. The way his past with his child is presented is kind of cheesy at first and there is a specific moment towards the end of the film that almost made me chuckle when it was clear the film was trying to be very emotional. The schmaltz of it all overtook the film and ruined a few moments.

Joel Kinnaman is an actor I like very much and his performance here is quite solid, but I'm not sure he was given enough to do, other than either be incredibly angry or sad. It's a very thin story and screenplay and the final product shows that. Still, if you enjoy action, there is enough here to satisfy viewers. The absent dialogue is a great idea, but this type of film needed some in my opinion. Silent Night is a little too cheesy at times, but I still think it's worth a watch if you are already interested. Now playing in theatres, there are worse options to watch than this one.