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Brats

  • 2024
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
6,5/10
7123
IHRE BEWERTUNG
Demi Moore, Emilio Estevez, Rob Lowe, Andrew McCarthy, Judd Nelson, and Ally Sheedy in Brats (2024)
Centers on 1980s films starring the 'Brat Pack' and their profound impact on the young stars' lives.
trailer wiedergeben2:26
1 Video
46 Fotos
Dokumentarfilm

Im Mittelpunkt stehen die Filme der 1980er Jahre, in denen das "Brat Pack" die Hauptrolle spielt, und ihre tiefgreifenden Auswirkungen auf das Leben der jungen Stars.Im Mittelpunkt stehen die Filme der 1980er Jahre, in denen das "Brat Pack" die Hauptrolle spielt, und ihre tiefgreifenden Auswirkungen auf das Leben der jungen Stars.Im Mittelpunkt stehen die Filme der 1980er Jahre, in denen das "Brat Pack" die Hauptrolle spielt, und ihre tiefgreifenden Auswirkungen auf das Leben der jungen Stars.

  • Regie
    • Andrew McCarthy
  • Drehbuch
    • Andrew McCarthy
  • Hauptbesetzung
    • Andrew McCarthy
    • Emilio Estevez
    • Ally Sheedy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    7123
    IHRE BEWERTUNG
    • Regie
      • Andrew McCarthy
    • Drehbuch
      • Andrew McCarthy
    • Hauptbesetzung
      • Andrew McCarthy
      • Emilio Estevez
      • Ally Sheedy
    • 187Benutzerrezensionen
    • 35Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:26
    Official Trailer

    Fotos46

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    Topbesetzung60

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    Andrew McCarthy
    Andrew McCarthy
    • Self - Actor
    Emilio Estevez
    Emilio Estevez
    • Self - Actor
    Ally Sheedy
    Ally Sheedy
    • Self - Actor
    Demi Moore
    Demi Moore
    • Self - Actor
    Rob Lowe
    Rob Lowe
    • Self - Actor
    Timothy Hutton
    Timothy Hutton
    • Self - Actor
    Lea Thompson
    Lea Thompson
    • Self - Actor
    Jon Cryer
    Jon Cryer
    • Self - Actor
    David Blum
    David Blum
    • Self - Journalist, New York Magazine
    Lauren Shuler Donner
    Lauren Shuler Donner
    • Self - Producer St. Elmo's Fire & Pretty in Pink
    Howard Deutch
    Howard Deutch
    • Self - Director, Pretty in Pink
    Bret Easton Ellis
    Bret Easton Ellis
    • Self - Author, Less Than Zero
    Kate Erbland
    Kate Erbland
    • Self - Film Critic
    Malcolm Gladwell
    Malcolm Gladwell
    • Self - Author
    Susannah Gora
    Susannah Gora
    • Self - Author, You Couldn't Ignore Me if You Tried
    Marci Liroff
    Marci Liroff
    • Self - Casting Director, Pretty in Pink, St. Elmo's Fire: Footloose & All the Right Moves
    Ira Madison III
    Ira Madison III
    • Self - Pop Culture Critic
    Michael Oates Palmer
    Michael Oates Palmer
    • Self - Screenwriter
    • Regie
      • Andrew McCarthy
    • Drehbuch
      • Andrew McCarthy
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen187

    6,57.1K
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    Empfohlene Bewertungen

    8ugagolferdawg

    Reflections on what life could be

    It's interesting to hear what other reviewers have to say about director Andrew McCarthy's vision and compilation of this documentary. Words such as whiny or whack always seem to accompany people's shortsidedness and forget that even though this is not the typical life, it is still someone's life.

    What was most interesting is to see the different reactions of those who were in the Brat Pack and those who were Brat Pack "Adjacent." McCarthy's story comes from a perspective that an article written by a journalist, which we come to find out had gotten his idea from a dinner where he was labeled. Being 29 in the 80's wasn't considered young and he was looking for something to propel him to the next stage of his career. So were McCarthy, Nelson, Ringwald, Sheedy, Lowe, Moore and Estevez. The main difference is that the journalist's life wasn't nearly affected the way he wanted, and had no remorse for how it might have affected the lives of those he wrote about.

    The issue is that we as humans root for people to be successful until we feel they're too successful, become jealous and ultimately find a way to knock them down a peg. Granted it comes with fame and it just so happened that it hit McCarthy, Nelson and Ringwald the hardest. The others have gone on to much longer and more diverse careers, yet we have a hard time feeling sorry for those people who seemingly had it easy.

    Ask yourself if there's an event in your life that you still haven't dealt with. If you have adjusted to all trauma, kudos to you! Do you know someone in your family that hasn't? I think this was the crux of what McCarthy was trying to figure out through the exploration of people that meant a great deal to him at one time, yet never really got the answers to why it bothered everyone so. You can see the natural catharsis he goes through as he talks to Sheedy, Lowe, and even a casting director that gave him a different spin on the stigma of the Brat Pack.

    All in all, the lesson that they all took mostly 30 years to learn is that you're presented with two choices when being pigeon holed in Hollywood. You can allow it to dictate your career for the worse or you can rise above it like several of them did. I believe that McCarthy got the peace he was searching for.

    Regardless if you like the documentary or not, movies would not be the same without their generational success.
    6Littlemicki

    A slightly awkward look back in time

    Like most Gen X, I grew up with the brat pack so this was an interesting look back at the actors and how the name originated.

    A lot of the interviews become quite awkward as we see Andrew spend the entire documentary basically lamenting the brat label as though it ruined their lives. Emilio Estevez looks nothing short of uncomfortable as he stands there barely getting a word in other than politely nodding and agreeing.

    Malcolm Gladwell's section was quite interesting as he offered some great insight into why the Breakfast Club was as popular as it was, pointing out how there was no social media at the time and the movie was one of the first to show 80s kids something they felt genuinely represented them, and how the idea of being brats was cool to them. The producer Lauren Shulee Donner adds to this idea, finally getting Andrew to see that Brat Pack was something seen as cool to teenagers, while Andrew seems to have spent his life being negatively defined by this term.
    7jaymakak

    Let the healing begin, Andrew.

    Andrew McCarthy makes an earnest attempt to put his own struggles with what I always just assumed was a convenient turn of the Sinatra and friend's super cool "Rat Pack" nickname, into an 80s-ready contrivance for a hack reporter to weild as a cudgel against a coterie of successful actors who were younger and more talented than he was, to rest.

    And in the end McCarthy does seem to make peace with the 'Brat Pack' moniker and its implications.

    Along the way we find out that a few of those talented young actors allowed it to define their very careers and one or two of them are convinced it changed the entire trajectory of their professional lives.

    A far more important consideration should be writer/director, John Hughes, and the impact on the Brat Pack's careers and the films that he made that many would agree, defined a generation.

    Someone may have already delved into the Hughes' genius and the legacy he left for us to enjoy.
    6leftbanker-1

    Wanted to Like it, Comes Up Short

    First of all, no one read the stupid article and knew whether it was being critical of the kid actors. This was before the internet so an article in New York Magazine wasn't read nationwide. The name stuck as it was easy to remember because it plagiarized the other pack. The article (I just read it for the first time a minute ago) is total crap and if it weren't for the name he coined, no one would have ever spoken of those few thousand words again. It was nothing more or less than a hatchet job by a journalist who probably wanted to sleep with one of them.

    It's ironic that the one I despised the most in this group as an actor and the one with the most punchable face, Andrew McCarthy, has had an interesting career lately as a travel writer and now this film. I haven't read anything he's written so I'm beginning with his memoir of walking the Camino de Santiago with his son.

    Nothing much of anything is revealed in this film. Once upon a time there was an article written that coined the name. The supposed members of this Brat Pack, young actors, made a bunch of films dealing with young people. There was never much to this story and thus not much more can be said about it all these years later.

    The film itself is awkward at times with way too much time inside of a car, too many shots of the film crew lurking around in the background, and there wasn't much at all of what their lives were like 40 years ago.

    The strangest thing I learned from the film was that none of them were even friends and haven't had any contact with each other in all these years. It just seems like they'd at least call once in a while to comment on a recent project they had finished, either to compliment each other or ask if they knew about it. In the end, they weren't any sort of pack at all.
    7GlassCityPlayboy

    Take me back please.

    This documentary hit me like a ton of bricks. The soundtrack, the movie scenes , seeing the guys. I was never able to describe why loved these movies so much but listening to the folks in the film explain why these films were so important to them 100% made me feel like they were speaking for me. To those that gave this film a negative review, it's obvious that you weren't around during those years. This documentary made me want to watch all those movies all over again for the first time. I feel sorry for this generation, you guys can't even spell nostalgia without expecting help from Google translate. Great film.

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    Handlung

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    • Wissenswertes
      Andrew McCarthy reached out to Judd Nelson to join The Brat Pack reunion but Nelson "politely declined".
    • Zitate

      Andrew McCarthy: For those of us experiencing the brat pack from the inside, it was something very different.

    • Verbindungen
      Features Today (1952)
    • Soundtracks
      Don't You (Forget About Me)
      Written by Keith Forsey and Steve Schiff (as Steven W. Schiff)

      Performed by Simple Minds

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    Details

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    • Erscheinungsdatum
      • 13. Juni 2024 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Brats: las jóvenes estrellas de los 80
    • Drehorte
      • Malibu, Kalifornien, USA(Location)
    • Produktionsfirmen
      • ABC News Studios
      • Liebman Entertainment
      • Neon
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    Technische Daten

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    • Laufzeit
      • 1 Std. 32 Min.(92 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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