Melissa Jesperson-Moore, die im Alter von 15 Jahren herausfand, dass ihr Vater, Keith Hunter Jesperson, der als "Happy Face Killer" bekannte Serienmörder war.Melissa Jesperson-Moore, die im Alter von 15 Jahren herausfand, dass ihr Vater, Keith Hunter Jesperson, der als "Happy Face Killer" bekannte Serienmörder war.Melissa Jesperson-Moore, die im Alter von 15 Jahren herausfand, dass ihr Vater, Keith Hunter Jesperson, der als "Happy Face Killer" bekannte Serienmörder war.
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The story of the Happy Face Killer was interesting enough without making up some BS.
While I know that most movies based on true stories embellish, I found watching the fictional side story and subsequent "investigation" distracting and I watched only 3 episodes before I just had had enough.
Merging characters and events for time constraints or to try to provide clarity I can understand, but making up the side quest out of whole cloth really detracted from the show, and really felt quite exploitative.
I'm pretty offended on behalf of the real victims and their families; this smacks of totally tone-deaf cashgrab.
While I know that most movies based on true stories embellish, I found watching the fictional side story and subsequent "investigation" distracting and I watched only 3 episodes before I just had had enough.
Merging characters and events for time constraints or to try to provide clarity I can understand, but making up the side quest out of whole cloth really detracted from the show, and really felt quite exploitative.
I'm pretty offended on behalf of the real victims and their families; this smacks of totally tone-deaf cashgrab.
This series starts with a promising concept and an engaging atmosphere. However, the overall experience is significantly undermined by the illogical and inconsistent behavior of the main characters - they often make decisions that feel forced or completely unreasonable. On top of that, the constant use of shaky hand-held camera work becomes genuinely irritating. It's not used to enhance realism or tension, but rather seems to be a stylistic choice that adds nothing and only distracts. These two major issues prevent the show from reaching its full potential, despite the good premise and decent acting.
The title pulled me in. The premise - a serial killer's daughter hiding her identity - had weight, tension, something dark and promising. And with Analeigh Ashford in the lead, I figured it had the bones to go somewhere. Episode 1 delivered. It leaned into the paranoia, the fear, the secrets.
Then the show took a wrong turn. The original premise faded, replaced by a routine detective drama padded with forgettable side characters and even more forgettable subplots. Melissa, once a compelling center, spirals into something shrill and exhausting. Her husband - a blank. Her daughter - unbearable.
But Dennis Quaid. He does something almost supernatural. As the serial killer - the actual murderer - he becomes the only one you want to watch. Charming, calm, and razor-sharp, he commands every scene with a twisted campy elegance. Somehow, he turns the monster into the magnet. You don't just understand him. You root for him.
It's a masterclass in subversion. The killer becomes the hero. Everyone else fades. And by the end, you realize the most dangerous man in the story is the only one worth following.
Then the show took a wrong turn. The original premise faded, replaced by a routine detective drama padded with forgettable side characters and even more forgettable subplots. Melissa, once a compelling center, spirals into something shrill and exhausting. Her husband - a blank. Her daughter - unbearable.
But Dennis Quaid. He does something almost supernatural. As the serial killer - the actual murderer - he becomes the only one you want to watch. Charming, calm, and razor-sharp, he commands every scene with a twisted campy elegance. Somehow, he turns the monster into the magnet. You don't just understand him. You root for him.
It's a masterclass in subversion. The killer becomes the hero. Everyone else fades. And by the end, you realize the most dangerous man in the story is the only one worth following.
The show itself is based on a true story but the story portrayed takes liberties to make it interesting. It's not meant to be a documentary. The "politics" people complain about is not a bad thing; rather it's to highlight the REAL injustices that happen across our beautiful country and it's also worth highlighting how corrupt our justice system can be, why complain? We simply cannot live in a bubble of our own making and then get mad others have different experiences. ANYWAYS, the show is a tad dry, there def should be more Quaid time.. who knew he was so good at acting maniacal! The characters are kind of cheesy, typical but also portrayed in a way that feels more natural for what humans go through in tough situations. The show sets you up to dislike the daughter, and yet empathy (which some of us still have) allows you to see how complex being his daughter was and still is, and that navigating life is never easy or obvious. Some people do not go to therapy despite trauma and that's another part worth noting too. Didn't even notice the pronoun thing, but I also don't let things bother me when they shouldn't. Show is overall worth watching, even if its not the best. The scenes are done well, the transitions are captivating, characters are solid enough and the story will keep you interested (just not the binge worthy type everyone seeks out).
I watched without knowing anything about the real crime. It seems people are just low balling this because it's not an accurate documentary. I watched for what it is intended to be, thriller entertainment and I felt each episode made me want to watch the next. They go through so many people that could be the killer but you don't know until the end and that made it extra enticing for me. I felt the acting was good and the end of each episode made me want to start the next which is what you want from a good show. If you simply watch for a thrilling entertainment based on a serial killer I don't think you'll be disappointed. If you're a crime hound wanting a true to life documentary this is not for you.
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- WissenswertesMelissa Jesperson-Moore served as a crime correspondent for the Dr. Oz show. She's also written a book about her experiences.
- PatzerVery early in the first episode, the Melissa character calls her dad in prison to tell him to leave her and her family alone. You cannot call into a prison and leave a message for an inmate, and they don't get voicemail. The most you could do is call the prison during regular hours and hope they get the message to call you back.
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- 57 Min.
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