Cleanskin - Bis zum Anschlag

A rough, tough and extremely violent movie that sees Game of Thrones star Sean Bean swap doublet and sword for civvies and gun to play a British secret service agent who's ordered to going under cover to track down some missing Semtex explosive and the home-grown Islamist suicide cell possessing it. The title is spy-speak for terrorists with no criminal record, so unknown to the secret services that they're almost impossible to trace. Sean Bean is his usual tough minimalist self, but keeping into account he's the star of the show, he's not on screen a lot - a case of too much terrorist, not enough secret agent. The story certainly has ambition and there are some memorable fight scenes, but it also lacks the extra boost that could have pushed much more Bean's action-movie career.

A British film about suicide bombers in London is most likely to be too dark (and a little too much like real life) to be a mainstream success, so many people may be forgiven for never hearing about Cleanskin.

Sean Bean plays a Secret Service agent on the trail of a suicide bomber cell in Britain. What could be quite a clichéd film actually turns out pretty good. It's partly divided up into two separate stories - one detailing Sean's quest to track down the cell and the other showing the terrorists themselves. Perhaps the best part of the film even relates to the terrorists. While Sean is your typical no-nonsense tough guy (think Liam Neeson in the Taken films), the terrorists are actually pretty well thought out characters - no 'True Lies' clichéd Arab terrorists here. It takes something pretty well written to make you have sympathy with a terrorist one minute, then be revolted by his actions the next, plus even weave in a convincing love story into the mix.

I won't go into too many details about the film's plot, as there are a few twists and turns you might not see coming. Just rest assured, if you're looking for a decent action/drama (with plenty of splendid shots of London from above!) then give Sean and co a go.

If you're expecting James Bond, or even Jason Bourne, you've come to the wrong place. This is a brutally realistic film about how both sides in the so-called 'War on Terror' bend every rule of civilized conduct in order to further their own questionable ends. It's a story about people who have absolutely no doubt that their ends justify the means... even though those 'ends' long ago ceased being particularly noble, if indeed they ever were.

The story concerns the journey of one Middle Eastern man from political agnostic to suicide commando. His compelling, if fairly obvious, tale is counterpointed against the gradual awakening of the British assassin sent to track him down, operating well outside the rules of police work or even espionage.

There are no laughs in this movie, no car chases. There is extreme violence, and a lot of incentive to question the purpose of that violence. The characters are strong, as is the message. Unfortunately, those who most need to hear that message are likely to either avoid this film entirely, or conveniently misunderstand it.

what a great film, especially as I really was not expecting to enjoy it as much as I did. It did not start off like your usual kind of terrorist, hunt and eliminate movie. Almost a few stories going on at once, I thought it was good character development, you have to concentrate to keep up in between the present and past sequences, but that's what made this film different in its style and approach of the topic. I sure we can say that the main terrorist is certainly dead, no no chance of bringing him back, but I would like to see the character of the secret agent continued in a secondary movie with a new task at hand and a cleaned up loyal team (not to give to much away). for my part, I enjoyed this film, like the opening scene, and the end conclusion especially, didn't see it coming at all, although i'm probably not the quickest film analyst on here. Nice, gritty British thriller with an attractive directing style and plot build up.

A great performance from not only Sean but also the girl (Tuppence?), and it was nice to see Peter Polycarpou back on our screen!

cleanskin will appeal to a wide audience, not just those who are still recovering from 7/7 (which i couldn't stop thinking about whilst watching) and it's helpful seeing the side from the "good guy" and the side from the "bad guy".

having lived in London when i was younger, it was nice to see some of the landmarks i visited as a kid, so it seems they really went out of their way to keep the realism in the film. it could have easily been filmed in a film studio but it wasn't, which makes it home more for me.

Still the scenes linger in the memory after i watched them.