A Lot Like Christmas

Having been watching more Christmas films for a while now, since 2019 but becoming more regular each year. Namely those from Hallmark and Lifetime, with very variable success, with some UPTV and ION films too. Only got into the newly formed GAC Family films fairly recently, and like Hallmark, Lifetime etc. There are good films, some bad ones and some in between. Have liked Maggie Lawson and Christopher Russell in other things, though their work in acting and filmography are hit and miss.

'A Lot Like Christmas' is one of the in between efforts for GAC, and while it is a good representation of Russell Lawson has been a lot better in other films of hers. 'A Lot Like Christmas' was more or less what was expected. It didn't exceed expectations, but it is a long way from a waste of potential. Instead it sounded like potentially it would be a pleasant enough diversion with a number of good things and a few big drawbacks, and 'A Lot Like Christmas' turned out to be pretty much exactly that.

Russell gives a very sincere and charming performance in his role, and his character up to a point comes over as very amiable. Lawson has moments of perky charm. The supporting cast do well, despite their characters being stock and ones seen many times in similar films.

It looks good, lovely scenery and slickly shot. The music is pleasant and fits tonally enough, the placement also not getting too much.

For my tastes, Lawson on the whole tries too hard and her character goes overboard on the too eager to please side. Her chemistry with Russell isn't really there, pretty lacklustre, especially later on when the conflict kicks in and when Lawson's acting becomes particularly overdone. Also lost a lot of respect for Clay when his secret came out, a secret that was handled in a contrived and predictable way and a very mean spirited one. Which is a big reason as to why the ending didn't ring true. The conflict that it causes felt very forced.

The dialogue tends to be flat and stilted and also rather soapy in the final act. The story is one of those doing nothing new with familiar ground ones, so the predictability is excessive and nothing here feels fleshed out enough. The pacing tends to drag and the charm, light hearted-ness and heart are missing, especially later on. It is easy to predict what the ending is, but part of me really didn't want it to happen and that it would do something different but it went down the too easily resolved route.

Watchable but nothing special. 5/10.

At the first sight, it deserves a lot of critics. Not only for predactibility or for huge unrealism but for waste of good parts, especially the explanations of Scott to his sister about the need to sell the farm and the good image of the clash between paseism and pragmatic present.

But the film is saved, in some measure, off course, by same , so familiar "firefighters"- Frances Flanagan,Dolores Drake and Christopher Rusell , the last in same armor of the kind guy from big city with precise mission but , in same measure, with so many virtues, making him new version of Prince Charming ( his look helps in significant measure ).

So, what you expect, step by step. And nothing more else.

It's "Clay" (Christopher Russell) who arrives in a small town just as the animated snow is falling onto such an obvious studio set - so now we know what we are in for. He's there to help set up a new superstore that's going to be just what the townsfolk need for jobs and prosperity. Meantime, the "Roberts" farm is facing a tough time. "Scott" (Matt Visser) keeps telling sis "Jessica" (Maggie Lawson) that they are on the brink of bankruptcy! The last thing they need is the new shop, especially one run by his old pal "Xavier" (Ian Collins). Scene set? Well now we have to create the gently convoluted scene in which she and "Clay" meet, then there's the bit when the start to fall for each other before the bit about him about his owning up to why he's there. Will she forgive him? Can they have a truce as the all important Christmas market will be crucial for her family and his job, yada yada... The denouement? Well come on now! I didn't hate this, and for the festive season it's your typical cheesy drama with some very light humour (mostly contained at the very start) and just the hint of a frustrated bromance between "Scott" and "Xavier" that's disappointingly undercooked. Nope, there's no way you will ever recall watching this, but it's harmless fodder to shove on in the background whilst you wrap, or stuff, or snooze through December.

I am a fan of Maggie Lawson and her energy and upbeat personality. I was very pleased to see that Clay didn't march in oozing with arrogance and privilege. The character needs to be confident, almost to the point of overconfidence, but Russell didn't overdo it. Clay is actually a pretty nice guy and there is no mean and antagonistic confrontation with Jessica like so many rom/coms seem to think are necessary.

Unless the story has a special sentimental draw, I want upbeat in my Christmas movies. Tension is necessary, but this movie spends a great deal of screen time showing how small businesses and small towns are being ruined by big corporate ones. It's a fact of life. It's not an unusual story angle especially in Christmas movies, but there was too much of it in this case.

This movie diverts from the formula by having Clay's secret revealed around the half way point. This makes it possible to take an unusual tack through the rest of the movie, but unfortunately it was annoying. "It's not personal, it's business" immediately disqualifies Clay as any kind of romantic interest given Jessica's circumstances. Perhaps the appropriate response to him is "It's not business, it's my entire life". Clay has no clue. The ruined the rest of the movie for me and despite it was the only way to end this type of movie, I couldn't believe what happened.

Christopher Russell plays against his usual type as a big city corporate big wig. He usually plays rugged back to nature types. He has come to Maggie Lawson's small town to open a big box store, which threatens to put the local Mom and Pops out of business. Most especially Maggie's Christmas Tree lot. They meet and are immediately attracted to each other without knowing whom the other is. Disaster looms.

Christopher Russell is excellent in this: funny and sincere. Maggie was OK, although her character comes across as trying too hard with the hot new man in town. But really, who can blame her? He is gorgeous and nice. If not handled well however, this enthusiasm can come across as desperation. Unfortunately the story was dull with nothing on the horizon that could remotely be of interest. When she learns his true identity, she turns on him and will do anything to beat him at his own game. She commences to cut off her nose to spite her face. Christopher remains good-hearted and easygoing, which makes her antics all the more unattractive. When her little brother explains to this genius that she has bankrupted the business with all of her expenses outstripping their sales, it finally comes the inevitable sad end. Did she just blame Christopher for her own stupidity?

But wait! Thanks to her sudden inspiration of turning her farm into an event venue, the farm is miraculously saved. Like the next day. When very clueless (but still lovable) Christopher learns that the corporation he works for is based on lies, he decides the small town life is more his speed, and the romance is saved as well.