Badrinath

Badri (Allu Arjun) is one of the disciples of Bheeshma (Prakash Raj), who is a guru of ancient martial arts. Badrinath grows up into a strong fighter under Bheeshma's rigorous training. He will be appointed as the 'kshetra palakudu' (protector) of Badrinath temple. Alakananda (Tamanna), an atheist comes to Badrinath along with her grandfather. Badri learns that she is in big trouble due to Sarkar (Kelly Dorjee). Alakananda slowly realizes the greatness of Badrinath and turns a devotee. She also falls for Badri who doesn't reciprocate to her love. Bheeshma decides to make Badri his successor by handing over the responsibility of Takshasila. For that Badri has to remain bachelor forever. Not aware of his guru's decision and Alakananda's real feelings towards him Badri gives her a word that he will help her to visit Barinath temple again as she has to do that to make her wish come true. Alakananda prays Lord Badrinath to help her succeed in her love. Bheeshma takes a word from Badrinath that he would take up his duties as a true successor to him. So who wins? How does Badrinath overcomes this contrasting situation?

great disappointment for the fans who awaited the movie.Didn't reach the expectations,but can watch the film just for arjun's dance & fights.people will chant the mantra of god while watching the film.Locations are fantastic.the second half of the movie doesn't have any story and is filled with songs..comedy is good.characterization of tamanna is not OK.screenplay of the movie was a major drawback.so finally the movie can be just seen once and we have to wait for another good movie from allu arjun.the plus points of the movie are Locations,settings of the god temple,dance,fights,comedy.the minus points are weak screenplay,story,situation less songs...etc...,

Quiz: How many bad guys can Badri (Allu Arjun) single-handedly kill or maim at the Bellary Railway Station with just a sword and without suffering so much as a scratch in the new Telugu film Badrinath?

a) 0 b) 2 c) 4 d) Several Dozen

If you answered from a-c, you'd be grossly wrong but still get credit for retaining a vestige of sanity. Since it's a Telugu film after all, the correct answer must perforce be d.

Folks, with each new movie, Telugu film star Allu Arjun's acting gets worse and the plots of his films get further bizarre.

In his latest film Badrinath which premiered in the U.S. Thursday night, Allu Arjun not only, yet again, grossly overacts a la Sivaji Ganesan from an earlier era but the storyline is straight from the loony-bin.

Set in the Hindu holy city of Badrinath in North India, the movie is a mindless Telugu paean to senseless violence (Allu Arjun), asinine romance (Tamanna) and juvenile humor (Brahmanandam).

Trashy as most Telugu films are, one can, if one searches long and hard, spot some redeeming element in the form of acting, music, settings, photography or, if nothing else, seek solace in the scantily-dressed voluptuous heroine.

But Badrinath's claim to fame is that it comes to the screen shorn of any semblance of artistic merit or any whiff of redeeming elements save that a bunch of wannabe filmmakers had money to burn.

And proceeded to toss Rs 41-crore into the fire if media reports are accurate.

Allu Arjun, rippling muscles, 8-pack physique and all, plays Badri, the favorite young disciple of a saintly, white-bearded old figure Bhishma Narayan (Prakash Raj) in Badrinath. Serpent in Eden oops Badrinath

Given to flashing his sword and performing endless leaps on the high peaks, the young disciple's idyllic life in the serene heights of the temple town is disturbed with the entry of a serpent in the form of the fair-skinned Alakananda (Tamannah Bhatia) accompanied by her Tatayya (grandfather), who's coughing up blood (you're never sick in an Indian movie unless there's an effusion of blood).

Oh yeah, the girl hates all mention of God and is given to sacrilegious actions, one of which nullifidian act has our valorous, devout hero angrily flinging her into a fast-moving Himalayan river from high above.

Alas, to our great distress Badri's Guru orders him to save her, which he dutifully proceeds to do so and in the process shaves us of any peace for the next two hours!

But Cupid will always worm his way in or at least Badrinath director V.V.Vinayak (also responsible for the screenplay) will.

Soon, the devout young lad is distracted with the skimpily-clad girl who sports a mouth perennially agape as if longing for a hard-object, a pout at home in a nut-house, a brain smaller than a pea and simian antics characteristic of diapered children.

One such "Rajinikanth" antic has an elephant charging after her and only the timely intervention of her savior Badri prevents the pachyderm from planting its large feet squarely on her lissome midriff.

Bare-chested Badri is soon lovey-doveying with bare-midriffed Alakananda on the mountain top even as her evil relatives in the sultry Andhra plains, who seem to be on an overdose of crack-cocaine, plot nefarious schemes that will soon reach the mountains and separate the love-birds.

Allu Arjun's character Badri has a weird tendency to suddenly break into moon-dances a la Michael Jackson in the company of a large troupe, a hint that his Valium dose needs to be increased if we're to calm him down.

By the way, Tamannah Bhatia sets a new record in Badrinath, albeit a dubious one, for being the first Indian heroine to go through an entire movie without covering her midriff and belly-button and lavishly displaying her wares, small as they are, in a desperate effort at inducing lecherous eyes, drooling mouths and priapic organs. We'd say she failed in all three.

Did we tell you, her character goes to a funeral dressed as if to a late evening party! Seriously, do they do that in Andhra Pradesham?

Neither the music nor their picturization were in any measure adequate to lift us out of our misery at the distressing spectacle. The Nath Nath shrieks in the second half that pretends to be a song had us gasping for breath.

As if all of the aforesaid were not torture enough, we were subjected to more grief from that infernal sine qua non of Telugu films Brahmanandam, who plays a crook masquerading as a 2,000-year-old swami.

The writing on the wall is clear: the mega success & ringing cash- registers of "Magadheera" has prompted the makers to attempt "Badarinath". Sadly none in the production team cared less to deliver a good Chandamama story. Everyone seems to be blinded by the glitter and gloss of the production values that results in a soulless pot boiler called "Badrinath".

Allu Aravind has put in lots of effort especially in the action sequences. Sadly he should have concentrated on his performance too.

Tamanna plays as usual the glam-doll, a stereo type character she prefers.

Prakash Raj is loud.

Kelly Dorjee & Ashwini Kalsekar are passable.

The plot opens up with lots of promise but sadly loses it steam as it chugs along and passes through the predictable path offering nothing new to the audience in terms of novelty.

"Magadheera" was a game-changer. It awakened the mythological sentiments which was lying dormant in the Telugu audience. And certainly the credit goes to the unstinted effort poured by Rajamouli. V V Vinayak clearly has a long way to go before he can make a mark for himself.

In this movie we can see the succession from guru to disciple and they beutifully shows the divine badrinath how they worship the god Vishnu, it's getting attention to so many people because of this movie and it has some humour and good love scenes with wonderful songs. Allu arjun acting is really good and his dance moves in the movie it's awesome.

Negatives of the movie: The main bad thing in this movie is some vfx scenes are really bad it's spoils screenplay and some fight are illogical but as a tollywood fan we can ignore that because it's commercial movie.

Finally Iam honestly saying it's good movie please ignore the negative comments and watch it.